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character of miss brill
character of miss brill
literary analysis of short story miss brill
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Katherine Mansfield, in her short story "Miss Brill", slowly reveals the nature of her main character. She gradually divulges Miss Brill's personality, leading the reader to believe things about Miss Brill that are not true. Also, the point of view t
t Mansfield uses enhances the story and adds to the reader's misinterpretation of Miss Brill until the end of the story.
Miss Brill's character is a complex one. She cannot be stereotyped and she has a multifaceted personality. The reader sees several sides of her nature. Her almost mischievous side is revealed as the narrator tells how she waits for people to sit on
r bench so that she might listen in on their conversations. This also reveals her need to be accepted. Further, her child like manner is exposed. This is done through the description of her Sunday ritual of buying a slice of honeycake and her excitem
t when she discovers and almond inside. More importantly, however, to the complexity of her character is the fact that she has an epiphany.
Miss Brill feels that everyone in the park has a unique bond. Mansfield writes, "They were all on the stage. They weren't only the audience, not only looking on; they were acting. Even she had a part and came every Sunday" (51). Miss Brill is obvio
ly a lonely woman who feels the need to belong. The narrator speaks of Miss Brill's conception of the lives of the others who are regulars in the park.
Other people sat on the benches and green chairs, but they were nearly always the same Sunday after Sunday, and--Miss Brill had often noticed--there was something funny about all of them. They were odd, silent, nearly all old, and from the way they sta
d they looked as though they'd all just come from dark little rooms or even--even cupboards! (50-51)
Miss Brill soon discovers that she is just like those people that she has been looking upon with pity. It is at this point in the story that Miss Brill experiences her painful epiphany.
A pair of young lovers sit down on Miss Brill's bench. She becomes excited for she now has a conversation to listen in on. The boy wants to kiss the girl but the girl resists. The boy asks if it is because of the "stupid old thing on the end over th
Her name “Blanche” gave clues to the character, as the word is related to the colour white, which is pure and cold but also blank, with no real personality. The two characters are complete opposites; Blanche with her ostentatious nature greatly differs from Jane’s demure mien. Jane’s character would rather sit alone in a small corner, whereas Blanche tries to draw attention to herself. One evening Jane observes Blanche’s actions and describes her to be “evidently bent on striking them as something very dashing and daring indeed.” Blanche’s emptiness makes Jane’s true depths of human dignity, and morality all the more evident and attractive. Without the use of Blanche as a foil, the positive attributes of Jane’s character would not of been as evident, as she would not of been compared to one with such an ugly inner
She then moves on to describe each of the characters, and in doing so, their surroundings and how they fit in: "He was cold and wet, and the best part of the day had been used up anyway. He wiped his hands on the grass and let the pinto horse take him toward home. There was little enough comfort there. The house crouched dumb and blind on the high bench in the rain. Jack's horse stood droop-necked and dismal inside the strand of rope fence, but there wasn't any smoke coming from the damned stove (28)."
Bernice decides to confront Marjorie in the kitchen the morning after hearing her lash out about her to her mother. The reader has insight to how shocked Marjorie will be after realizing she is caught when Fitzgerald sets up the scene with "Bernice paused before she threw her hand-grenade". Marjorie is trapped and Bernice's words are like a bomb exploding in the air shattering the silence. "Marjorie never giggled, was never frightened, seldom embarrassed" (Fitzgerald 4) and was now not about to admit she was wrong in how she spoke of her cousin. Marjorie is able to remain composed showing accentuating the proficiency of her acting ability. "Marjorie was startled, but she showed only a faintly heightened color" (Fitzgerald 6) not giving Bernice the satisfaction she came in seeking.
Joy's sour temperament and her introspectiveness have both taught her nothing about the world, people, or how to judge a person's character. All of her degrees have done nothing but push her farther into books and farther away from the world. It is Joy's own qualities that put her in the vulnerable situatio
In the short story, “Miss Brill” by Katherine Mansfield, the author introduces Miss Brill as a lonely and a putting on her fur scarf, and getting ready to go to the park. As she sits on the bench and listens to other people talk, she imagines herself as an audience watching the people in the park as if they are on stage. Miss Brill believes that all the action going on in the park, such as the little boy giving the thrown-away violets back to the woman is just a play. However, a closer look at Miss Brill reveals a character that is unable to distinguish between perception and reality.
The character that is mentioned most in this story is one by the name of Mrs.
Blanche DuBois, the protagonist of the play, is introduced to the readers in the first scene, where she makes a surprise visit to her sister and her sister’s husband, Stella and Stanley. She is introduced as a fragile woman who the readers begin to feel sympathy for her. She had been asked to leave her job, and she lost the family estate. The readers ...
...she has to deal with her reality because there is nothing and no one she could use to dramatize her life. Brill is forced to accept the idea that she is no more significant to the world than any one she encountered in the park. She is the old person who comes from a little cupboard. She is the person which she never wanted to be and all her attempts to preserve her false image were now null. The truth has become clear to her thus having to accept sorrow.
