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Home burial by robert frost essay
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Robert Frost's Home Burial
Robert Frost's dramatic dialogue poem, "Home Burial," is the story of a short, but important, episode in the marriage of a typical New England farm couple. They are "typical" because their "public" personalities are stoic and unimaginative, and because their lives are set within the stark necessities of northeastern American farm life. Yet, they are also typical in that their emotions are those one might expect of young parents who have abruptly and, to them, inexplicably lost their baby. Although their emotions would not, one presumes, be openly displayed to the community, the poem's reader is privileged to view them personally and intimately through the small window opened by the poet.
To some extent, it is easy to sympathize with both husband and wife in "Home Burial." Both are grieving, not only the loss of their child, but also the perceived loss of one another. Yet their loss of each other, as such things often occur, is driven by their own self-absorption and insensitivity to one another's feelings. That he intimidates her becomes evident near the beginning of the poem, as he insists upon knowing what she sees at the top of the stairs:
He said to gain time: "What is it you see?"
Mounting until she cowered under him.
"I will find out now -- you must tell me, dear"
Nevertheless, the intimidation seems unintentional. He is trying to make connection with her, trying to understand, although his insistance sounds peremptory. Although she "cowers," this action emphasizes her perception of the situation, not his.
She has designated herself the sufferer and him the tormentor, a designation which becomes clear immediately:
She, in her place, refused him any help,
With the least sti...
... middle of paper ...
...y and gender expectation. The husband subscribes to a patriarchal view of the relationship of husband and wife, while Amy's view is distorted by an innate inability to empathize with any "other," particularly a male. She is unbalanced by grief, but one may suspect that her lack of understanding of her husband is a pre-existing condition, a condition which has already motivated a breakdown in marital understanding. The child's death, then, is simply a trigger for a stronger reaction than any previous ones. Amy seems very young, with a lack of insight peculiar to the immature. This view of the matter leaves room for hope that the relationship may eventually stabilize and result in some practical unity.
Works Cited
O'Donnell, W.G. "Robert Frost and New England: A Revaluation." Robert Frost. Ed. James M. Cox. Englewood Cliffs: Prentice-Hall, Inc., 1962. 46-57.
The implications of her questions was a reality of rude awakening of physical fear towards herself if
The Vietnam War has become a focal point of the Sixties. Known as the first televised war, American citizens quickly became consumed with every aspect of the war. In a sense, they could not simply “turn off” the war. A Rumor of War by Philip Caputo is a firsthand account of this horrific war that tore our nation apart. Throughout this autobiography, there were several sections that grabbed my attention. I found Caputo’s use of stark comparisons and vivid imagery, particularly captivating in that, those scenes forced me to reflect on my own feelings about the war. These scenes also caused me to look at the Vietnam War from the perspective of a soldier, which is not a perspective I had previously considered. In particular, Caputo’s account of
According to Joseph Boyden, "They lived in the mud like rats and lived only to think of new ways to kill one another. No one is safe in such times, not even the Cree of Mushkegowuk. War touches everyone, and windigos spring from the earth"(49). For those who think that joining a war is an opportunity for adventure and excitement, they are wrong. In reality, it is the opposite with life and death on the line due to unnecessary slaughter between human beings because they cannot solve their own conflicts. This devastating topic is told by Joseph Boyden’s novel "Three Day Road" by two different protagonists sharing their own adventures and their conflicts. The protagonist Xavier and antagonist Elijah experience bloody warfare ability to cause havoc. They begin to understand that bloody warfare can make them physically and mentally draining over time because how it changes a person personality making them corrupt with intent to become a windigo themselves like Elijah did, striving to kill another human being as their only goal for survival. As humans, Joseph Boyden is reflecting that if the readers were Xavier or Elijah themselves place in that unstable environment filled with diseases and distraught. We would experience the same kind of suffering Elijah and Xavier had to go through.
...s that have a much defined rhyme scheme. Therefore, the poem becomes a more serious and personal epilogue to seal the past behind him, perhaps, having therapeutic aspects for Frost himself in retelling the grief they (Frost and his wife) went through. The title of the poem ‘Home Burial’ itself could be read as a double-entendre; these being the death and the burial of a child and the symbolic death of a marriage. An alternative narrative line has been concluded by Benjamin West saying ‘The true subject of the poem – from a biographical perspective – is the death of Frost’s nephew, child of his sister-in-law Leona White Harvey, in 1895. It was her relationship with her husband that inspired the poem.’ (West:2011). This alternative opinion conveys that ‘Home Burial’ is not about Frost’s own life although many other critics conceive it is about the death of his son.
