Pinhole Photography

1993 Words4 Pages

The pinhole can be explained by a simple law of the physical world. Light travels in a straight line and when some of the rays reflected from a bright subject pass through a small hole in thin material they do not scatter but cross and reform as an inverted image on a flat surface held parallel to the hole (Wilgus). The pinhole has served many purposes over time but the greatest contribution has been made in photography. Without the pinhole, the camera and photography as we know it would not exist. However, modern photography has evolved away from the pinhole process and into the digital world. With this evolution the pinhole has widely fallen out of use, however, since the 1960s and 1970s the world has seen a revival of the pinhole. Not only has it been revived, it has been revolutionized. Creating images of soft, ghostly beauty, with warped images, and disappearing subjects; the pinhole camera truly holds an aesthetic all its own. There are infinite options to choose from in the making of a pinhole camera— an art that is only limited by the designer’s imagination. This research paper is written with the intention of spanning the history of the pinhole camera— a history that reaches far beyond the mere invention of the photograph. The invention of the pinhole camera is an invention of photography itself, it is an art, and it is a media that has been revived in today’s artistic field of study.

The earliest record we have of the pinhole was made by Chinese philosopher Mo Ti in 4000 BC, he was the first to describe the optical phenomenon he called a "collecting place" or "locked treasure room." He discovered that light passing through a small hole in the wall would cast an inverted colored image onto an opposing, blank wall (H...

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... the way to Justin Quinnell’s mouth the pinhole has carved out its own place in the world. It has influenced our society and the world around us immeasurably— for where would we be without the photograph?

Works Cited

Renner, Eric. Pinhole Photography: Rediscovering a Historic Technique. Boston: Focal Press, 1995. 4-65, 157. Print.

Hirsch, Robert. Seizing the Light: A Social History of Photography. 2nd ed. Boston: McGraw-Hill, 2009. 1-2. Print.

Stewart, Doug. "The Pinhole Point of View." Smithsonian. 31.2 (2000): 124. Web. 4 Dec. 2011.

Wilgus, Jack and Beverly. "The Magic Mirror of Life: An Appreciation of the Camera Obscura." brightbytes.com. N.p., August 2008. Web. 4 Dec 2011. .

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