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African Oral literature contribution to Writers
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In a patriarchal society men normally have the power. This power is generally handed down generation to generation as seen in Sundiata where the lineage of the first kings of Mali is explained generation by generation (Niane 3). It can also be seen in The Romance of Tristan and Iseult when “[T']he barons, Andret, Guenelon, Gondoine, and Denoalen pressed King Mark to take to wife some king's daughter who should give him an heir...”(Bedier 26). In these examples men generally have the primary power. However, there is an argument to be made that women, in both Sundiata, and The Romance of Tristan and Iseult have some significant power in their society.
In Sundiata the power that women have can be seen as knowledge that is gained through experience, and the craftiness to use this knowledge. Sassouma Berete knows this power of craftiness all too well. When Sogolon is to marry the king, Sassouma Berete uses her craftiness to spread rumors about Sogolon. As D.T. Niane writes in Sundiata, “It was known that she was not beautiful [Sogolon], but the curiosity of everyone was aroused, and already a thousand anecdotes were circulating, most of them put out by Sassouma Berete, the king's first wife” (Niane 10). This suggests that Sassouma Berete understood the power of using her experience and craftiness to create a hostile atmosphere for Sogolon.
When Sogolon becomes pregnant with Sundiata, Sassouma Berete begins the process of determining how it would affect her and her children. D.T. Niane, writes, “What would become of her, Sassouma Berete, if her son, already eight years old, was disinherited in favor of the child that Sogolon was going to bring in the world?” (Niane 13). In this example Sassouma Berete uses her experience and craftines...
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Lastly, when Iseult is set to leave for her impending marriage to King Mark, “her mother gathered herbs and flowers and roots and steeped them in a wine, and brewed a potion of might... (Bedier 41). This love potion, that was intended to be shared between Iseult and King Mark on their wedding night, again shows the power that women possessed.
In both Sundiata and The Romance of Tristan and Iseult women do have power within the society. This power is shown through their knowledge, experience, and craftiness. This power that they possess in both the Epic and Romance story are crucial to the success and failure of both stories.
Works Cited
Bedier, Joseph. The Romance of Tristan and Iseult. New York: Vantage Books, 1994. Print.
Niane, Djibril Tamsir., David W. Chappell, and Jim Jones. Sundiata: An Epic of Old Mali. Harlow, England: Pearson Longman, 2006. Print.
Power is an influence that affects people every single day. Whether it is born into or gained, it can affect the individuals that have it in their lives positively or negatively. Usually, however, it affects the individuals negatively. When it does affect the individual negatively, it is usually referred to an idea known as “the paradox of power.” In the novel A Thousand Splendid Suns by Khaled Hosseini, the paradox of power is a recurring theme, and plays hand-in-hand with gender role in the novel. The men portrayed in the novel are taught to think that they are supposed to control women and their freedom, while the women are taught to be submissive to the men. Many of the men are conservative and believe
Most classical society’s political and social organization revolved around the idea of patriarchy, a male dominated social system. This system exacerbated the inherit difference between men and woman and assigned gender roles based on these observations. Men were generally regarded as superior to woman therefore given greater religious and political roles as well as more legal rights. As the natural inverse, women were subordinated and seen as week; their main roles reproductive and domestic. Information about patriarchy in the classical era, though abundant, was, for the most part, written by men, therefore history does not give us an accurate depiction of women’s viewpoints. Four societies of the classical era, India, China, Greece, and Rome, adopted a patriarchal system, however, due to many factors, each developed identifiable characteristics.
...re treated poorly but they can overcome their circumstances so that they may still contribute to society in a powerful way. Although women in the epic Sunjata, Indian and Greek society are all seen as the subordinate gender, the women in the epic Sunjata are strong people by making the best out of situations. Some could say that women control the story. In the beginning, the hunters would not have killed the buffalo woman if not instructed to. Also, if Sogolon hadn’t pressured Sunjata to stand, he wouldn’t have walked his all his life.