In reality, Miss Brill is a part of nothing. She sits alone on a bench with her ratty old fur and watches the world pass before her. She sees other people sitting on benches Sunday after Sunday and thinks of them as "funny...odd, silent, nearly all old...as though they'd just come from dark little rooms." Rather than see herself as one of them, she creates a fantasy world to escape facing the truth. Even in this seemingly perfect production, within Miss Brills mind, Mansfield shows us that there is the possibility of evil. Along come the "hero and heroine" of Miss Brills imagination and the nasty truth cuts like a knife. The young couple begin to ridicule and make fun of the "stupid, old, lonely lady that no body wants," and in that instant her dream is demolished and little world crumbles.
...e relationship with men, as nothing but tools she can sharpen and destroy, lives through lust and an uncanny ability to blend into any social class makes her unique. Her character is proven as an unreliable narrator as she exaggerates parts of the story and tries to explain that she is in fact not guilty of being a mistress, but a person caught in a crossfire between two others.
Miss Brill is very observant of what happens around her. However, she is not in tune with her own self. She has a disillusioned view of herself. She does not admit her feelings of dejection at the end. She seems not even to notice her sorrow. Miss Brill is concerned merely with the external events, and not with internal emotions. Furthermore, Miss Brill is proud. She has been very open about her thoughts. However, after the comments from the young lovers, her thoughts are silenced. She is too proud to admit her sorrow and dejection; she haughtily refuses to acknowledge that she is not important.
The human experience is riddled with unpalatable truths that we discover as we journey through life. Influencing our values and attitudes by deliberately challenging the reader with humanity’s unpalatable truths, Ian McEwan prompts the reader to consider our own moral compass through the character of Briony Tallis. During the course of ‘Atonement’, McEwan demonstrates that actions and words inevitably have consequences on not only the individual but also those surrounding them. Throughout the three fundamental stages of Briony’s complicated life, her coming of age story has developed in the unpalatable obstacle of atoning for her mistakes. In misunderstanding, Briony appears naive; she thinks she can control aspects of her own world, acting
Throughout the story there are several aspects of the Protagonist’s character that play a major role in the shaping of her future. During her childhood she often demonstrates a sense of fear when she is sent to her bedroom. “We were afraid of the inside, the room were we slept (pg. 549).” She is intimidated by her personal space because she does not have control over it. Later, she gains control by adding lace to her side of the room; symbolically adding personality to herself and slipping into womanhood. When she felt uncomfortable she exercised her imagination, to psychologically regain control over the confusion in her life. Her subconscious effort to control confusing times were carried on to her later years as she was constantly put in difficult situations, which helped her to adjust quickly to change during adulthood. The dreams she created changed when she began to place emphasis on her appearance-that which she could control, other than past dreams of heroism that seemed so distant from reality. The Protagonist filled her childhood with much pride and maintained a consistent focused upon the activities that filled her childhood. She relished working at the side of her father, taking immense pride in every aspect of her assigned duties. She proclaimed, “I worked willingly under his eyes, and with a feeling of pride (pg. 551)” Once after her father introduced her to a feed sales man as “my new hired man (pg. 551),” the Protagonist was flooded with pride as she “turned away and raked furiously, red in the face with pleasure (pg. 551).” In her later years her pride helped her to assemble strong self-confidence she used in her years of growing. Passion and depth were characteristics that impacted her future as a woman. Her passion and depth was revealed early on in the story ...
The story is written in a third person omniscient (although limited) point of view. Miss Brill also interprets the world around her in a similar fashion. She is her own narrator, watching people around her and filling in their thoughts to create stories to amuse herself. Compared to most people, Miss Brill's thinking is atypical. Generally, in viewing the world around him, a person will acknowledge his own presence and feelings. For example, if something is funny, a person will fleetingly think "I find that amusing." While that entire sentence may not consciously cross his mind, the fact that it is humorous is personally related. Miss Brill has no such pattern of thought. She has somehow managed to not include herself in her reactions; she is merely observing actions and words. In this manner, she most resembles the narrator of the story by simply watching and relaying the events around her.
This story is an exploration of one's personal life and dismay and its affect on their life. Miss Meadow's, the main character gives us an outlook of human behavior. The story starts with the "trotting" of Miss Meadows in the hall and "the girls of all ages, rosy from the air, and bubbling over with that gleeful excitement that comes from running to school on a fine autumn morning, hurried, skipped, fluttered by" (pg 1, line 3-5). The contrast between Miss Meadow's nature of "cold" and "sharp despair" (pg 1, line 1) on one side and the girls happily passing by with glee and delight shows the sense of isolation roaming around the hall. So Miss Meadows can also be taken as a symbol of isolation and despair which Katherine herself depicted h...