Before the development of the digital video and computer technology of today, filmmakers had no choice but to turn towards editing multiple shots together to create a cohesive movie. Originally, a camera only held fifteen minutes’ worth of film stock at a time, which was nearly impossible to create a quality film as there is a dependence on the choreography of a scene; the positioning of actors, props, and camera angle. Through editing, a collage of images composes a scene to convey the message best for the plot of the film at that point; usually a medium two-shot or an intimate close-up used for parallels or possible romantic implications. A specific tempo is also created in the process of editing these shots together through average shot …show more content…
A good example for time alteration is the use of a montage, this can be used for training, such as that seen in Rocky, or for cleaning up a building destroyed and/or filthy from a party or years of abandonment. A montage represents the action(s) would take hours, days, or even weeks if shot in real time but because they are being shown in a film, the audience is shown flashes of scenes to represent the progress in mere minutes. Parallel editing is a favorite amongst narrative sequencing that focuses on more than one main character, in this editing multiple shots can be played side by side or cut to in rapid succession to show they are occurring at the same time, possibly referring to a convergence of two story arcs causing a change for the rest of the film. These scenes are meant to create suspense as the audience may be waiting for a detective to finally catch a long-hunted killer, a character performing a dangerous or risky action is about to be trapped in a terrible turn of coincidence, or an intense climax is about to take …show more content…
Besides the use of editing for narrative sequencing, proper editing for any decent film even those without a specific form of narrative driving the film forward. Continuity editing makes it so the audience is unable to tell where each shot ends and another begins, even if the different shots are taken for the same scene from the same camera angle. This seamless transition is important for the emersion of the viewers, which keeps their attention rapt on the action and allows for the filmmaker’s message to come through clearly and for the film to be memorable to the viewers. Although film is all about innovation and modifying what is known as storytelling, many filmmakers still adhere to what is known as the 30-degree rule that dictates every time a cut from different shots occur, the camera should move at least 30-degrees to either side. This can be from a medium shot to a close-up, a change of location for the action, the use of reversal shots for a conversation between characters, and so
Mary Jane’s Mishap was made when ‘multi-scene films were becoming popular’ (Salt, 1990, pp32) It is notable for its use of experimental transitions. To ‘separate successive scenes’ (Salt, 1990, pp32) Smith used vertical wipes to transition to wider framed shot. This efficiently showed an ellipsis in time from the funeral to people visiting her grave. D.W.Griffith also used inventive shots but popularised them rather than inventing them, such as tracking shots adding pace the characters movement and the narrative.
In the movie Run Lola Run, a lot of editing concepts were use more than once. One of them that I specifically notice was parallel editing. For example when Lola leaves her father’s work empty handed, she begins to run to meet Mani. As time begin to run out you see three different shots on the screen of Mani, Lola and the ticking clock. You can hear the ticking clock as Lola ask Mani to wait for her. Although they’re together on the screen, they are apart by a few seconds. You can see that when Lola gets close to the supermarket and you see a long shot of Mani. Another concept was the graphic match at the end of the first timeline. When the red bag was falling in the air, to Lola red phone falling. Also there were a lot of eye line match. For
In order for a film to be successful many different elements must be taken into consideration even before beginning to shoot. The tone of the piece, what sort of lighting will be used, the location of the shots, and a palette for the film, are all elements that need to be considered before the actual filmmaking begins. However, even with rigorous planning, questions will still arise during shooting, questions that might not even be apparent or answered until the footage reaches the editing room. However, many shortcomings in shooting can be solved through editing. In fact, with good editing pretty much any type of footage can be made into a working piece of art. But good editing is not an easy task. There are many aesthetic factors that need to be taken into consideration such as shot size, mass, movement on screen, and music, in order to keep a film cohesive and interesting. These elements will work together to inform not only the mood of the piece but also the meaning behind it. Editing can make or break a film. In Terry Zwigoff's film Ghost World, it does both, as attention to detail and sometimes lack there of, both strengthens and weakens the film as a whole.
