Charlaine Harris, the author of Dead Until Dark, familiarized us with the world of supernatural creatures from Sookie’s point of view. Vampires, shapeshifters and Sookie represent the otherness in their world.
Since Bram Stroker published his horror novel Dracula in 1897, vampire stories have become popular. His novel is considered to be the main influence on writing vampire stories. Vampires are usual described as notorious creatures of the night that attack humans and drink their blood, and people fear and abhor them, connect them with Satan. Charaline Harris’s modified her vampires and made them live together with humans; the fear and the notorious reputation started to blush, “Ever since vampires came out of the coffin (as they laughingly put it) four years ago, I'd hoped one would come to Bon Temps” (Harris 1). They have rights, pay taxes, can own a bar (Eric, owner of Fangtasia), they want to be equally treated as humans and they do not have to drink human blood because the Japanese developed synthetic blood, although “I'd always heard that the synthetic blood the Japanese had developed kept vampires up to par as far as nutrition, but didn't really satisfy their hunger, which was why there were "Unfortunate Incidents" from time to time. “(Harris 3). Harris’s vampires could be seen as 21st century vampires, they have the abilities to glamor people, heal them with their blood, are fast “He made a vampire entrance; one minute he wasn't there, and the next he was, standing at the bottom of the steps and looking up at me.”(Harris 25) and they can be infected with Sino-AIDS if they feed from an infected human “but it left the undead very weak for nearly a month, during which time it was comparatively easy to catch and stake the...
... middle of paper ...
...ities who accepts all the otherness and therefore the society looks at here with different eyes.
Works Cited
Harris, Charlain Dead Until Dark WEB: 15.12.2013. https://dl.dropboxusercontent.com/u/101853511/01%20-%20Dead%20Until%20Dark.pdf Lindgren, Maria, Umeå University “What are you?” Fear, desire, and disgust in the Southern Vampire Mysteries and True Blood WEB: 15.12.2013. http://ojs.ub.gu.se/ojs/index.php/njes/article/viewFile/1604/1407 Kindinger, Evangelia, Reading Supernatural Fiction as Regional Fiction: Of “Vamps,” “Supes” and Places that “Suck” WEB: 15.12.2013. http://www.ruhr-uni-bochum.de/genderstudies/kulturundgeschlecht/pdf/Kindinger_Regional_Fiction.pdf Yurguis, Katia The Dark Gift: Vampires in the AIDS Era WEB: 15.12.2013.
http://www.arts.cornell.edu/knight_institute/publicationsprizes/discoveries/discoveriesfall2002/01katiayurguis.pdf
Vampires in the Lemon Grove! N.p., n.d. Web. The Web.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
While Bram Stoker’s Dracula has been described as the “quintessence of evil creatures we meet in our everyday lives” and “the Darkness” in the hearts of men (Herbert, 2004, pp. 62), Stephanie Meyer’s Twilight
After analyzing The Scarlet Letter, Roger Chillingworth is the ideal vampiric figure, supporting Thomas Foster’s perspective about vampirism from his book, How to Read Literature Like a Professor. In fact, Roger Chillingworth, presents many instances of how vampires might act and appear in literature. Even though he is not a literal vampire, it does not
In Bram Stoker's Dracula, the most blatant and powerful symbol is blood. He takes the blood that means so much to the believers of this legend and has it represent more than even they could imagine. Blood is the main object associated with vampires and vampirism. From a mythical standpoint, it is the basis of life for the vampires as they feed off of the blood of young, vibrant souls. From a more scientific standpoint blood is what would drip out of the corpse's mouth when family members would dig up their dead kin to check for the dreaded disease. Stoker takes the significance of this symbol and puts his own unique twist to the meaning of blood. He combines the traditional folklore of vampirism and the immense sexual undertones of the Victorian era to create a simply horrific tale which completely confuses the emotions of his readers. Stoker knew bloods importance in vampire history and used the overwhelming symbolism to convey his own personal lust and sexual obsessions. The scenes where Lucy is receiving transfusions; first from Holmwood, then from Seward, and the unforgettable vampire baptism between Dracula and Mina all have these very erotic, sexual feelings associated with them. What makes these so powerful is the combination of violence and sex. As a reader, you know that what Dracula is doing are horrific and wrong, but because they are so sexually described and associated you think you should enjoy them, but you can't. This is the confusion which stoker implements into his readers minds, especially ones of the Victorian era. This is why stoker used blood as the most important symbol in the novel; to create an intense horror that was not just in the words of the book, but in the minds of the reader.
Bram Stoker took the legend of Vlad Tepes and used it as an idea for Dracula. He was the ruler of an old country called Wallachia. He is most famous for impaling his enemies on sticks around his castle. He taught himself how to miss vital organs in the body, causing the victim to die a slow painful death. This is why people consider him an ancient vampire. What people don’t know about him is that the rich loved him, but the poor hated him. To anyone that didn’t have to seal to make it by he was great. But to the poor people who couldn’t buy food, they were always in fear of him. He was abused as a child, and this is what is thought to have caused his behavior. (Melton 1053)
The legend of the vampire has emerged countless times within human imagination over the past few centuries. The first available representation of the mythical creature in prose fiction can be found in John Polidori’s “The Vampyre” (1810). It was not until eight decades later that Bram Stoker popularized the existence of this figure with the publication of “Dracula” in 1897. The folklore of the vampire has come a long way since and can be found in today’s popular media more frequently than ever before. However, with due course of time, the representation of the creature has taken alternate routes and today’s vampires are noticeable different – socially and physically – from their predecessors. One effective path to trace this transformation is to compare arguably modern day’s most famous representation of the vampire, Stephanie Meyer’s “Twilight” with “Dracula”, the foundation from which a large number of modern works draw inspiration. Examining this comparison closely, one finds that a new socially acceptable, sexually abstinent and desirable creature is fast replacing the fearsome and sexually voracious monster, as depicted in early tales of the vampire.