Through the careful use of diction presented through a first-person perspective, Kenyon is able to use The Blue Bowl as a medium for social commentary regarding what she sees as a primitive mourning process that does not help those who undertake it. Through a careful analysis of the poem, the reader is able to understand Kenyon’s critique of the mourning rituals that humans use to alleviate the grief caused by the death of a loved one and interpret the shortcomings that Kenyon finds. Kenyon’s use of perspective combined with specifically chosen diction enables her to present a social commentary regarding what she believes to be the inherent shortcomings in the emotional effects of the burial itself and the sense of closure it is supposed to bring yet fails to achieve during a typical period of mourning.
... Robinson gives you a mental image then blows it to pieces. While Frost, write a long, drawn-out poem which is very detailed but at the same time confusing. His wording causes readers to stumble over sentences. This causes the reader to become frustrated, allowing them to somewhat experience the frustration the couple in “Home Burial” is going through themselves.
The first option is a one-year certificate program. This is available to those who already have some degree of medical training in jobs such as nursing, radiography, physician assistants and more. This program is meant to specifically cover the major aspects of sonography in addition to your formal medical training.
Robert Frost is known for being a poet, but he is not truly known as Robert Lee Frost the person. Who is the real Robert Frost? Was he the wholesome person that he appeared to be to the public? Was his life really full of beauty like he wrote in his poetry? Who was really behind the typewriter?
Frost is far more than the simple agrarian writer some claim him to be. He is deceptively simple at first glance, writing poetry that is easy to understand on an immediate, superficial level. Closer examination of his texts, however, reveal his thoughts on deeply troubling psychological states of living in a modern world. As bombs exploded and bodies piled up in the World Wars, people were forced to consider not only death, but the aspects of human nature that could allow such atrocities to occur. By using natural themes and images to present modernist concerns, Frost creates poetry that both soothes his readers and asks them to consider the true nature of the world and themselves.
This blues poem discusses an incredibly sensitive topic: the death of Trethewey’s mother, who was murdered by her ex-husband when Trethewey was nineteen. Many of her poetry was inspired by the emotions following this event, and recounting memories made thereafter. “Graveyard Blues” details the funeral for Trethewey’s mother, a somber scene. The flowing words and repetition in the poem allow the reader to move quickly, the three-line stanzas grouping together moments. The poem begins with heavy lament, and the immediate movement of the dead away from the living, “Death stops the body’s work, the soul’s a journeyman [author emphasis]” (Tretheway 8, line 6). Like the epitaph from Wayfaring Stranger, Trethewey indicates that the dead depart the world of the living to some place mysterious, undefined. The living remain, and undertake a different journey, “The road going home was pocked with holes,/ That home-going road’s always full of holes” (Trethewey 8, line 10-11). Trethewey indicates that the mourning is incredibly difficult or “full of holes”, as she leaves the funeral and her mother to return home. ‘Home’ in this poem has become indicative of that which is not Trethewey’s mother, or that which is familiar and comfortable, in vast contrast to the definition of home implied in the
Throughout the emergence of the Vietnam war {and military draft}, many innocent people were inducted and taken from their homes to fight in alien territory. A few significant individuals, however, managed to take a stand and refuse the government’s orders. Two texts that exhibit this difficult time are Muhammad Ali’s “The Greatest: My Own Story” and an interview of John Strickland. Both Ali and Strickland experience criticism and reveal a determined state of mind as they oppose the war and induction. Each man faces the same conflict, and their perspectives prove to be similar.
the city’s hypnotic influence"(Dreiser, 79) it becomes clear that in fact she is not a helpless victim by any means – she just simply
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Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
“Elegy Written in a Country Churchyard” is a poem composed by Thomas Gray over a period of ten years. Beginning shortly after the death of his close friend Richard West in 1742, “Elegy Written in a Country Churchyard” was first published in 1751. This poem’s use of dubbal entendre may lead the intended audience away from the overall theme of death, mourning, loss, despair and sadness; however, this poem clearly uses several literary devices to convey the author’s feelings toward the death of his friend Richard West, his beloved mother, aunt and those fallen soldiers of the Civil War. This essay will discuss how Gray uses that symbolism and dubbal entendre throughout the poem to convey the inevitability of death, mourning, conflict within self, finding virtue in one’s life, dealing with one’s misfortunes and giving recognition to those who would otherwise seem insignificant.