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Insight into canterbury tales
Canterbury tales analysis essay
Insight into canterbury tales
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In the “General Prologue” of The Canterbury Tales, Chaucer explores what happens when spiritual goods begin to be profit-earning commodities, and question the effect of this trade upon the individual who practices it. The Pardoner that Chaucer writes about, is seen as a feminine con-artist who went against the typical perception of individuals associated with the church. A Pardoner is someone who was supposed to travel, selling official church pardons like pieces of paper with a bishop's signature on them or relics, entitling the bearer to forgiveness for their sins. They used the money raised for the maintenance of hospitals, the buildings of churches, repairing bridges and other causes. The Pardoner's portrait in “The General Proulouge” throws into question not only the character himself, but also the practices upon which he relies to make a living. In “The General Prologue”, Chaucer subtly suggests the ambiguous nature of the Pardoner.
The Pardoner in “The General Prologue” had a non-traditional appearance. Typically, Pardoners were not allowed to have long hair due to its feminine implications. Pardoners usually were bald and their head was covered by a hood. The atypical head dressing of Chaucer’s Pardoner is an understated view of the Pardoner’s alleged amigous nature. The Pardoner;s rebellious dressing with the, “heer as yelow as wex,/But smothe it heeng as dooth a strike of flex;/By ounces henge his lokkes that he hadde”, indicated the Pardoner’s rebellion against the Church. The Pardoner has no intentions of wearing his hood with Chaucer the author stating, “But hood, for jolitee, wered he noon,/For it was trussed up in his wallet,” indicating that the hood is stuffed firmly away. The atypical dressing indicates th...
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...ay have based the character after a real life Pardoner that Chaucer knew. The selling of false relics was highly taboo so the fictional character may be satirical representation of a Pardoner Chaucer the author knew. The Pardoner is initially introduced as a merry man associated with the church. The author then suggests the ambiguity of his sexuality making the reader think more about the character of the Pardoner. The author Chaucer shows the Pardoner preaches against greed which is ironic considering the Pardoner's hypocritical actions. Chaucer the author shows how the Pardoner uses his position as an employee of the Church to extort the poor, pocketing of indulgences, and failure to abide by teachings against jealousy and avarice. The juxtaposition of the church values and the characteristics of the Pardoner indicate the author’s satirical view on the Pardoner.
Chaucer was "not a reformer" or "satirist" whose goal is to reform the church. He merely wished to use different characters to tell his stories. Kittredge also mentions how the pardoner is not drunk when telling his tale, as only one draught of ale was consumed, not nearly enough to intoxicate a seasoned drinker like the pardoner. Through his reasoning, Kittredge concludes that the pardoner's foolish confession, in fact, has a purpose for the story. While the pardoner may seem foolish to reveal his sins and hypocrisies, there is reasoning behind this madness.
In “The Pardoner’s Tale,” Geoffrey Chaucer masterfully frames an informal homily. Through the use of verbal and situational irony, Chaucer is able to accentuate the moral characteristics of the Pardoner. The essence of the story is exemplified by the blatant discrepancy between the character of the storyteller and the message of his story. By analyzing this contrast, the reader can place himself in the mind of the Pardoner in order to account for his psychology.
Chaucer, Geoffrey. "The Canterbury Tales Study Guide : Summary and Analysis of The Pardoner's Tale | GradeSaver." Study Guides & Essay Editing | GradeSaver. N.p., n.d. Web. 10 May 2011. .
He must be a sailor As critical as he was of ecclesiastical abuse, Chaucer was, nevertheless, Christian. I am a Christian. As impressive and complex as it is, even the Pardoner's. self-awareness has its limits. If the relationship between the teller and his tale is consistent with the other tellers and their tales, we can assume that Chaucer is suggesting that the Pardoner quite.
