Nathaniel Hawthorne was born in 1804, and he was called "the most valuable example of American genius" by author Henry James in 1879. (Baym) This was no understatement from Mr. James by any means. In fact, Hawthorne was best known for including large quantities of symbolism in his writings. Clearly, this was an intriguing method of writing; for symbolism can be defined as "anything that stands for something beyond itself". (Wiehardt) Needless to say, Hawthorne was a very talented writer. It is for that very reason that we will now explore the visionary symbolism in three of his famous pieces - My Kinsman, Major Molineux, Young Goodman Brown, and The May-Pole of Merry Mount.
In this story, My Kinsman, Major Molineux, the reader finds themselves lost in a sea of emotions as the main character, Robin, goes about the town in search of Major Molineux. Now, it does not take the reader long before they begin to ponder if the main symbol in this story could quite possibly be the story itself - that it symbolizes Hell. When Robin first gets to town, he is treated quite rudely. The first person being the old man walking in the street who threatened Robin "your feet shall be brought acquainted with the stocks, by daylight, tomorrow morning!". (Baym, My Kinsman, Major Molineux) Therefore, the nasty treatment could be symbolizing the evil found in Hell. The next symbol we see that seems to be symbolizing a man of a dark and evil nature that, quite possibly, could be the devil himself with "one side of the face blazed of an intense red, while the other was black as midnight". (Hawthorne, My Kinsman, Major Molineux) Also, it is quite clear that this place was full of evil and sin. One example is the wanton woman trying to trick Robin into her...
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...e Norton Anthology of
American Literature. New York: W.W. Norton & Company Inc., 2008. 621.
Hawthorne, Nathaniel. "The May-Pole Of Merry Mount." Baym, Nina. The Norton Anthology of
American Literature. New York: W.W. Norton & Company Inc. , 2008. 616.
Hawthorne, Nathaniel. "Young Goodman Brown." Baym, Nina. The Norton Anthology of
American Literature. New York: W.W. Norton & Company Inc. , 2008. 607.
Hawthorne, Nathaniel. "Young Goodman Brown." Baym, Nina. The Norton Anthology of
American Literature. New York: W.W. Norton & Company Inc. , 2008. 611.
Hawthorne, Nathaniel. "Young Goodman Brown." Baym, Nina. The Norton Anthology of
American Literature. New York: W.W. Norton & Company Inc., 2008. 612.
Wiehardt, Ginny. Symbol -- Definition of Symbol for Creative Writers. 10 November 2011
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Nathaniel Hawthorne uses symbolism several times in the book, The Scarlet Letter. Some examples of this are when they talk of the scaffold, the brook, the forest, and the sunshine. The one that I will discuss is the sunshine. Hawthorne uses sunshine in the novel to symbolize purity and hope several times throughout the book. In one scene of the book, Pearl requests that Hester grab some sunshine and give it to her to play with. Hester then replies, "No, my little Pearl! Thou must gather thine own sunshine. I have none to give thee." (p.104) Hester has no sunshine to give Pearl because she has committed adultery and is not pure. Another example is when Hester and Pearl are taking a walk through the forest when a dark cloud came over the sky and Pearl said, "Mother," said little Pearl, "the sunshine does not love you. It runs away and hides itself, because it is afraid of something on your bosom." Pearl says this just innocently playing around, not having a clue of exactly how right she is. She says that the sun fears the "A" and avoids the impurity of it at all costs, even disappearing from the sky. Later in that walk, Hawthorne again shows how the sun refuses to be around Hester and her sin. Hester tells Pearl to run off and catch the sun and so she sets off at a great pace and, in her innocence, she seemingly catches it and stands right in the midst of it. Hester comes over and attempts to come over bask in the sunshine and Pearl says, while shaking her head, "It will go now." Hester replies, "See! Now I can stretch out my hand and grasp some of it," but "As she attempted to do so, the sunshine vanished." This shows how the sun, being pure, adorned the Pearl in her innocence, while it shunned Hester for her impurity. Hawthorne shows the symbol of sunshine best in the chapter appropriately titled, "A Flood of Sunshine." In this particular scene, Dimmesdale and Hester are discussing what Dimmesdale will do about the current situation with their relationship. Dimmesdale announces that he will leave the community, and he must do it alone. In the heat of the moment Hester declares that he will not have to go alone, and she takes off her bonnet and throws down the
In The Scarlet Letter, Nathaniel Hawthorne utilizes imagery to convey that Dimmesdale can represent Puritan Society rather than the round character that can be seen on the surface level. This is seen through the imagery and symbolism of hypocrisy, Dimmesdale as a Christ figure, and the scarlet letter.
