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Realization of aristotelian tragedy in sophocles oedipus the king
Character analysis of the character oedipus
Realization of aristotelian tragedy in sophocles oedipus the king
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Oedipus the King, Sophocles’ classical Greek tragedy, presents tragic flaw(s) as the cause of the near-total destruction of the life of the protagonist. This essay examines that flaw.
In his essay “Sophoclean Tragedy” Friedrich Nietzsche agrees that there is an “error” within the protagonist, but refrains from specifying exactly what it is:
The most pathetic figure of the Greek theatre, the unfortunate Oedipus, Sophocles takes to be a noble man called to error and alienation in spite of his wisdom, yet called too, in the end, through monstrous suffering, to radiate a magic power rich in a blessing which works even after he passes on. . . . these very actions attract a higher, magical circle of influences which ground a new world upon the rubble of the old (16-17).
Not all critics believe that there was “error” within the protagonist. Some critics, like Herbert J. Muller in his essay “How Sophocles Viewed and Portrayed the Gods,” believe that Oedipus had no tragic flaw, that he was an innocent victim of the gods:
Nor is there in Oedipus the King the deep sense of outrage that modern readers may feel. None of the characters, including the chorus, complains that Thebans are suffering for no fault of their own, in this plague sent by the gods; they simply assume that Thebes must be properly purified of its defilement. Although technically innocent, Oedipus accepts his “guilt”. . . .(56)
This reader, however, disagrees with the above critic, and agrees with Aristotle’s analysis. In his essay “On Misunderstanding the Oedipus the King,” E. R. Dodds takes the reader back to Aristotle in his consideration of this question of the flaw:
I shall take Aristotle as my starting point. . . . From the thirteenth chapter of...
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...clean Tragedy.” In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Nietzsche, Friedrich. “Sophoclean Tragedy.” In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Segal, Charles. Oedipus Tyrannus: Tragic Heroism and the Limits of Knowledge. New York: Twayne Publishers, 1993.
“Sophocles” In Literature of the Western World, edited by Brian Wilkie and James Hurt. NewYork: Macmillan Publishing Co., 1984.
Sophocles. Oedipus the King. Transl. by F. Storr. no pag.
http://etext.lib.virginia.edu/etcbin/browse-mixed new?tag=public&images=images/modeng&data=/texts/english/modeng/parsed&part=0&id=SopOedi
Van Nortwick, Thomas. Oedipus: The Meaning of a Masculine Life. Norman, OK: University of Oklahoma Press, 1998.
Write an essay discussing the historical insights presented in Erik Larson’s Devil in the White City, being sure to answer the following questions: In what ways does the Chicago World’s Fair of 1893 represent the contrasts and conflicts of the Gilded Age? What is the Fair’s lasting imprint on American society & culture, & what new trends does it signal for the twentieth century?
Dodds, E. R. "On Misunderstanding the Oedipus Rex." Twentieth Century Interpretations of Oedipus Rex: A Collection of Critical Essays.
In The Birth of Tragedy, Friedrich Nietzsche puts the Moirai above all knowledge and in control of the destiny of all ...
Oedipus the King. Tranlsted by Stephen Berg and Diskin Clay. In Literature of the Western World, edited by Brian Wilkie and James Hurt. NewYork: Macmillan Publishing Co., 1984.
Segal, Charles. Oedipus Tyrannus: Tragic Heroism and the Limits of Knowledge. New York: Twayne Publishers, 1993.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
Bender, David, and Bruno Leone. Sports in America: Opposing Viewpoints. San Diego: Greenhaven press, 1994.
Woodard, Thomas. Introduction. In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Woodard, Thomas. Introduction. In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Segal, Charles. Oedipus Tyrannus: Tragic Heroism and the Limits of Knowledge. New York: Twayne, 1993.
Dodds, E. R. "On Misunderstanding the Oedipus Rex." Twentieth Century Interpretations of Oedipus Rex: A Collection of Critical Essays. Ed. Michael J. O'Brien.
Seth Benardete in “Sophocles’ Oedipus Tyrannus” portrays the protagonist in just one dimension of his well-rounded character, that of a suffering soul:
John Dewey was one of the most influential American philosopher born in Vermont in 1859. He graduated from the University of Vermont and eventually got his Ph.D. and went on to teaching at other universities. In his book Experience and Education he talks about traditional education, the theory of experience, criteria of experience, social control, the nature of freedom, the meaning of purpose, progressive organization, and at the end he raps it up with the means and goals of education. Dewey was a well-known philosopher and his ideas travel all around during the early 20th century. He had two main principles; the principle of continuity and the principle of interaction that led to what he believed was the proper way to educated students.
Sophocles’ Oedipus is the tragedy of tragedies. An honorable king is deceived and manipulated by the gods to the point of his ruination. In the face of ugly consequences Oedipus pursues the truth for the good of his city, finally exiling himself to restore order. Sophocles establishes emotional attachment between the king and the audience, holding them in captivated sympathy as Oedipus draws near his catastrophic discovery. Oedipus draws the audience into a world between a rock and a hard place, where sacrifice must be made for the greater good.
Through critical analysis of Sophocles’ Oedipus Rex, the work Oedipus Rex, and other research it is affirmed that Oedipus searched for the truth but due to his pride could not see his connection to the plague that infected Thebes.