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How did the Greeks view pride
Conseqencies of pride
The importance of pride
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The effect of pride is the centers piece of man’s perpetual role in his own destruction. This is illustrated by various characters’ such as Creon in Antigone by Sophocles, Oedipus in Oedipus the King by Sophocles and the Trojans in the Aeneid by Virgil. In the Antigone we see the consequence of one’s pride and desire for power take hold, when Creon decides to punish Antigone for disobeying the law off the land and proving Polynices with a burial. The disregard for any form of sympathy would eventually come to hunt Creon, in a reversal of fortune that would see him loose not only his power but his family as well. A similar pattern is observed in the Aeneid by Virgil, where the Trojans filled with pride and neglecting the voice of reason, decide to carry the wooden horse into their city as a form of trophy. Consequently their attempt to feed their own hubris would be their doom, as the Greeks lying in wait within the horse ascend from it once in the city, delivering a brutal slaughter. The question then presents itself, are human beings all born with pride, doomed to fall victim to its deceitful nature as it presents itself in the choices of our daily lives, or is there a way to circumvent such emotions and its consequence?
Most often than not, pride is followed by the desire to preserve one’s own personal interest. This inability of man to put aside his personal glory at times plays a major role as the foundation of a prideful fall. However to understand the cause of this descent into selfishness and its consequence, one must consider what the prideful stands to gain. This idea of gain being the antithesis to prideful fall, is most illustrated by the Trojans in the Aeneid by Virgil. Left with the choice of either accepting the wood...
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Sophocles. Oedipus the King. Trans. Robert Fagles. The Norton Anthology of World Masterpieces. Ed. Maynard Mack et al. 6th ed. Vol. 1. New York: Norton, 1992.
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[Evanston, Ill.]: Holt McDougal, a Division of Houghton Mifflin Harcourt, 2010. 1068-106. Print
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Virgil. Aeneid. Trans. Robert Fitzgerald. New York: Random House, 1990.
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Pride frequently has terrible results. For example, as a result of Brothers pride, he left Doodle in the storm. Brother did this because he is angry that Doodle failed, and that his dream of having an “ordinary brother” is over. Doodle realizes that he failed his brother, and feels useless. In addition, after being left in the downpour, Doodle dies. At the point when Brother discovers Doodle dead, he thinks it’s his fault that Doodle dies because he pushed him too hard. After this happens, their family feels like they should’ve been more protective and love Doodle more. In conclusion, while pride can have devastating effects, it can also result in fulfillment.
Sophocles. "Oedipus Rex." An Introduction to Literature, 11th ed.Eds. Sylvan Barnet, et al. New York: Longman, 1997. 800-836.
Sophocles: A collection of critical essays edited by Thomas Woodward: Oedipus at Colonus. Whitman, Cedric H. Prentice-Hall, Inc. Englewood Cliffs, New Jersey. 1966.
Many people take much pride in numerous things some being: their job, family, political views, even as much as in their favorite sport. People make mistakes big and small, but it is how one deals with the situation and the mistake, that shows the morality in a person, and shows who he or she may be. “The only crime is pride,” Sophocles, is still held to be true; for instance, pride itself can cloud a persons’ mind and caused him or her to commit the crimes he or she did. Pride is thought to be a good thing but in many cases it is proven otherwise. Even though there is some truth in “the only crime is pride” the crimes/mistakes caused by pride are not forgivable, and “yielding” does not help at all; pride is not just to prove oneself right, but also not to look “weak” in the eyes of others.
The infamous scene in Homer’s Odyssey in which Odysseus proudly boasts his name to the Cyclops is a didactic moment, preaching about the dangers of pride. At times, pride can become an impetus toward positivity, but in many cases, such as Odysseus’, an exorbitant amount can have the opposite effect. This trait is explored in numerous works of literature, including Lord of the Flies, “Harrison Bergeron”, and Anthem. It manifests itself in the leaders of these stories in distinctly different ways, yet in each character, his pride is a defining factor in the outcome of his life. Thus, individuals who are intrinsically inclined to be leaders lack the humility to show respect for those superior and inferior to them on the social hierarchy, as they hold a fixed belief that the ultimate beings worthy of reverence are themselves.
Along the same line as humility comes pride. Odysseus had more pride and cockiness than any of the characters I have read about this semester. He didn’t seem as bad in the Iliad, but the Odyssey really showed him in a different light. He had to swallow his pride when he had to come back to his home and get it back. Just in the fact that he came back at all was pride swallowing. He lost all of his men.
