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Medici influence in Italy
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The House of Medici, or the Medici family, was a very influential and extremely powerful family during the time of the Renaissance in Italy. The Renaissance took place starting in the late 14th century. During this time, the people started to take interest in and have an appreciation for the classical times. The beginning of this powerful family really begins with Giovanni di Bicci deˈ Medici. He was born in the year 1360 in Florence, Italy. Originally from the Tuscan hillside, the Medici family immigrated to Florence during the 12th century. Giovanni di Bicci deˈ Medici was the man who really got the family moving. He founded the Medici Bank and began using money to gain influence. The Medici Bank eventually became the official bank of the Papacy in the early 15th century. Giovanni had political power, but not through political office; he used his money and wealth to encourage and influence the politicians of Florence. Giovanni was well liked by the people because of his influence for tax reform. Giovanni had a son named Cosimo de Medici in 1389. Using the family wealth, Cosimo set ...
“I’ll be out of here and away from all you knaves for one time anyway, as not a month will pass before you’ll see whether I’m nobody or a somebody.” The story of Bianco Alfani reflected the nature of 14th century Florentine society where, as Alfani remarked, the election to public office could make or destroy a person. In late 14th century and early 15th century Florence, decreased population and expanding commerce provided a favorable environment for ambitious individuals. The real life examples of Buonaccorso Pitti and Gregorio Dati demonstrated the positive role of ambition in Florence. Pitti, a nobleman had an extremely successful career, partaking in military campaigns, holding public office in Florence and being an ambassador to foreign courts. Gregorio Dati, the grandson of purse venders, engaged in commerce, rising in social standing which culminated with his election to public office. Holding office was a definitive sign of success and recognition in Florence. In contrast was the tale Bianco Alfani, a deemed man unworthy of office. As told by Piero Veneziano, Alfani was the chief jailor in Florence who was duped into believing he had been named captain of the town of Norcia. Alfani publicly made a fool of himself, spending all his money and creating a great fanfare over his supposed appointment. Comparing the lives of Pitti and Dati to the story of Bianco Alfani illustrates how economic and social change in 14th century Florence produced a culture centered on reputation and commerce. For men like Pitti and Dati, who flourished within the constraints of Florentine society, their reward was election to office, a public mark of acceptance and social standing. Those who were ambitious but failed to abide by the values o...
When interpreting a novel, it is easy to look too deeply into its meaning, particularly if you have never gone through the process before. To accurately excavate the meaning and or thesis within the novel the reader is required to think critically, develop a theory, and back it with details from the story. The reader cannot be afraid to become lost in the book, or speculate about the story’s implications. In the novel, April Blood, the author Lauro Martines spoils the reader by including every ghastly punishment implemented on the Pazzi conspirators. Martines’s writing does not lack in detail throughout the story, even providing an appealing and energetic approach to the story. However, he does not reach the climax of the events on April 26 until mid way in the novel. Martines greater goal here, is to show how that a mixture of aspects had to do with the attempted over throwing of the Medici.
Michelangelo was born in Caprese, Italy on March 6th 1475. His family was politically prominent as his family had large land property. His father was a banker and was looking to his son to engage in his businesses. As a young boy, he has ambitions of becoming a sculptor, but his father was very discouraging of this. He wanted his son to live up to the family name and take up his father’s businesses. Michelangelo became friends with Francesco Granacci, who introduced him to Domenico Ghirlandio(biography.com). Michelangelo and his father got into a series of arguments until eventually they arranged for him to study under Ghirlandaio at the age of thirteen. Ghirlandaio watched Michelangelo work and recognized his talent for the art and recommended him into an apprenticeship for the Medici family palace studio after only one year of at the workshop. The Medici’s were very rich from making the finest cloths. Lorenzo, which was one of the most famous of the family had a soft side for art and is credited for helping the Italian Renaissance become a time of illustrious art and sculpting. At ...
Catherine de Medici’s culpability for the turbulent events in France in 1559-72 remains a topic of some debate. Highly personal protestant pamphleteers associated Catherine with sinister comparisons to the contemporary evil Machiavelli which eventually developed into the ‘Black Legend’. Jean.H. Mariégol consolidates this interpretation, overwhelmingly assuming Catherine’s wickedness; the Queen Mother was deemed to be acting for ‘personal aggrandizement’ without an interest in the monarchy. Neale provides a corrective arguing a ‘dominant maternalism’ drove Catherine’s policies. Sutherland critiques Neale, suggesting he is guilty of using misconceived qualifying phrases from the ‘Black Legend’ stemming from the contemporary pamphlets, instead Sutherland and Heller attempt to disentangle Catherine from the context of the xenophobic Protestant pamphleteers that shaped much of Catherine’s historical analysis thus far, revealing the ‘politique’ whose moderate policies were a force for stability. Knecht is most convincing in his assertion that whilst the ‘Black Legend’ is a misrepresentation of her character and policies, Sutherland goes too far in whitewashing Catherine. Ironically, Catherine as a ‘politique’ aimed for complex policies and yet her role in French politics was over-simplified by contemporaries and arguably even by modern historians contributing to overly polarised interpretations. Instead we should bear in mind the violent pressures Catherine faced in the context of the collapse of monarchical authority and follow the more nuanced interpretation of her role.
Charles Ponzi was born Carlo Ponzi in Lugo, Italy. His parents were far from wealthy but had an enormous reputation which placed them in aristocracy. From an early age, Ponzi’s mother placed high expectations on him. She had hoped he would restore the family to its former social and financial rank (Zuckoff, 20).
