The concept of orientalism refers to the western perceptions of the eastern cultures and social practices. It is a specific expose of the eurocentric universalism which takes for granted both, the superiority of what is European or western and the inferiority of what is not. Salman Rushdie's Booker of the Bookers prize winning novel Midnights Children is full of remarks and incidents that show the orientalist perception of India and its people. It is Rushdie's interpretation of a period of about 70 years in India's modern history dealing with the events leading to the partition and beyond. Rushdie is a fantasist and a creator of alternate realities, the poet and prophet of a generation born at the degree zero of national history. The present …show more content…
Instead of the beauty of the tiny valley circled by giant teeth, he noticed the narrowness, the proximity of the horizon; and felt sad, to be at home and feel so utterly enclosed. He also felt in - inexplicably - as though the old place resented his educated stethoscope return. Beneath the winner ice, it had been coldly neutral, but now there was no doubt; the years in Germany had returned him to a hostile environment. Many years later, when the hole inside him had been clogged up with hate, and he came to sacrifice himself at the shrine of the black stone god in the temple on the hill, he would try and recall his childhood springs in Paradise, the way it was before travel and tussocks and army tanks messed everything …show more content…
Salman Rushdie has used these generalized perceptions of India without examining their reasonability. He sometimes presents India and its people as a collective noun and ascribes general qualities and characteristics to them, without considering their individual merits and demerits. As he writes in the novel: "I permit myself this one generalization; Americans have mastered the universe, but have no domination over their mouths; whereas India is impotent , but her children tend to have excellent teeth” (181). He writes at a different place: "We are a nation of forgetters” (37). At another place, he writes: "We are not like Indians, always making battles (33).
It is evident by these remarks that Salman Rushdie was influenced by the generalizing concept of orientalism. His descriptions of India as an impotent, battle - making nation of forgetters is not based on any real observation but is based on the orientalist perceptions of India in the western world. These observations have no reality at all and these are used only to attract western
Rushdie, Salman. `Outside the Whale' Imaginary Homelands: Essays and criticisms 1981-1991 Penguin Books Ltd. (1992)
Orientalism is the way that the Middle East is depicted by its’ friendly acquaintances over in the West. In other terms, it is a “racist discourse which constructs the orient for Western aggrandizement.” The way that the Afghans are depicted in the film alongside Rambo makes the audience sympathize with them. The little boy also looks up to Rambo. He looks up to him a masculine father-figure. Using th...
A mind provoking essay that embodies the fear and concerns of this new entertainment era, author Salman Rushdie highlights the defects within our society, the vain and egotistical side, using personal anecdotes, logos, and pathos to further illustrate his point.
Orientalism, which became famous as a term after Edward Said’s book written in 1978, explains a power relation between the Orient and the Occident inspiring from the Foucault’s The Archeology of Knowledge and
As Indians living in white culture, many problems and conflicts arise. Most Indians tend to suffer microaggressions, racism and most of all, danger to their culture. Their culture gets torn from them, and slowly, as if it was dream, many Indians become absorbed into white society, all the while trying to retain their Indian lifestyle. In Indian Father’s Plea by Robert Lake and Superman and Me by Sherman Alexie, the idea that a dominant culture can pose many threats to a minority culture is shown by Wind-Wolf and Alexie.
When discussing the controversial authors of Indian literature, one name should come to mind before any other. Salman Rushdie, who is best known for writing the book “Midnights Children.” The first two chapters of “Midnights Children” are known as “The Perforated Sheet”. In “The Perforated Sheet” Rushdie utilizes magic realism as a literary device to link significant events and their effects on the lives of Saleem’s family to a changing India. In fact, it is in the beginning of the story that the reader is first exposed to Rushdie’s use of magic realism when being introduced to Saleem. “On the stroke of midnight/clocks joined palms” and “the instant of India’s arrival at independence. I tumbled forth into the world”(1711). Rushdie’s description of the clocks “joining palms” and explanation of India’s newfound independence is meant to make the reader understand the significance of Saleem’s birth. The supernatural action of the clocks joining palms is meant to instill wonder, while independence accentuates the significance of the beginning of a new era. Rushdie also utilizes magic realism as an unnatural narrative several times within the story to show the cultural significance of events that take place in the story in an abnormal way.