Since ours is an age that has found irony, ambiguity, and paradox to be central not only in literature but in life, it is not surprising that Hawthorne has seemed to us one of the most modern of nineteenth century American writers. The bulk and general excellence of the great outburst of Hawthorne criticism of the past decade attest to his relevance for us(54).
The Symbolic Use of Nature in The Scarlet Letter In Nathaniel Hawthorne's classic The Scarlet Letter, nature plays a very important and symbolic role. Hawthorne uses nature to convey the mood of a scene, to describe characters, and to link the natural elements with human nature. Many of the passages that have to do with nature accomplish more than one of these ideas. All throughout the book, nature is incorporated into the story line.
In any novel worth reading there is use of basic rhetorical devices like symbolism, allusions, etc. Nathaniel Hawthorne viewed strongly abroad as excellent author for many reasons but none as prevalent as his use of symbolism. Hawthorne uses repetition, motifs and symbolism to poetically approximate allusions almost within every word of his book “The Scarlet Letter”. Symbolism is the adhesive in “The Scarlet Letter”, other than maintaining the reader’s interest, it also makes allusions to other famous works such as the bible, and he uses it to transition the exposition throughout the book. A white man standing next to an Indian was wearing “… clad in a strange disarray of civilized and savage costume” (45) symbolizing the linimal position of the character in the story and in life. Although this symbol has one clear layer it also has a bi-layer to represent a different meaning. The matter that Hawthorne forms epic amounts of symbol s would have formed a problem if he hadn’t made it easy to depict the differences between his concrete symbols and his abstract symbols through repetit...
Lang, H.J. “How Ambiguous is Hawthorne?” In Hawthorne – A Collection of Critical Essays, edited by A.N. Kaul. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Symbolism plays an important role in the Scarlet Letter. The scarlet "A" is used to represent sin and anguish along with happiness. The "A" has different meanings to people other than what was originally intended. The scaffold is used as a place of repentance and judgment by God. Pearl is another major symbol used as a reminder of the scarlet letter.
Hawthorne was also a symbolist who had enormous respect for the material world and for common sense reality. Hawthorne usually established a neutral territory somewhere between the real world and fairy land, where the actual and imaginary meet. His ultimate purpose was always "to open an intercourse with the world" and out of this came symbolism (Kaul 66). For example, the cross -hybridization of the plants in the garden is called "adultery (Newman 267).
Nathaniel Hawthorne, one of America's most renowned authors, demonstrates his extraordinary talents in two of his most famed novels, The Scarlet Letter and The House of the Seven Gables. To compare these two books seems bizarre, as their plots are distinctly different. Though the books are quite seemingly different, the central themes and Hawthorne's style are closely related (Carey, p. 62). American novelist Nathaniel Hawthorne is most famous for his books THE SCARLET LETTER and THE HOUSE OF THE SEVEN GABLES, which are closely related in theme, the use of symbolism, characterization, and style.
