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Analyzing the Minister's Black Veil by Nathaniel Hawthorne
What is the minister black veil by nathaniel hawthorne about
Theme of the minister's black veil
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Witchcraft and a Black Veil
The setting of “The Minister’s Black Veil” by Nathaniel Hawthorne occurs in Milford, Massachusetts which is less than 60 miles from Salem, a small town famous for putting hundreds of people on trial and sentencing several to death as a result of accusing them of witchcraft. The thematic historical similarities between the Salem Witch Trials and Hawthorne’s “The Minister’s Black Veil” is apparent through the use of gothic imagery, supernatural effects on the funeral and wedding, and hysterical emotion elicit on the townspeople by Mr. Hooper’s veil.
The use of gothic imagery is subtly present throughout the tale of Mr. Hooper, a minister who one day begins to hide his face behind a stark black veil. In the story the
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For example, when put on trial, Tituba claimed that she and several others were met by the Devil and signed a pact, agreeing to perform witchcraft. As was the case of Rebecca Nurse, when the court read her innocent verdict, the accusers immediately began to convulse and appear to be under a spell (Brooks). There is no evidence to support the claim that these women were actually under the influence of withcraft. They simply needed a scapegoat in order to confirm the outrageous speculation that their were witches plotting against the pious inhabitants of Salem. Similarly, once the minister dons the black veil, his processions are suddenly affected by supernatural elements. The first occurrence takes place when Mr. Hooper presides over the funeral of a young woman after a Sunday service. Hawthorne describes the funeral, “A person who watched the interview between the dead and living scrupled not to affirm that the instant when the clergyman’s features were disclosed the corpse had slightly shuddered, rustling the shroud, though the countenance retained the composure of death” (Hawthorne 1043). The corpse appears to awaken from the grave and is disturbed by the presence of the black veil. Strangely, only an elder lady from the town witnessed the corpse move. She must have spread word of the supernatural occurrence, which results in the townspeople joining together in the delusions against Hooper’s veil. Another ceremony affected by the veil is a wedding between a couple of Milford. Hawthorne describes the event, “The bridal pair stood up before the minister, but the bride’s cold fingers quivered in the tremulous hand of the bridegroom, and her death-like paleness cause a whisper that the maiden who had been buried a few hours before was come from her grave to be married” (Hawthorne 1044). It appears that the presence of Mr. Hooper’s veil has the
Starkey, Marion L. The Devil In Massachusetts: A Modern Inquiry Into The Salem Witch Trials. London: Robert Hale Limited.
This short story reflects the Puritans’ lifestyle in the early colonial stage by using the black veil of Reverend Hooper to guide people through the sinful and struggling life of the Puritans. “The Minister’s Black Veil” is only one of the great stories written by Nathanial Hawthorne, and there are more Romanticism books like The Scarlet Letter and The House of the Seven Gables, and they also talk about the changes and struggles of human
...t to acknowledge that fact than to live your life a lie. By keeping sin secret from the world like Dimmesdale, your conscience eats at your spirit until you are no longer able to live a healthy, normal life. Hooper's demeanor and sermons scared everyone into seeing their own sins and when looking at his black veil, they saw their own faults, which petrified them for they knew they were pretending to be one of the elect, and that none of them could be perfectly sinless. The horror and the hate people felt towards both the black veil and the scarlet letter was an outward manifestation of the horror and hate they all had for their own sins. Thus it brings us back to the theme that Hawthorne makes so clear in both the Scarlet Letter and "The Minister's Black Veil," that though manifested sin will ostracize a person from society, un-confessed sin will destroy the soul.