When it comes to pride, when do we know that we have too much? A perfect example of having too much pride lies in the Greek tragedy, Antigone. In my opinion, it is the perfect example because the main character, Creon, is dealing with all the things that are happening because of Antigone’s decision to go against his law and many people are telling him that he is wrong, but he is too confident in his own choice that nothing bad will happen.
What is the effect of having too much pride? Can different forms of pride such as familial and social have different consequences? Pride is usually considered to be a positive aspect in one’s life, but too much of it can have adverse results. By observing today’s society, as well as Shakespearean society, it is clear that too much pride in any form can inhibit the ability to accept differences in people and oneself.
Boston: Pearson, 2013. 1396-1506. Print. The. Sophocles. “Oedipus the King” Literature: An Introduction to Fiction, Poetry, Drama, and Writing.
Pride is a person dignity from there own achievements. The Iliad shows pride being used to be the consequence to revenge from Achilles. In book one, Agamemnon and Achilles are seen of showing pride and revenge. Agamemnon who is an overly powerful king who only thinks about himself and having the biggest army in taking control of others can result in having pride. Achilles is known for his many battles and achievements during the war that he gains his pride. It is when Agamemnon has to suck up his pride by giving back Apollo priest daughter for the good of his people:
Brad Moore, a famous athlete once said, “Pride would be a lot easier to swallow if it didn’t taste so bad.” In Sophocles’ well known Greek tragedy, Antigone, the main character undergoes immense character development. Antigone transforms from being stubborn and underestimated to courageous and open-minded. In reality, it is Antigone’s insular persistence that leads to her ultimate decline in the play as well as others around her. After the death of her two brothers, Eteocles and Polynices, Creon becomes the new ruler of Thebes. With this, he grants Eteocles an honorable funeral service for his brave fighting. Claiming that Polynices was a traitor, he shows complete refusal to grant Polynices a respectable and worthy service. Clearly disagreeing with Creon’s inexcusable demands, Antigone declares she will bury Polynices herself so that his soul can be at peace. Entirely aware of the consequences and dangers of this action, which include death, she goes forward vowing her love for her family. Antigone shows strength and determination towards her brother. However, her growing sense of pride leads to her downfall as she sacrifices everything for her family. Antigone develops into an admirable character in which she portrays her defiance and courage, pride and open mindedness, and sense of moral righteousness to show vital character growth as the play progresses.
People are undisputedly faced with the challenge to grow and encounter headfirst all the unexpected changes life throws at them. Change, perhaps the solitary constant factor of life, drives people to make decisions that will be reciprocated with an unforeseen event. This principle of life is applied as an underlying web of the plethora of ironies throughout all of Antigone. Set in the age of reconstruction in Thebes, no doubt due to the aftershock of a war between brothers and their ongoing family curse, Sophocles’s constant use of irony in Antigone around Creon, the king of Thebes, indicates that the ironic nature of man contributes and lurks in their ultimate demise.
Sophocles. "Oedipus Rex." An Introduction to Literature, 11th ed.Eds. Sylvan Barnet, et al. New York: Longman, 1997.
The tragic hero is defined by Aristotle as "a great man who is neither a paragon of virtue and justice nor undergoes the change to misfortune through any real badness or wickedness but because of some mistake” (Aristotle n. pag.). There are a few principles that Aristotle believes to form a tragic hero: the protagonist should be a person of power and nobility, who makes a major error in judgment and eventually comes to realization of his or her actions (Aristotle n. pag.). In Arthur Millers’ play, Death of a Salesman, he has twisted Aristotle’s belief of a tragic hero, and has created his own. Although Miller has twisted Aristotle’s belief, Sophocles’ play, Oedipus Rex, has a tragic hero (Oedipus) that follows the flaws, dignity, and acknowledgment of the truth that Aristotle believes in to make a tragic hero. It is essential for them to recognize their position and role in the play. Due to the fact that Willy Loman and Oedipus experience tragic flaws throughout their respected plays, they both have nobility, and they both realize the fact (anagnorisis) that they made an error in their life (hamartia). Through their fatal mis-steps, their pride and ego, predominately affect their familial lives, which in turn causes them to realize the truth that they are tragic heroes.
Works Cited:.. Sophocles. Oedipus Rex. New York: Dover Publications, Inc., 1991.