The origins of Gothic Architecture are credited to Abbot Suger and the renovation of The Cathedral Basilica of Saint-Denis. The “Church” was largely defined by the Gothic Style during the Middle Ages. This style was an amalgamation of earlier styles, and prior to being recognized as “Gothic”, was not necessarily popular nor was it not part of the original program of the Cathedral Basilica of Saint-Denis. This soon changed and it became commonplace for cathedrals to utilize pointed arches, rose windows, and flying buttresses during their conception- all of which were incredibly distinctive to and indicative of the Gothic style of architecture. The renovation of the Cathedral Basilica of Saint-Denis was Suger’s physical expression of his devotion to God. Suger had adamantly felt it necessary to have an elaborately designed cathedral to demonstrate this. However, the resulting design led not only to praise but also controversy; specifically, the blatant repudiation of traditional Cistercian ideology and methodology as well as a disregard for the humble monastic lifestyle. The contentious dialogue of Saint-Denis’ motif in many ways made sense, because the fancifulness and the aristocratic imposition of Saint-Denis contradicted the very definition of monasticism and what it meant to live a monastic lifestyle. A contextual focus between Abbot Suger’s design choices and the Church’s liturgy is needed to properly analyze these contradictions and determine exactly why these choices were made and what implications they had on the church. To avoid any confusion about the role he played, Abbot Suger was not the architect in charge of the renovation of the Cathedral Basilica of Saint-Denis, but served more as a consultant. It just so happene... ... middle of paper ... ... sparked this disagreement was the role of art in the Cult of the Dead and in Cult of Relics. As Abbot Suger had attempted to find a middle ground reform. Abbot Suger explicitly shows his adoration of fanciful ornament and illustrates quite vividly how this equates to his devotion to God: “Thus sometimes when, because of my delight in the beauty of the house of God, the multicolor loveliness of the gems has called me away from external cares, and worthy meditation, transporting me from material to immaterial things, has persuaded me to examine the diversity of holy virtues, then I seem to see myself existing on some level, as it were, beyond our earthly one, neither completely in the slime of earth nor completely in the purity of heaven. By the gift of God I can be transported in an anagogical manner from this inferior level to that superior one.”
The original Chartres Cathedral was designed by Fulbert and lasted until 1194, when a fire destroyed almost the entire church. The townspeople pulled together to make a large contribution to the reconstruction of the cathedral (Miller, Malcolm, Chartres Cathedral, Riverside Book Company, 1980, p.5). The present Chartres Cathedral is largely the work of the late twelfth and early thirteenth centuries. However, there are substantial remains of older monuments, notably in the crypt and on the wes...
In conclusion, I admire the work ethic of the individuals who built this cathedral because it shows work ethic, precise with mathematics, and a strong religious faith. During this Gothic time frame in history majority of their art resembled images that the Holy Bible describes. Religion during this time period was represented very well even experts are still amazed as to how this cathedral were built so tall and high. Even though this cathedral has been exposed to stress, with the assistant with the flying buttress, ribbed ceiling, and metal this cathedral will be an ongoing restorative process so that it will be around for generation here to come to admire its beauty.
... beauty and light in the building, they realized that the church must really hold the key to salvation, for they were able to construct a place so similar to the afterlife that many people longed for. It seemed almost as if Abbot Suger had visited heaven and created a physical representation in the Basilica of St. Denis.
Gothic elements are used to show suspense, symbolism, and drama, while also setting dark and twisted tones about the story and its characters. In the passage "The Fall of the House of Usher" the author uses Gothic elements to entice the reader with details of ominous character persona and setting.
You may think today “Hey, I totally wonder sometimes what the Middle Ages Churches and Gothic Medieval Cathedrals where like. What were they important for? Were they Churches like the ones today? How long did it take to build? “ Well that may be SOME of the questions you may have but you may have more. In this essay you're about to find out why the Medieval Gothic Cathedrals were so important for, and how much rule and and wide range of power they had over the people in the Middle Ages, and last but NOT least, the creative sublime (I’ll delete this comment later on if you see this but “sublime” is my own words not internet word) of the Gothic style windows of the Cathedral. First, the one I like most, the Gothic stain glass windows of the Gothic Cathedral. Stained glass is argued to an opinion or belief, one of the most important aspects of Gothic cathedrals. As its popularity rose, mainly during the mid 12th century, the increased existence of stained glass presented large changes to the way the general residents were learning about the religion. The windows became illuminated optic (“Optic” is my own wording) talk of biblical stories, which may have had an even greater impact than the spoken word of the priest. In this research paper, I will be primarily focusing on the stained glass windows and architectural styles employed in five Gothic buildings in France, each having their own unique and worthy attention and characteristics to the development of stained glass windows. By looking at the architectural improvements shown in these structures built during the Gothic time frame, we are able to see the impact all over the place to itch for increase...
Van Eyck’s work of the Ghent Altarpiece was not simply a representation of symbols that alluded to Christianity. Van Eyck’s vivid sense of the actual world allowed him to be able to reconstruct reality along with its endless limitations. His audience was so extensively involved with his paintings that it may seem almost esoteric. T...