The Pardoner is the best representation of an allegorical character in “The Prologue” of Geoffrey Chaucer’s The Canterbury Tales. The Pardoner is the perfect personification of fraudulence. He shows this in three basic ways: his appearance, speech, and actions. If one just glances through the reading of the Pardoner than one will think that he is a good religious man, but if one look further into it than he will find the small double meanings that he is the exact opposite. Chaucer likes to use an allegorical style to add some comedy and sophistication to his writings.
The dominance of men in the Middle Ages is unethical, irrational, and dangerous; women are given few rights and the opportunity to earn rights is non-existent. The dictates to the dominance is formed by the internal combination of man’s personal desire and religious interference. In Geoffrey Chaucer’s, The Canterbury Tales, the combined perspectives’ on a haughty Pardoner and non-subservient wife is the stronghold of separation in moral roles. The moral roles between men and women are exemplified in the rankings of religious hierarchy for men are at the top and women towards the bottom. Even prestigious women, ones with noble connections, are subservient to men, but contradictorily have religious affiliations. The “Wife of Bath’s Tale” is a perfect example of defying man’s dominance and the “Pardoner’s Tale”, a problematic reasoning of why selfishness connects moreover to the manipulation. The frailties of religious reasoning however, will cause The Pardoner and the Wife of Bath to be separated from society’s morals.
However, after hearing his tale it is quite shocking about his frankness about his own hypocrisy. We know that he bluntly accuses himself of fraud, avarice, and gluttony, all things that he preaches against throughout this tale. It is in lines, 432-433 that the Pardoner states, “But that is not my principal intent; I preach nothing but for convenience.” It is here that we truly begin to learn that The Pardoner’s Tale is merely an example of a story that is often used by preachers to emphasize a moral point to their audience. That is why, this tale in particular helps to comprehend Chaucer’s own opinions, and how he used satire to display them.
Chaucer, Geoffrey. "The Pardoner's Tale." Chaucer's Works. Ed. Walter W. Skeat. Vol. 4. London: U of Oxford, 2007. N. pag. Web. 24 Apr. 2014
The Canterbury Tales is a literary masterpiece in which the brilliant author Geoffrey Chaucer sought out to accomplish various goals. Chaucer wrote his tales during the late 1300’s. This puts him right at the beginning of the decline of the Middle Ages. Historically, we know that a middle class was just starting to take shape at this time, due to the emerging commerce industry. Chaucer was able to see the importance and future success of the middle class, and wrote his work with them in mind. Knowing that the middle class was not interested in lofty philosophical literature, Chaucer wrote his work as an extremely comical and entertaining piece that would be more interesting to his audience. Also, Chaucer tried to reach the middle class by writing The Canterbury Tales in English, the language of the middle class rather than French, the language of the educated upper class. The most impressive aspect of Chaucer’s writing is how he incorporated into his piece some of his own controversial views of society, but yet kept it very entertaining and light on the surface level. One of the most prevalent of these ideas was his view that certain aspects of the church had become corrupt. This idea sharply contrasted previous Middle Age thought, which excepted the church’s absolute power and goodness unquestionably. He used corrupt church officials in his tales to illustrate to his audience that certain aspects of the church needed to be reformed. The most intriguing of these characters was the Pardoner. Chaucer’s satirical account of the Pardoner is written in a very matter-of-fact manner that made it even more unsettling with his audience. Chaucer uses his straightforwardness regarding the hypocrisy of the Pardoner, suggestive physiognomy of the character, and an interesting scene at the conclusion of the Pardoner’s Tale to inculcate his views of the church to his audience. The way that Chaucer used these literary devices to subtly make his views known to an audience while hooking them with entertainment, shows that Chaucer was truly a literary genius.