Renaissance society was made up of 3 estates. The first estate is clergy, the second is nobility also called Renaissance men and the third is commoners. 85% of commoners were peasants and the other 15% were townspeople. There were 2 writers during the Renaissance who outline the way certain people should be. Machiavelli wrote “The Prince” which told how to get and hold political power. Castiglione wrote the “Book of Courtiers” which describes the perfect Renaissance noble. In Renaissance society marriages were arranged to strengthen political ties. The woman’s family paid the dowry and the men controlled the business and family. Children were only adults when their father went to the court and freed them. Renaissan...
Lorenzo De Medici can be considered as one of the most influential men of the 13th century. His work in political affairs and administration were renowned in all Italy and his family could count on him in every aspect. Lorenzo was also a promoter of a new period called Renaissance. He was one of the first “mecenate” to explore this new way of art. In this project, I will concentrate how he developed art in Florence, giving a clear example through an Artist of that period that was working for him: Sandro Botticelli. His work “The Spring” is a well-defined example of what we can call “art in the Renaissance”, in particular for the Italian Renaissance.
He was the first of the Medici political dynasty during the majority of the Renaissance. Giovanni was the founder of the Medici Bank which lead to the Medici supremacy. Unlike the rest of the medici family, Giovanni had to work extremely hard for money. He was born into a home with five siblings putting him in a position with no financial support. Vieri di Cambio de’ Medici taught Giovanni everything he needed to know about banking. Vieri owned his own bank chain from 1348 to 1392 in Europe. Once Vieri retired Giovanni created the Medici bank in 1397 in Florence and a branch in Rome. Due to the booming success of the first Medici bank, three more branches opened in Rome, Venice, and Florence. In 1402 Giovanni opened a wool factory. Six years later a new factory was opened for trading spices, olive oil, jewelry, and other goods. Soon after that there was a fourth Medici Bank branch open in Naples and Gaeta. Giovanni setup success for his family after marrying and having kids with business skyrocketing. Giovanni died at age 69. He had given the majority of control of the bank to his two sons, Cosimo and Lorenzo to carry on the family
Though the Renaissance era included all of Europe, Italy was the cradle of the movement. The cities of Florence, Rome and Venice were of great importance to this period. Major artists created art mainly in these three. As the center of Italy, Rome held the residence of the Pope and many other important factors. Throughout history, the Roman Catholic Church was very insistent on promoting their ideas. During this time, they used artists and their creativity to promote the Bible and other aspects of their beliefs. Artists were paid, or commissioned by patrons (often the Pope) to create art they wanted. One of the most ambitious patrons was Pope Julius II, who realized the impact visual images had on people’s ideas (Kleiner, 599). Pope Julius II was called the warring Pope, because he often went and involved himself in wars. He also held very humanistic ideas. Because of this, Michelangelo’s relationship to Pope Julius II was very different from his relationship with Pope Leo X, who succeeded Julius II. Julius, because of his adaptions to humanistic thoughts, he let Michelangelo express himself to the fullest, even when forcing him to paint the Sistine Chapel. Leo X, however, was very critical of everything Michelangelo set out upon. This resulted a strained relationship, and eventually abandonment of projects that were supposed to be completed. It is clear that Pope Julius II had a liking for Michelangelo, while the Medici’s looked on him as a type of lowly artist subject to their will.
Niccolo Machiavelli was born in Florence, Italy in 1469 to a middleclass family. The time in which Machiavelli lived Italy as a country was not united but divide and split into little providences and republics. He latter became responsible for the Florentine militia against the Medici government and rule. When the Medici power reclaimed Florence Machiavelli was arrested for conspiracy he was tortured and then banished from Florence. During his banishment he wrote the book The Prince in 1513 which is dedicated to the new prince of Florence Lorenzo De Medici. The book was a discourse to the prince on how to run a country and also a way Machiavelli can get a job working in politics again.
The family supported a pirate who wanted to enter the Vatican and become a Pope. Then from priest to cardinal to Pope, he remembered the Medici family and trusted their bank. Then the Medici family joined a powerful group of Florentines.
Through historical and economic data this research paper will express how Florence flourished from a mercantile economy in the Renaissance.
Were the Medicis the great heroes of the Renaissance or the great villains? The Medici’s were a prominent family in the Renaissance, who ruled Florence from 1434 to 1737. They are regarded as being one of the most powerful and richest families in the whole of Europe. The Medics used this great status and wealth to develop an improved Florence, one that was significantly influenced by the Renaissance.
The Medici Family was one of the most powerful families of Renaissance Florence. They were a banking family. The first Medici bank, started by Giovanni di Becci de’ Medici, was a small scale business run in the bathroom. The bank grew through Giovanni’s extraordinary salesmanship and financial caution (PBS: Godfathers of the Renaissance). He gave out loans to those who they believed would help the bank persevere and thrive. Known as patrons of the arts, the Medici family funded and encouraged art by Botticelli, Brunelleschi, and Michelangelo. Consequential members of the family such as Giovanni de’ Medici, Cosimo de’ Medici, Lorenzo de’ Medici, and Ferdinando I de’ Medici helped to increase the affluence of Florence during the Renaissance.
Early in history, the Roman papacy consolidated its power. It became one of the most influential organizations in the medieval period. This rise to power resulted from the decline in the Western Empire, the leadership of Roman bishops, and special grants that gave the church land holdings. This rise to power caused some positive ramifications, such as the protection of the church from heresy. However, the absolute power of the pope also caused corruption and abuses, many of which would eventually spark the reformation.