This again enforces male superiority, because the only way a female character is able to challenge a male hero is through non-human powers, suggesting that in the real world it is impossible for women to successfully challenge men. Consider Scylla and Charybdis in the Odyssey, both of whom are females too powerful to be conquered by Odysseus, are obstacles physically in Odysseus’ path, and are described as vile monsters. Scylla specifically is labelled “the bane of mankind” (Homer 12.126) and Odysseus is advised that against her “the best course of action is flight,” (Homer 12.121). This female character is therefore powerful enough to invert the masculine heroic ideals of bravery and warfare, which can only be justified by portraying Scylla as a monster. Likewise, Odysseus states, “The divine Calypso was certainly for keeping me in her cavern home because she yearned for me to be her husband and with the same object Circe, the Aeaean witch, detained me in her palace…” (Homer 9. 29-30); Calypso and Circe are able to restrain Odysseus from continuing his journey only because they possess powers beyond those of human women. Similarly, Ishtar, a goddess in the Epic of Gilgamesh, is a major antagonist with great power who creates an obstacle for Gilgamesh by sending the Bull of Heaven to kill him. When begging her father for the bull, she threatens “I shall smash [the gates of the Netherworld, right down] to its dwelling, to the world below I shall grant [manumission,] I shall bring up the dead to consume the living, I shall make the dead outnumber the living,” (George 6.97-100). The active denotation of these words shows a woman with immense agency taking on the active role reserved for men, and so she is portrayed as a villain. Harris notes “She has…assumed an active, aggressive
length are women who are married or related to kings. It is assumed that the women who are not queens have no power. The only power for women in this lai seems to be found in the world of
In many cultures, patriarchy is embedded in customs. Head of state, head of the family, leading positions would usually fall on a man, and woman would have the privilege to support them as implied second-class citizen. As Walter Lee said to Beneatha: “Who the hell told you-you had to be a doctor? If you so crazy ‘bout messing ‘round with sick people then go be a
... impression that, woman like her, who seem devoted to family, are always tending to fall into the seductress model of femininity, where woman like queen Arete, shows the much equal powerful as the men in the society. The character of Penelope and Arete, in "The Odyssey" shows the complexity of the gender role in the Homeric society.
Sundiata developed into a great leader of Mali through hardships, religion, and core/tributary/periphery relationships of states. The djeli who transmitted this information to the translators, is also a manifestation of an institution important in Sundiata’s epic, because without djelis these stories would be lost forever. Sundiata learned about the formation, running and maintenance of African states through interactions with the communities he was introduced to.
Throughout history, men have been given power solely because of their gender. In society, men receive benefits, rights, and authority, not based on character or eligibility, but on their physical characteristics and life is inherently easier if one is male. Women have just gained the right to vote within the past decade, while men have always been allowed the privilege of contributing to government and civilization. Also, men had the advantage of being in control of wealth and property for hundreds of years because that is how society always functioned. The foundations of society were built on a patriarchy. Therefore, the value of male characteristics and the importance of men have been passed along and are still present today. While society progresses in understanding equality as years go by, male privilege is still in action
In The History of The Franks and The Lais, both Gregory and Marie de France focus a lot on the stories that are related to women. Also, according to them women’s status in the 12th centuries seems to elevate compared with the previous centuries. On one hand, women tend to have power, either regarding to economic or family, in their hands. Women in The History of The Franks own their own control over economic power in the family, and they can even become an inheritor or a superviosr on the behalves of their husbands. In Le Fresne, the rich men’s wife decideds everyting by herself without even telling her husband-- to abandon one of her twin daughters and to arrange her daughter’s marriage. On the other hand, they are free to love, which means
The biological differences that set apart the male and female gender throughout any culture remain eminent. Men are perceived as the stronger and dominant gender; women play the role of the weaker. In each culture the expectation of the manner in which men and women behave are influenced by the ideals and customs of that culture. In most predominant cultures, the man undertakes the role as a leader, and the woman devotes her life to the husband. Throughout history, traditions and literature provide a template to the identities of various cultures. Sleeping Beauty’s classic tale of a beautiful princess takes a central precept that previous patriarchal archetypes dominated during the 17th Century. The archetypal perceptions of women resulted from conscious and unconscious literature influenced by male-dominated perspectives and social standards.
The concept of men being in power comes from the ancient Roman time when males were “[given] one power advantage over the other gender”
Paterno, Domenica R. "The True Lion King of Africa: The Epic History of Sundiata, King of Old Mali."
...hey were servants, like Ariel and Caliban, representing the traditional social world of European societies. The other men’s power came from the inheritance of their social positions, asserting their will on those below them, without little physical work. While in both stories, women were dominated by male power and their greatest values appeared as possessions of men, on certain occasions, women were able to break away from being subservient by standing up for what they believed in. Ekwefi risked her own life to be with the man she loved and to save her only surviving daughter, while Miranda stood up to the mistreatment of Ferdinand and openly admitted her feelings. However, these small scenes cannot fight the male dominance in both Things Fall Apart and the Tempest, and show the same gender problems in both the civilized and “savage” societies of the colonization.
Ever since anyone could remember, men have always been above women, but little do they know that at one point women had more power than men. However, the roles of man and woman flipped very quickly and drastically, like a supernova, changing history. And although men dominate most fields of work and important roles, women are very crucial to the stability of society. Without women, we wouldn’t have knowledge about the cause of HIV, molecular structures of coal and graphite, x-ray diffraction, or genetic transportation. But just because women aren’t in power anymore doesn’t mean they are powerless. There are rights movements and education movements supported by both men and women that stem from gynarchy, gyneolatry and gynaeceum.