Orientalism as termed by Edward Said is meant to create awareness of a constellation of assumptions that are flawed and underlying Western attitudes towards the Muslim societies. Evidence from his 1978 book “Orientalism”, states that the culture has been of influence and marred with controversy in post colonial studies and other fields of study. Moreover, the scholarship is surrounded by somehow persistent and otherwise subtle prejudice of Eurocentric nature, which is against Islam religion and culture (Windschuttle, 1999). In his book, Said illustrates through arguments, that the long tradition in existence containing romanticized images of Islamic stronghold regions i.e. Middle East, and the Western culture have for a long time served as implicit justifications for the European and American Imperial ambitions. In light of this, Said denounced the practice of influential Arabs who contributed to the internalization of Arabic culture ideas by US and British orientalists. Thus, his hypothesis that Western scholarship on Muslim was historically flawed and essentially continues to misrepresent the reality of Muslim people. In lieu to this, Said quotes that, “So far as the United States seems to be concerned, it is only a slight overstatement to say that Muslims and Arabs are essentially seen as either oil suppliers or potential terrorists. Therefore, very few details such as human density, the passion of Arab-Muslim life has entered the awareness of even the people whose profession revolve around reporting of the Arab world. Due to this, we have instead a series of crude, essentialized caricatures of the Islamic world presented in such a way as to make that world vulnerable to military aggression” (Said, 1980).
Rushdie uses magical realism as a post-colonial device to emphasize the relationship between the time following the establishment of independence in India and Saleem Sinai’s fantastical tie to it. This self-alluding narrative references indigenous Indian culture, particularly the story of the Arabian Nights. Magical rea...
Said, Edward. ?Orientalism.? Literary Theory: An Anthology. Edited by Julie Rivkin and Michael Ryan. Malden, Mass: Blackwell Publishers Inc. 1998.
Although the author presents the English prejudice in the novel in many situations, he also presents the Indian reaction and behavior. The author demonstration of British behavior vs. Indian behavior gives the readers the field of free thinking and association to decide for themselves which side they would favor. It also questions the validity of criticisms that think of this book as a bias novel that offends British people. However, the author does indicate his favoritism towards Indians throughout the novel by presenting them as the weak and helpless characters that do not have any authority in their own country, but they poses scientific and spiritual knowledge that earns them respect among their society.
Europe is always in a position of strength, The Oriental is irrational, depraved, childlike, "different", thus the European is rational, virtuous, mature, "normal".
When in 1978 Edward W. Said published his book Orientalism, it presented a turning point in post-colonial criticism. He introduced the term Orientalism, and talked about 2 of its aspects: the way the West sees the Orient and the way the West controls the Orient. Said gave three definitions of Orientalism, and it is through these definitions that I will try to demonstrate how A Passage to India by E. M. Forster is an Orientalist text. First, Said defined Orientalism as an academic discipline, which flourished in 18th and 19th century.
Aravind Adiga in his debut novel The White Tiger, which won the Britain’s esteemed Booker Prize in 2008, highlights the suffering of a subaltern protagonist in the twenty first century known as materialism era. Through his subaltern protagonist Balram Halwai, he highlights the suffering of lower class people. This novel creates two different India in one “an India of Light and an India of Darkness” (Adiga, p. 14). The first one represents the prosperous India where everyone is able to dream a healthy and comfortable life. The life of this “Shining India” reflects through giant shopping malls, flyovers, fast and furious life style, neon lights, modern vehicles and a lot of opportunities which creates hallucination that India is competing with western countries and not far behind from them. But, on the other side, the life nurtures with poverty, scarcity of foods, life taking diseases, inferiority, unemployment, exploitation and humiliation, homelessness and environmental degradation in India of darkness.
Salman Rushdie’s novel Midnight’s Children employs strategies which engage in an exploration of History, Nationalism and Hybridity. This essay will examine three passages from the novel which demonstrate these issues. Furthermore, it will explore why each passage is a good demonstration of these issues, how these issues apply to India in the novel, and how the novel critiques these concepts.
Rushdie’s Midnight’s Children, published in 1980, was perhaps the seminal text in conceiving opinions as to interplay of post-modern and post-colonial theory. The title of the novel refers to the birth of Saleem Sinai, the novel’s principal narrator, who is born at midnight August 15th 1947, the precise date of Indian independence. From this remarkable coincidence we are immediately drawn to the conclusion that the novel’s concerns are of the new India, and how someone born into this new state of the ‘Midnight’s child’, if you will, interacts with this post-colonial state. To characterise the novel as one merely concerned with post-colonial India, and its various machinations, is however a reductive practice. While the novel does at various times deal with what it is to be Indian, both pre and post 1947, it is a much more layered and interesting piece of work. Midnight’s Children’s popularity is such that it was to be voted 25th in a poll conducted by the Guardian, listing the 100 best books of the last century, and was also to receive the Booker Prize in 1981 and the coveted ‘Booker of Bookers’ in 1993. http://www.bookerprize.co.uk/