The Canterbury Tales is more than an amusing assortment of stories; it is an illustration of the society in which Geoffrey Chaucer lived. It portrays the culture and class system of the medieval ages in microcosm. Every strata of human life at the time were represented by the many characters whose tales are told. Each character’s basic human nature also plays a role in their stories, and each one has within them the strengths and weaknesses that make up all of humanity. Each character exemplifies their life and reputation through the stories they tell. The Pardoner uses his tale as a ploy to garner money. His tale embodies each deadly sin, and every reader can relate to his story and feel the guilt of his characters. The Wife of Bath’s tale expresses her own ideals in the way her character is given a second chance after committing a crime. The Franklin’s tale, because of its straightforwardness and honesty is a direct representation of the Franklin’s simple and joyful life. Each character tells a tale that is a suitable match to their personality. These characters’ tales represent prevalent themes of the middle ages, including greed, corruption of religious clergymen, violence, revenge, and social status. In Chaucer’s society, the traditional feudal system was losing its importance and the middle class began to emerge. The middle class characters within the Canterbury Tales, with their personal lives and interactions with members of differing social classes, gave an understanding of the growth of society, especially the rising middle class, during medieval times.
The monk receives some scathing sarcasm in Chaucer’s judgment of his new world ways and the garments he wears “With fur of grey, the finest in the land; Also, to fasten hood beneath his chin, He had of good wrought gold a curious pin: A love-knot in the larger end there was.” (194-197, Chaucer). The Friar is described as being full of gossip and willing to accept money to absolve sins, quite the opposite of what a servant of God should be like. Chaucer further describes the friar as being a frequenter of bars and intimate in his knowledge of bar maids and nobles alike. The friar seems to be the character that Chaucer dislikes the most, he describes him as everything he should not be based on his profession. The Pardoner as well seems to draw special attention from Chaucer who describes him as a man selling falsities in the hopes of turning a profit “But with these relics, when he came upon Some simple parson, then this paragon In that one day more money stood to gain Than the poor dupe in two months could attain.” (703-706, Chaucer). Chaucer’s description of the pardoner paints the image of a somewhat “sleazy” individual “This pardoner had hair as yellow as wax, But lank it hung as does a strike of flax; In wisps hung down such locks as he 'd on head, And with them he his shoulders overspread; But thin they dropped, and stringy, one by one.” (677-681,
Chaucer used controversies to create character. He wanted his characters to teach the readers something new about life. The Wife of Bath and the Pardoner demonstrate Chaucer’s way of creating characters based on the sexuality of the medieval period.
Chaucer’s "General Prologue" is remarkable in that it allows us to see not only what characters may claim to represent, but also how they really are inside. Chaucer’s depiction of the Friar, who should be a man of upstanding piety and virtue, makes it readily apparent that he is quite the opposite. The Friar’s elitist background and behavior, his begging-supported greed, and the vices that oppose true Christianity prove that he is a man of low moral standards. Certainly, Chaucer paints a masterful contrast of image vs. reality.
While in reflection of the readings this semester, I could not deny that Chaucer’s collection should be preserved as the author succeeded in what his stories were meant to accomplish: to “delight and instruct”. With the alluring variety of characters and entertaining situations which are described in well-chosen detail, each story is provided by the pilgrims. Additionally, as each of the chosen tales (as stated in the course reading syllabus) provides a lesson that is still relevant after five centuries, the “instruction” comes from these universal morals. Therefore, in the course of this essay, I wish to provide reason as to why The Canterbury Tales should be preserved by looking further into the selected tales (“The Miller’s Tale”, “The Nun’s Priest’s Tale”, and “The Wife of Bath’s Tale) in reference to the following: the literary variety expressed in the stories, the morals given in the selected tales, and its references to English society at Chaucer’s time. 1).
The Church is the first institution that Chaucer attacks using satire in The Canterbury Tales. Chaucer wants to attack the church’s hypocrisy. Chaucer decides to create the character of the pardoner to prove his point. Cawthorne conveys, “His Canterbury Tales collects together 24 narratives with a General Prologue and an epilogue or Retraction.” Chaucer describes the character before telling their tale. The Pardoner is a man who steals from the poor. Chaucer says on page 127 line 77, “For though I am a wholly vicious man don’t think I can’t tell moral tales.” The pardoner knows what he does is wrong, but he continues to do it anyway.