As I walked up the street toward the front of Grace Cathedral, I was in awe at the size and ornateness of this cathedral. It was tall and wide and looked very much like the churches we had been studying in class in the prior weeks. As I got closer and closer I began to make out The Ghiberti Doors, also known as the gates of paradise. These are the main cathedral doors made out of bronze, and are replicas of the originals which stood centuries ago at the east entrance to the Baptistry of Florence Cathedral (the Duomo) Italy. I approached and spent about fifteen minutes, just examining all the different engraved scenes within the ten sections in the two doors. After I had finished looking at the Ghiberti Doors, I entered through one of the side doors, since you are not able to use the Ghiberti Doors, because they weight too much. Before I stepped inside the cathedral, I pulled out my text analysis and read over it, so that when I entered I could examine whether or not this cathedral exuded the same sacredness as the cathedral in the text analysis. I feel this Cathedral really does exude not entirely the purity of heaven, but does seem to somewhat separate you from the outer world, as Abbot Suger spoke of. Also, it brings in some of the surrounding beauty from St. Denis, such as the sapphire and stained glass, as well as the gold plating.
The Medieval period, which occurred in the years 401 until 1500, is a time in European history that fostered the development and widespread use of various architectural styles. Many structures built during this time still survive to this day, including St. Michael’s Church in Germany and Chartres Cathedral in France. Two of the most common and famous types of architecture during this period were the Romanesque and Gothic styles. Romanesque architecture borrows many of the same innovative engineering techniques the Romans used to build the structures of their vast and powerful empire, such as the rounded arch. Jackson writes, “In the eyes and judgment of the great masters of the Renaissance in the 15th and 16th centuries Roman architecture was
Wilson, Christopher. "Thirteenth-Century Gothic." The Gothic Cathedral: the Architecture of the Great Church 1130-1530. Reprinted ed. London: Thames & Hudson, 2008. 91-120. Print.
1. Viladesau, Richard. "Counter-Reformation Theology And Art: The Example Of Rubens's Paintings Of The Passion*." Toronto Journal Of Theology 28.1 (2012): 29-42. Academic Search Complete. Web. 9 Apr. 2014.
Gothic encompasses many genres of expression. Gothic artists speak out through the forms of literature, architecture, film, sculptures, paintings, and music. Many times, one genre of Gothic inspires another, creating fusing parallels between the two. In this way, each genre of Gothic rises to a more universal level, coalescing into the much broader understanding of Gothic. Gothic writers, such as Mary Shelley, influence Gothic music, as one sees in stylistic devices including diction, setting, and tone.
Thesis: Both St. John the Baptist Cathedral and Cathedral Basilica of Our Lady of Chartres are constructed in French Gothic style which means that architecturally they have many similarities. However, the 700 year gap between their construction offers St. John the Baptist more flexibility in design and style. Still, their likeness and variations extend far beyond the realm of their design.
This cathedral was built during the Medieval Period for the worshipers of God. To this day pilgrims come to see the pure, Gothic cathedral. The massive cathedral seems to loom overhead as if a symbol of God watching over the worshippers that visit. The earlier church burned in 1194, it was rebuilt and has gained a much more appreciated and admirable character distinction, statuary, and stained glass. The distinct character of the thirteenth century was captured, through the “Age of Faith” period. The architecture is Gothic which was very popular in the 1200s. Gothic architects created a frame of support with columns and arches so that the walls no longer need to support the ceilings, but are freed up to hold windows. The Gothic structure allows for plenty of windows. Chartres has a significant collection of medieval stained glass, with over 150 early thirteenth century windows. The windows allowed sunlight to enter the dark, Gothic cathedral in order to highlight the story of Christ through the stained glass windows told throughout history to pilgrims alike. These windows create a spiritual and promising place for thought and prayer. Stained glass was used to help teach the stories of Christ to people that were illiterate during the medieval times. While most worshippers of that day were illiterate, comprehending the symbolism of the story of Christ in each of the windows was vital and gave meaning towards adversity during the medieval ages, as they struggled through their dark and dreary lives, which were filled with hopefulness, while viewing the story through the stained glass windows. The windows are also...
We do tend to expect certain things when we enter a place of worship, or peruse an active ministry, and truthfully, when taking in Christian oriented art. There are a couple reoccurring emblems, symbols, well-worn themes, and subjects which have been deemed safe, coming under overuse, carrying the weight of a saltine in the impact it makes on people, including us. While intentions are almost always well meaning, these conventions appear to the secular as a genre of its own in culture and art, quite often ringing with an unsavory note of incompetence. That’s already an unpleasant attribution to a faith that has changed the world, having built the infrastructure of empathy that has survived ages and permeates the social development of our western culture. It speaks to a deeper issue within the Church itself, which is a woeful lack of inspiration.
Gothic art evolved from Romanesque art and lasted from the mid-12th century AD to the end of the 16th century. It was a particular style of Medieval art and was led by the concurrent development of Gothic architecture, established by the Basilica of St Denis. Through the influence of historical design methods, such as Islamic/Romanesque architecture and the impact the spread of Christianity had on Europe, Abbot Suger was able to develop a new style of architecture through his reconstruction of St Denis. This led to the development of taller buildings with thinner walls and bigger rooms on the inside.