consider to be more modern film techniques. Montage plays a key role in this film, as
Parallel editing, or cross cutting, aligns multiple storylines that are happening at the same time in order to sustain the actions of each characters. In Suspense, this technique is used continuously to follow the paths of the tramp, wife, husband, and police. However, the
For example, in the beginning of the film, the director used editing to include a scene from later on the movie to add confusion. The scene was when Paula was standing alone in the hallways of her school, when suddenly a herd of students come rushing down the halls being beaten by police officers. This scene was an example of foreshadowing and appeared later in the film. However, it immediately caught my attention and I began asking myself questions concerning what was occurring. The film’s cinematography was also unique and stood out to me. As Paula and the other leaders of the movement were protesting outside the school, I noticed that the scenes were filmed from a variety of perspectives. For example, when Paula was standing on top of a car shouting, the camera shot the scene at a low angle which made Paula seem larger and suggested a feeling of
Since the creation of films, their main goal was to appeal to mass audiences. However, once, the viewer looks past the appearance of films, the viewer realizes that the all-important purpose of films is to serve as a bridge connecting countries, cultures, and languages. This is because if you compare any two films that are from a foreign country or spoken in another language, there is the possibility of a connection between the two because of the fact that they have a universally understanding or interpretation. This is true for the French New Wave films; Contempt and Breathless directed by Jean-Luc Godard, and contemporary Indian films; Earth and Water directed by Deepa Mehta. All four films portray an individual’s role in society using sound and editing.
For example, at the beginning, the camera pans around and through a frozen action scene. This is to emphasise the action that is taking place due to the close-up shots that are used on each part of the scene. The fact that the scene is frozen, mid-action allows the watcher to analyse each small element of the scene, including the tiny bullets being fired. The canted angle that is coupled with this panning enforces the fact that the scene is totally unrealistic due to the amount of things going on at once. The techniques used in this scene is common for this genre as many other superhero films use over/under cranking during a fast paced action scene, therefore allowing the watcher to absorb everything that is happening. Another example of this is the scene after the first when Deadpool is surrounded by enemies with guns on a bridge. In this fast paced action scene, a mid-shot paired with a canted angle makes the watcher feel as if they are really there which gives the watcher a dramatic view of Deadpool and his
Montage is from the beginning of the twenties characterized as a process of synthesis, building something new and in terms of the physical planes also something quite simple. Most montage’s films were created as a dialectical process, where initially from a two meanings of consecutive shots form a third meaning.
Editing is one of the most important things in now only a film, but in any project. If people don’t edit, then little mistakes slip through. Parallel editing is used in the scene from Inside Out. Parallel editing is when two scenes alter between each other because of a connection that they have. This is also called crosscutting or intercutting. An example would be the fact that the film was switching back and fourth from the scene where Riley was talking in the classroom to where her emotions were trying to see how they could solve whatever was going on. One shot would show the emotions playing a joyful memory and then the next shot would be Riley talking about that memory with a joyful look on her face. This also happened in the shot where the memory became sad and then it showed Riley becoming sad as she talked. These go back and forth with each other because they have a connection that helps keep the story moving along. By using different editing techniques, the film not only looks better, but becomes more believable in a
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
the battle as a haze. The music then begins to go quieter and at this
The development of editing - Editing - actor, film, voice, cinema, scene, story. 2014. The development of editing - Editing - actor, film, voice, cinema, scene, story. [ONLINE] Available at:http://www.filmreference.com/encyclopedia/Criticism-Ideology/Editing-THE-DEVELOPMENT-OF-EDITING.html#ixzz2sNiIEQqt. [Accessed 10 February 2014].
Film editing by definition is part of the creative postproduction process of filmmaking. In today’s modern world, film has made use of advanced digital technology to help with the editing. The editor or editors are usually given a complete compilation of all the footage. These various separate shots that can be regarded as ‘ raw’ footage. Their task is to create a finished motion picture through combining and selecting shots and putting them into a coherent sequence of events. Whenever we are viewing a film it is extremely difficult to consciously perceive all the editing that has been undertaken. Every single time there is a change from one image to another, this is an edit. For editors, it could be a possible annoyance or perhaps a blessing that critics and the audience never specifically point out the editor’s contribution. However it must be noted that film editors aren’t the only ones that will contribute to a films editing.
Offering the unique ability to visually and audibly convey a story, films remain a cornerstone in modern society. Combined with a viewer’s desire to escape the everyday parameters of life, and the excitement of enthralling themselves deep into another world, many people enjoy what films stand to offer. With the rising popularity of films across the world, the amount of film makers increases every day. Many technological innovations mark the advancement of film making, but the essential process remains the same. Pre-production accounts for everything taken place before any shooting occurs, followed by the actual production of the film, post-production will then consist of piecing the film together, and finally the film must reach an audience. Each step of this process contributes to the final product, and does so in a unique right. The process of film making will now start chronologically, stemming from the idea of the story, producing that story into a film, editing that footage together, and finally delivering that story to its viewers.