The man Nathaniel Hawthorne, an author of the nineteenth century, was born in 1804, in Salem, Massachusetts. It was there that he lived a poverty-stricken childhood without the financial support of a father, because he had passed away in 1808. Hawthorne was raised strictly Puritan, his great-grandfather had even been one of the judges in the Puritan witchcraft trials during the 1600s. This and Hawthorne’s destitute upbringing advanced his understanding of human nature and distress felt by social, religious, and economic inequities. Hawthorne was a private individual who fancied solitude with family friends. He was also very devoted to his craft of writing. Hawthorne observed the decay of Puritanism with opposition; believing that is was a man’s responsibility to pursue the highest truth and possessed a strong moral sense. These aspects of Hawthorne’s philosophy are what drove him to write about and even become a part of an experiment in social reform, in a utopian colony at Brook Farm. He believed that the Puritans’ obsession with original sin and their ironhandedness undermined instead of reinforced virtue. As a technician, Hawthorne’s style in literature was abundantly allegorical, using the characters and plot to acquire a connection and to show a moral lesson. His definition of romanticism was writing to show truths, which need not relate to history or reality. Human frailty and sorrow were the romantic topics, which Hawthorne focused on most, using them to finesse his characters and setting to exalt good and illustrate the horrors of immorality. Nathaniel Hawthorne’s experiences as a man, incite as a philosopher and skill as a technician can be seen when reading The Scarlet Letter.
"The Minister's Black Veil" by Nathaniel Hawthorne is a short story that was first published in the 1836 edition of the Token and Atlantic Souvenir and reappeared over time in Twice-Told Tales, a collection of short stories by Nathaniel Hawthorne. The short story narrates the events following Reverend Mr. Hooper's decision to begin wearing a black veil that obscures his full face, except for his mouth and chin. Mr. Hooper simply arrives one day at the meeting house wearing the semi-transparent black veil and refuses from then on to take it of, leading to the loss of his fiancée and isolation form the world. He is even buried in the black veil. Yet, what is important to note are Mr. Hooper's last words to those surrounding his deathbed. He tells them namely in anger that all of them wear black veils: “I look around me, and, lo! on every visage a Black Veil!”. This declaration underlines the meanings of the veil in the story as symbolic of sin, darkness, and the duality within human nature. Thus, "The Minister's Black Veil" by Nathaniel Hawthorne is a literary work of art that demonstrates the author's use of allegory to highlight the psychological angle of the story and characters.
Lathrop, G. P., ed. "Hawthorne, Nathaniel." The Reader's Encyclopedia of American Literature. Binghamton, New York: Vail-Ballou, 1962. 439-40. Print.
It is no secret that Nathaniel Hawthorne’s “The Minister’s Black Veil” is a parable. Hawthorne intended it as such and even gave the story the subtitle “a parable.” “The Minister’s Black Veil,” however, was not Hawthorne’s only parable. Hawthorne often used symbols and figurative language to give added meaning to the literal interpretations of his work. His Puritan ancestry also influenced much of Hawthorne’s work. Instead of agreeing with Puritanism however, Hawthorne would criticize it through the symbols and themes in his stories and parables. Several of these symbols and themes reoccur in Hawthorne’s “The Minister’s Black Veil,” “Young Goodman Brown”, and The Scarlet Letter.
A symbol is an object used to stand for something else. Symbolism has a hidden meaning lying within it; these meanings unite to form a more detailed theme. Symbolism is widely used in The Scarlet Letter to help the reader better understand the deep meanings Nathaniel Hawthorne portrays throughout his novel. He shows that sin, known or unknown to the community, isolates a person from their community and from God. Hawthorne also shows this by symbols in nature around the town, natural symbols in the heavens, and nature in the forest.
Nathaniel Hawthorne’s work is unique. His writings are full of subtle imagination, analysis, and poetic wording. His short stories are known for their originality and for their ability to provoke the reader’s thoughts. Although a large portion of his stories are allegories, Hawthorne’s preference is to draw more heavily on symbolism (Pennell 13). His use of symbols adds depth to his stories and helps to reveal different aspects of his characters. In Rappaccini’s Daughter, Hawthorne uses symbolism to create a modern day tale of Adam and Eve in the Garden of Eden.