Count Dracula has been the frontrunner for the modern day vampire lore and legends since being printed back in 1897, pop culture took the vampire traits from Bram Stoker’s Dracula and twisted them. In modern portrayals of vampire lore, each author chooses an original aspect from Stoker but then creates a little bit of their own lore in the process. Count Dracula appears to be a walking corpse from the pale and gaunt visual aesthetics to the coolness of his undead skin (Stoker). In some cultures, the vampire is able to transform from the body of a human being to that of a fellow creature of the night, a bat. In the novel Dracula more than one town was easily visualized through the detailed descriptions throughout the novel, thus
From Transylvania to Hollywood, vampires have transformed from unfamiliar, mysterious personalities to one of the most dominant monsters in the horror genre today. Vampires are one of the oldest and most noted creatures in mythology, with many variations of them around the world. Although the most famous version is Bram Stoker’s Dracula, many variants have come before and after telling of the same legend with their own added ideas and modifications to relate to their cultures. Today, there is a multitude of literary and film works that convey and resurface peoples’ fear of vampires. As gothic works like Dracula, by Bram Stoker and Scooby-Doo! and the Legend of the Vampire directed by Scott Jeralds share certain traits reflective of the genre;
In Twilight, Edward Cullen presents the question; “ But what if I’m not the hero? What if I’m the bad guy?” The role of vampires is very controversial. Back in the day they were evil, soulless monsters and people genuinely feared them. However, in the present day it seems that we have grown to love them and even hope to one day be them. There are a plethora of vampire stories and many of them have become immense hits. With so many vampire stories, it is not uncommon that readers are able to identify a vast amount of similarities. Although similar in aspects, there are still many differences between the classic and modern day vampires. Two highly popular stories, in which we can easily identify similarities and differences, are Bram Stoker’s Dracula and Stephenie Meyer’s Twilight.
The “Otherness” Dracula possesses reinforces our own norms and beliefs through his transgression that separates him from society and the polarity to Western norms and ideals makes him an effective device for extorting revulsion and horror. Stoker’s novel employs Gothic tradition, providing “the principle embodiments and evocations of cultural anxieties” from which the very Gothic mood and horror is produced, establishing the baseline used to distinguish the modern vampires, as part of vampire mythology within the Gothic (Botting Aftergothic 280). Differences Between Dracula and Twilight The similarities between the two novels are namely Gothic imagery and theme, but the Gothic mood predominates in Dracula over Twilight and it is this difference that makes Twilight not belong in the vampire canon. Horror is the element that Dracula possesses that Edward does not, and it is crucial in the interplay between transgression and limit.
From the whispers of townsfolk spreading legends and tales of what goes bump in the night to the successful novels, plays and film adaptations, the story of the vampire has remained timeless and admired. One of the main writers responsible for this fame and glory is Bram Stoker with his rendition Dracula, written in 1897. Dracula follows the accounts of Jonathan Harker, Mina Murray, Dr. John Seward, Lucy Westenra, and Dr. Van Helsing, through their journal entries and letters, newspaper articles, and memos. Bram’s vision for Dracula is both terrifying and captivating as the reader follows a small group of men and women led by Dr. Van Helsing through their attempt to retaliate against Count Dracula’s efforts to spread his undead chaos and blood lust across England.
When the word “vampire” comes to mind, people think of the traditional pale-faced, malicious bloodsuckers, sporting a cape and killing people when they’re sleeping. Wrong! Nowadays, the image of a vampire is a handsome, polite, and loving person who protects humans. The new cultural phenomenon Twilight is building a new degrading image for vampires that slaps the face of all previous authors, directors, writers, etc. who contributed to giving the monster its unique image in the past.
This fetish has been manifested in the movies I view, the television shows I watch, and the books I read. When my obsession with reading is crossed with my obsession with monsters, the result is a bookshelf containing more vampire novels than most people would consider healthy. I have discovered that every vampire novel varies vastly; no two books are ever alike. For example, the Twilight Series, the Anita Blake Series and the Vampire Chronicles Series have different legends and lore, different relationships between vampires and society, and different genres, theme, and purpose; this array of novels displays most clearly the range of audience the vampire genre can cater. The Twilight series is a bestselling series written by Stephanie Meyer that has captivated millions of teenage girls.
The author’s op-ed piece was published in 2009, the very peak of the vampire contagion, where one could find these creatures wherever they looked. This pandemonium that arose from vampires is what drove del Toro and Hogan to pen “Why Vampires Never Die.” Furthermore, the purpose behind this essay is to give an abridged description of the past of vampires for the people who had become fanatics of the creatures. Also, this essay showed how vampires have persisted in pop culture. They suggest that vampires have been remade by diverse cultures at different times, and this change echoes that society's angst and concerns. The novelist’s imply that Stroker’s Dracula may mirror an exaggerated human on a prim...