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Detective fiction theory
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The various elements in the stories “Man of the crowd” by Edgar Allan Poe and “In a Gove” by Akutagawa Ryunosuke place them within the mystery and/or detective fiction genres. The usual mystery or detective stories use suspense and tension to build up to the resolution of the puzzle that is present within the plot (Turco 58). Detective stories typically involves “following a detective through the solution of a crime” (Baker, Frye and Perkins, 140). The “Man of the crowd” and “In a Grove” does not have suspense or tension. In both stories the mystery or puzzle is not solved in the end, and the identity of the detective is not even known. Thus, they do not neatly fit within the typical conventions of the mystery or detective genres. Instead, the structure of the story itself - narration and organization of these stories - contribute to the pervading sense of mystery in the story through multiple narratives and foreshadowing, and the reader becomes the detective figure that is left to ponder about the solution to unsolved puzzle in the narrative. That is the underlying theme that all the stories in the mystery and/or detective genre share – a mystery. The narration itself in Poe’s “The Man of the Crowd” is saturated with mystery. The first paragraph of the text already speaks of a puzzle which is an unintelligible book, and people with untold secrets (220). This beginning paragraph of Poe’s story already foreshadows the ending of the story, where the narrator concludes that he will not be able to learn anything about the old man, much like a book that cannot be read (234). Fink also thinks that this is a foreshadowing, as he states in his article that this paragraph’s description of “people who, metaphorically, cannot be ‘read’… for... ... middle of paper ... ... reader becomes the detective figure as he or she is left with the unresolved and unexplained mysteries that are in the narrative. These two stories, while not the archetypal examples of mystery and detective genre, are still brilliant works that are under those genres. Works Cited Akutagawa, Ryunosuke. "In a Grove, by Ryunosuke Akutagawa." Scribd.com., 28 6 2008. Web. 6 Apr 2014. Baker, Sheridan, Northrop Frye, and George Perkins. The Harper Handbook to Literature. New York: Harper & Row, Publishers, Inc., 1985. Print. Fink, Steven. "Who is Poe's "Man of the crowd"?." Poe Studies. 44.1 (2011): 17-38. Web. 6 Apr. 2014. Poe, Edgar Allan. “Selected Poetry and Tales”. The Man of the Crowd. Ed. James M. Hutchisson. Peterborough:Broadview, 2012. 288-294. Print. Turco, Lewis. The Book of Literary terms. London :University Press of New England, 1999. Print.
Barnet, Sylvan, William Burto, and William E. Cain. An Introduction to Literature. New York: Pearson Longman, 2006.
Abrams, M. H., ed. The Norton Anthology of English Literature. Vol I. 5th Ed. New York: W.W. Norton, 1986.
New York: A.C. Armstrong & Son., 1884. xv-xxvi. EPUB file. Sova, Dawn B. "Poe, Edgar Allan.
The idea of a detective catching an elusive convict or solving an improbable crime has been prevalent in all corners of the world, spread throughout many cultures and societies. The detective genre is held as the idea that an individual has to solve a crime. This detective usually has nothing to gain from solving the crime, but they see it more as an obstacle. The detective doesn’t always take every case, as human beings, we are too often curious of the impossible; our natural instinct is to question why and how things work in this world. People crave mystery, to taste a bit of improbable, to see what the detectives see, to see what is overlooked by many. The idea of an intelligent witty, sharp “sleuth” with an obedient sidekick has been prevalent
By looking at 19th century artifacts, I have learned that the detective is the central character within the mystery genre, without them the story could not be told. Without the detective the blanks would not be filled and the audience would never find resolution.
Meltzer, Milton. ""The Raven" - and Fame." Edgar Allan Poe: a Biography. Brookfield, CT: Twenty-First Century, 2003. 105-16. Print.
Iorillo, Joseph. Edgar Allan Poe in the Shadow of the Raven. N.p: Dark Realms Magazine, 2002.
Fisher, Benjamin F. The Cambridge Introduction to Edgar Allan Poe. Cambridge: Cambridge University Press, 2008. Print.
This creates a lot of opportunity for the creators and authors of mystery to manipulate the story. This allows other genres to be added into a mystery story such as crimes and detective. These there genre of mystery, crime, and detective seamlessly blend in with each other making the mystery genre even more impressive. The concepts being so similar are the reason why we are able to have other genre blend in with the mystery genre. The all involve a problem or situation that needs to be solved by usually the main character. They all end up trying to find answers and fit together the pieces, which all just ties back to the mystery
In the beginning of the story, with an extensive and vivid description of the house and its vicinity, Poe prepares the scene for a dreadful, bleak, and distempered tale. The setting not only affects Poe’s narration of the story but influences the characters and their actions as well. Both the narrator and his boyhood friend, Roderick Usher, question w...
The narrator of the story plays an integral part in the reader’s level of understanding. The main character shows his madness, as well as the unfolding of the plot of the story. Poe’s use of the first person to help connect the reader to the narrator of the story.
Mysteries have always held a particular fascination for nearly all human beings. The sheer curiosity all feel for the unknown comes fully into play when one hears of an unsolvable heist or murder. The writer Conan Doyle in The Adventure of the Speckled Band, is in a league of his own with the creation of a sinister mood in the climax when Sherlock and Watson, the main characters, visit Stoke Moran with his imaginative use of language, the intricate descriptions of the setting, and the actions taken by the characters.
Poe, Edgar Allan, Andrew Barger, Harry Clarke and Gustave Dore´. Edgar Allan Poe. [Memphis, Tenn.]: BottleTree Books, 2008. Print.
Any story in the genre of mystery consists of unpredictable and uncertain events. A mystery will continuously have its readers on their toes and always asking questions. Mysteries are not always homicidal. They can have any theme such as; love, hate, fear, loss of innocence, or even solitude. Four short stories that are considered mysteries are; “Gift of the Magi,” “A Singer’s Romance,” “The Murders in the Rue Morgue,” and “Magic”.
All of the Sherlock Holmes stories are a part of the mystery genre. There is a laundry list of expectations of a mystery, but a typical mystery starts out with a crime or a form of a puzzle that needs to be solved. To solve the mystery the story has to include a suspect and evidence. The evidence is usually obviously connected to a suspect, which will eventually lead to a resolution. Though the story starts out as a mystery, as the story carries on, the resolution becomes more and more predictable. Then there are smaller but influential parts of the story that make up a mystery, which are times of inference, suspense, and foreshadowing. Foreshadowing often helps in predicting the resolution. Though each aspect of a mystery are very individualized, they ultimately work together to assemble a well developed mystery.