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An Essay On The History Of Photography
History of photography and photojournalism
An Essay On The History Of Photography
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Photography wasn’t considered a form of art in the United States until the turn of the century when a man named Alfred Steiglitz fought throughout his lifetime to make sure we recognized it as an art form. It was only used as a form of science up until then. There is a lot of chemistry when it comes to photography; mixing different chemicals for film and paper as well as the four or five different “baths” for each the film and paper. And to know what film to use, which paper and what chemicals will form the best possible images. This is why most people pay to get their film developed. Photography is really complex due to the different kinds of sciences, art and imagination involved.
We’ve already mentioned the chemistry, and very briefly the art of photography; now we will explore some of the physics of photography. Light rays, lenses, mirrors and prisms are a few examples of physical forms of photography. On the next page are three images to help understand the significance of the cameras lens, and the complexity of controlling the light waves.
The first image is of a man smoking a tobacco pipe in front of an exposed sheet of film. Shown are two focal points of light rays bouncing in all directions. Instead of producing an image onto the film, the rays will just completely expose the film.
The second image is of the same man, but in the middle of him and the sheet of film is a convex lens. What the convex lens does differently is redirect the light path from one single point onto corresponding point on the film.
The third image is an example of why we use convex lenses instead of other lenses. The first lens in the picture hit the lens straightforward, not refracting. The second lens is similar but at an angle so some rays are refracted but the rays are not affected and continue to go straight.
Practiced by thousands who shared no common tradition or training from the earliest days of taking photos, the first photographers were disciplined and united by no academy or guild, who considered their medium variously as a trade, a science, an art, or an entertainment, and who often were unaware of each other’s work. Exactly as it sounds photography means photo-graphing. The word photography comes from two Greek words, photo, or “light”, and graphos, or drawing and from the start of photography; the history of the aforementioned has been debated. The idea of taking pictures started some thirty-one thousand years ago when strikingly sophisticated images of bears, rhinoceroses, bison, horses and many other types of creators were painted on the walls of caves found in southern France. Former director of photography at New Yorks museum of modern art says that “The progress of photography has been more like the history of farming, with a continual stream of small discoveries leading to bigger ones, and in turn triggering more experiments, inventions, and applications while the daily work goes along uninterrupted.” ˡ
The first type of using light to make a picture was the daguerreotype. Both Louis Jacques Mande Daguerre and Nicephore Niepce, who passed away before the public was introduced to the daguerreotype, founded this type of picture taking. However, before this Louis Daguerre made a "theater without actors." Beaumont Newhall explains that this was an illusion made by extraordinary lighting effects that made the 45 ½ foot by 71 ½ foot pictures appear to change as one looked at them (2).
projected its rays through the tinted glass... But in the western or black chamber the effect of the
Prior to the invention of the daguerreotype, the Camera Obscura was the main optical instrument that was used to project images onto paper. The Camera Obscura was a device in the shape of a box that allowed light, which was being reflected from the images that the user was intending to capture, to enter through an opening at one end of the box to form an image on a surface and an artist would then trace the image to form the most accurate impression of an image at that peri...
...ossessed with three dimensional attributes. The optical effect may be explained by the fact that the human eyes see an object from two viewpoints separated laterally by about six centimeters. The two views show slightly different spatial relationships between near and near distant objects and the visual process fuses these stereoscopic views to a single three dimensional impression. The same parallax view of an object may be experienced upon reflection of an object seen from a concave mirror." (http://www.freepatentsonline.com/4229761.html).
D. Space – Gogh uses linear and atmospheric perspective to give the illusion of depth. Linear perspective is created by the left border, diagonal lines of the field and the horizon. The vanishing point is the left part of the frame along the horizon line. Atmospheric perspective is created in a number of ways. Gogh uses color in...
When going for a walk, a person takes in the beauty around them. On this particular day, the refulgent sun is extra bright, making the sky a perfect blue. White, puffy clouds fill the sky, slowing moving at their own pace. The wind is peacefully calm, making the trees stand tall and proud. There is no humidity in the air. As this person walks down the road, they see a deer with her two fawns. The moment is absolutely beautiful. Moments like this happen only once in a great while, making us wanting to stay in the particular moment forever. Unfortunately, time moves on, but only if there were some way to capture the day’s magnificence. Thanks to Joseph Niépce, we can now capture these moments and others that take our breath away. The invention of the camera and its many makeovers has changed the art of photography.
