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Buddha once said, that “To be idle is a short road to death and to be diligent is a way of life”. The Pardoner’s tale, written by Geoffrey Chaucer, underlined the main theme “radix malorum est cupiditas”, or that greed is the root of all evil. The Pardoner’s tale is an eccentric tale about three brothers, who succumb to the temptations of greed. In The Pardoner’s tale he referenced that the characters, or rioutours who exhibited these sins were men, because it would be unrealistic in that era to see women behave in that context. “The Pardoner’s Tale is rife with allusion to the doctrine of the resurrection of the body, and conversely to the association between the unredeemed dead and the corruption of the body” (Zatta); the Pardoner’s tale directly relates to sins and corruption of the body, such as swearing and drunkenness. Chaucer’s prologue sets the tone for the story, and emphasizes the theme with vices such as gluttony, gambling, and drunkenness.
Throughout history, many historians have written religious works that consist of absolving sins, or vices. The Canterbury tales, written by Geoffrey Chaucer, is a prime literary example of these types of works. A pilgrim who admits that he is greedy has written the exemplary tale of the three rioutours and false, Chaucer modeled the pardoner’s tale on Faus Semblant a notorious character in Le Roman De La Rosa (Dean). Le Roman De La Rosa is an allegorical poem of chivalric love that Geoffrey Chaucer used as a base for many of his writings that were very religious, and church oriented. Books during the crusades used to advocate cultural values, and religious concepts. It is common for authors to base their stories off other author’s works, even in today’s era.
In one of his most famou...
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...the reader with examples of historical events, and a vivid prologue, which describes the penances, received for committing these sins. Overall, The Pardoners Tale is a miraculous story in which it underlines the main theme “greed is the root of all evil”, and sets the tone for all upcoming stories.
Works Cited
Chaucer, Geoffrey, and Nevill Coghill. "The Pardoner's Tale." The Canterbury Tales. London: Penguin, 2003. 103-06. Print.
Dean, James. "'The Pardoner's Tale'." In Sauer, Michelle M. The Facts On File Companion to British Poetry before 1600. New York: Facts On File, Inc., 2008. Bloom's Literature. Facts On File, Inc. Web. 17 Apr. 2014
SparkNotes. SparkNotes, n.d. Web. 06 Apr. 2014.
Rossignol, Rosalyn. "The Pardoner." Bloom's Literature. Facts On File, Inc. Web. 17 Apr. 2014
Zatta, Jane. "The Pardoner's Tale." The Pardoner's Tale. N.p., n.d. Web. 06 Apr. 2014.
One of the interesting things about the works of Chaucer is the amount of difference one can find between the different manuscripts of his work. I thought it would be interesting to look at the difference between two manuscripts, using the transcriptions available in the Chaucer Society Specimens of all the Accessible Unprinted Manuscripts of the Canterbury Tales. I found a copy that has comparative versions of the manuscripts assigned to us, taking a look at the Pardoner's Tale. While we have not looked at that tale in class, and given that it was the only sample I could find in the scattered volumes of the Specimens, I felt it would be interesting to look at them, especially compared to the Riverside edition we are reading in class.
In “The Pardoner’s Tale,” Geoffrey Chaucer masterfully frames an informal homily. Through the use of verbal and situational irony, Chaucer is able to accentuate the moral characteristics of the Pardoner. The essence of the story is exemplified by the blatant discrepancy between the character of the storyteller and the message of his story. By analyzing this contrast, the reader can place himself in the mind of the Pardoner in order to account for his psychology.
This first quote displaying one of the three men's greed is, “This cursed fellow grabbed into his hand the box of poison and away he ran into a neighboring street, and found a man who lent him three large bottles. He withdrew and deftly poured the poison into two.” (Chaucer 178). This second quote also displays just how bad greed affected these three men, “Why make a sermon of it? Why waste breath? Exactly in the way they'd planned his death.” (Chaucer 179). This quote from the wife of bath chaucer writes, “There was a knight who was a lusty liver. One day as he came riding from the river.” (Chaucer 186). The pardoner's tale creates much from a moral aspect from the deadly sin of greed. As you can see the wife of bath does feature the sin lust but does not revolve the tale around it as a whole. While the pardoner's tale does a fantastic job at doing
A pardoner is a person that could relieve someone from their sins. In the case of the Pardoners Tale, the Pardoner expects money for relieving sinners from their sins and for telling a story. The pardoner in this tale is hypocritical, his scare tactics prove this. He says that greed over things like money is an evil thing, and his audience should give him large amounts of money so he can pardon them from their sins.