Art critic Robert Hughes once said, “People inscribe their histories, beliefs, attitudes, desires and dreams in the images they make.” When discussing the mediums of photography and cinema, this belief of Hughes is not very hard to process and understand. Images, whether they be still or moving, can transform their audiences to places they have either never been before or which they long to return to. Images have been transporting audiences for centuries thanks to both the mediums of photography and cinema and together they gone through many changes and developments. When careful consideration is given to these two mediums, it is acceptable to say that they will forever be intertwined, and that they have been interrelated forms of art, communication and entertainment ever since Thomas Edison successfully invented the first Kinetoscope in 1894. Photography itself, as well as the photographical aspects of cinema (cinematography), have influenced our society for decades and have literally shaped the pacing of our lives, changed what we think about and even what we think with.
Have you ever seen a painting or picture that captivates you and directly stirs up emotion within you? More than likely, you have. Usually, viewers merely observe the picture and enjoy the way it looks and how it makes them feel. But, have you ever asked yourself, “why?” What about the picture makes it pleasing to the viewer? With each strategy the photographer uses creates their own touch and passion that floods all over the picture. The emotional connection nearly goes unnoticed for when the picture is well photographed, the viewers experience the sensation in their subconscious. This is one of the most powerful tools that a photographer holds in their hands. If one can become a master of manipulating how the photo affects its viewers, the said photographer can potentially maneuver people’s minds and thoughts with one click of a button. The time spent with my mentor has opened up the door for me to tap into that power though the use of background, focus, shutter speed, angles, and most importantly, lighting. Even with all these techniques, the person behind the camera must remember that creativity must be at the forefront of all operations. Caleno (2014), when writing about the basics of capturing a beautiful moment in a picture commented, “If we want to be creative we must drop these pre-conceptions and start looking at things from a small child’s innocence.”
Photography has an amazing process, no matter if you are using a film camera, or a digital camera. The principle of the camera is that light passes through a small hole, projects an image from the brighter side of the opening to a surface on the dimmer side. The process of making photos, or durable images, is by recording light. Or, it can be created by making images from other electromagnetic radiations. Photography has two ways of capturing photos. It can be made chemically, with a light-sensitive material such as photographic film. Although it could be done electronically by the use of an image sensor. The lens is used to focus the light that is reflected from objects into a real image on a light-sensitive surface inside a camera, during a timed exposure...
In Sontag’s On Photography, she claims photography limits our understanding of the world. Though Sontag acknowledges “photographs fill in blanks in our mental pictures”, she believes “the camera’s rendering of reality must always hide more than it discloses.” She argues photographs offer merely “a semblance of knowledge” on the real world.
Camera History.The first camera like devices can be seen as far back as Ancient Greece and China. This piece of early technology was called the Obscura, the invention of this was an important part in developing cameras and photography. A camera Obscura is a dark closed space that is shaped like a box with a hole on the other side of it. The light that comes through the tiny hole projects an image that meets the wall of the box. The image was then drawn by an artist; however, the image was projected upside down.
If we go back beyond Lumière Brothers’ projection of their cinematography in Paris over Christmas 1895, which is too straightforward birth narration of cinema; ancient visual forms like Egyptian hieroglyphics or pre-cinematic technologies of image capture and projection, known as magic lanterns, employing a series of lenses and light sources, were early proof of humanity mesmerised by the play and tricks of light and shades.
Photography is a word derived from the Greek words “photos” meaning light and “graphein” meaning draw. The word was first used by John F.W Herschel in 1839. It is a method of recording images by the action of light, or related radiation, on a sensitive material (Bellis, N.D).
There was a time when the only way to capture a moment or surrounding was by a painting. Joseph Nicephore Niepce created the first photograph ever in 1827. Photography went thru many beneficial changes since then only improving and