Williams, David. "Language Redeemed: 'The Pardoner's Tale,'." "The Canterbury Tales": A Literary Pilgrimage. Twayne Publishers, 1987. 53-100. Rpt. in Poetry for Students. Ed. Anne Marie Hacht. Vol. 14. Detroit: Gale Group, 2002. Literature Resource Center. Web. 25 Feb. 2011.
Gluttony, Avarice, Wrath, Lust, Pride, Envy, and Sloth are all commonly known as the “Seven Deadly Sins”. Each of these seven sins plays a major role in development of the different characters. In Geoffrey Chaucer’s “The Canterbury Tales”, the Pardoner committed sins through gluttony and avarice; the Wife of Bath through Pride and Lust; and also the Monk through gluttony and wrath. However, omnipresent on all the characters are the different deadly sins that led to their development and morality.
myself be a full vicious man, A moral tale yet I you telle kan.’ The
Chaucer, Geoffrey. "The Pardoner's Tale." Chaucer's Works. Ed. Walter W. Skeat. Vol. 4. London: U of Oxford, 2007. N. pag. Web. 24 Apr. 2014
...me and symbol from "The Pardoner's Tale," is that greed may convince people to do wrong, while at the same time, and be stabbing a friend in the back. Next, in "The Nun's Priest's Tale," the theme is to be cautious and careful of the sincerity of flattery from those that one does not know. Lastly, in "The Wife of Bath," punishment can result in a person improving and redeeming himself or herself. Or they can also change from bad to good because of a certain punishment they have received. By using all these different types of writing in his stories, Chaucer tries to demonstrate themes and symbols, which a person may encounter in one's life. Stories are used to show that symbols are ways to represent or show various themes in literature. Finally, throughout all these tales there are consequences for peoples actions, which means that no task shall ever get over looked.
There are seven deadly sins that, once committed, diminish the prospect of eternal life and happiness in heaven. They are referred to as deadly because each sin is closely linked to another, leading to other greater sins. The seven deadly sins are pride, envy, anger, sloth, gluttony, avarice, and lechery. Geoffrey Chaucer's masterpiece, The Canterbury Tales, provided an excellent story about the deadly sins. Focusing mainly on the sins of pride, gluttony and greed, the characters found in The Canterbury Tales, particularly The Pardoner's Tale, were so overwhelmed by their earthly desires and ambitions that they failed to see the effects of their sinful actions, therefore depriving themselves of salvation.
“The Clerk’s Tale.” The Canterbury Tales. New York: Viking, 2009. . Web. Jan & Feb. 2012.
The Pardoners Tale is a tale written by Geoffrey Chaucer in 1392. The Canterbury Tales consists of different people who were on a journey to Canterbury. Each of these travelers would tell a tale as they travel which added up to the many stories in the Canterbury Tales. These tales all entail very diverse yet important themes. One distinctive that happens to occur consistently not only through the Pardoners Tale, but through the Canterbury Tales itself is hypocrisy.
Throughout literature, relationships can often be found between the author of a story and the story that he writes. In Geoffrey Chaucer's frame story, Canterbury Tales, many of the characters make this idea evident with the tales that they tell. A distinct relationship can be made between the character of the Pardoner and the tale that he tells.
Mitchell, J. Allan. (2005). Chaucer's Clerk's Tale and the Question of Ethical Monstrosity. Studies in Philology. Chapel Hill: Winter 2005. Vol.102, Iss. 1; pg. 1, 26 pgs
Geoffrey Chaucer was a on a mission when he wrote The Canterbury Tales. That mission was to create a satire that attacked three major institutions. Raphel displays, “Medieval society was divided into three estates: the Church (those who prayed), the Nobility (those who fought), and the Patriarchy. The General Prologue to The Canterbury Tales is an estates satire.” Chaucer wanted to shed light on the institutions that were taking advantage of the everyday man. Chaucer does this by making up tales about certain people that she light to the undercover world of the institutions. In The Canterbury Tales, Chaucer uses satire to attack the Church, the Patriarchy, and the Nobility.