Hawthorne's parable, "The Minister's Black Veil," uses symbols to illustrate the effect of shame and guilt. In the story, Mr. Hooper represents the average Christian with a deep longing to be holy, and have fellowship with man. However he allows the cross that he bears to come between himself and the latter. His secret is represented by the veil he wears. The veil itself is black, the color of both secrecy and sin. Spiritually, the veil embodies the presence of evil in all of mankind. In the physical realm it serves as emotional barrier between himself and everyone else (Timmerman). During his first sermon after donning the veil, it is observed that, "... while he prayed, the veil lay heavily on his uplifted countenance. Did he seek to hide it from the dread Being whom he was addressing?" (par 10). The veil made Mr. Hooper a powerful preacher. But even the people his messages touched the most would shudder when Mr. Hooper would move close to comfort them, his veiled face making them tremble (par 45). His personal relationships all but ceased to exist. Outside of church, he was seen as a bugbear, or monster. (par 44). Seemingly, the only one that did not fear the veil was his loving fiancée, Elizabeth. Elizabeth symbolizes purity. She is innocent and...
The Minister’s Black Veil beings with Parson Hooper, the reverend of Milford, arriving with a black veil covering his face. The people of the town begin to gossip, some say he has gone mad, while
Witchcraft, Insanity, and the Ten Signs of Decay. Since there never was a spurned lover stirring things up in Salem Village, and there is no evidence from the time that Tituba practiced Caribbean black magic, yet these trials and executions actually still took place, how can you explain why they occurred? The Salem Witchcraft Trials began not as an act of revenge against an ex-lover, as they did in The Crucible, but as a series of seemingly unlinked, complex events, which a paranoid and scared group of people incorrectly linked. And while there were countless other witchcraft trials, Salem’s trials remain the best-known. In Salem, fears of witchcraft perpetuated by popular writings were personified when two girls were said to be bewitched.
Mr. Hooper in “The Minister’s Black Veil” puts on a veil to symbolize “those sad mysteries which we hid[e] from our nearest and dearest, and would fain conceal from our own consciousness, even forgetting that the Omniscient can detect them” (Hawthorne 310). From the moment the townsfolk see the black veil they become very frightened and intimidated by Mr. Hooper, the citizens felt that “the black veil seemed to hang down before his heart” (Hawthorne 308). People became very frightened even the “most innocent girl, and the man of hardened breast” (Hawthorne 312) Mr. Hooper puts this crape on as a “symbol of a fearful secret between him and them” and because of this society chastises him and makes him out to be a...
Nathaniel Hawthorne’s ancestral connection to the Salem Witch Trials influenced his writing style. His ancestor was one of the judges that sentenced innocent women to death. This idea, of his ancestors sentencing innocent women to death, struck a deep meaning with Hawthorne and made him change from Hathorne to Hawthorne so he could distance himself from that event in history. The whole controversy over the witch trials deeply affected Hawthorne and is evident in his short stories. For example, in “The Minister’s Black Veil”, "But the strangest part of the affair is the effect of this vagary, even on a sober-minded man like myself. The black veil, though it covers only our pastor's face, throws its influence over his whole person, and makes him ghostlike from head to foot. Do you not feel it so?" (“The Minister’s Black Veil”). The black veil signified Hawthorne’s own skeleton in the closet; his connection to the witch trials that caused him so much trouble. Like the black veil the witch trials was only one small part of his ancestors life, but it threw influence over t...
"The Minister's Black Veil" by Nathaniel Hawthorne is a short story that was first published in the 1836 edition of the Token and Atlantic Souvenir and reappeared over time in Twice-Told Tales, a collection of short stories by Nathaniel Hawthorne. The short story narrates the events following Reverend Mr. Hooper's decision to begin wearing a black veil that obscures his full face, except for his mouth and chin. Mr. Hooper simply arrives one day at the meeting house wearing the semi-transparent black veil and refuses from then on to take it of, leading to the loss of his fiancée and isolation form the world. He is even buried in the black veil. Yet, what is important to note are Mr. Hooper's last words to those surrounding his deathbed. He tells them namely in anger that all of them wear black veils: “I look around me, and, lo! on every visage a Black Veil!”. This declaration underlines the meanings of the veil in the story as symbolic of sin, darkness, and the duality within human nature. Thus, "The Minister's Black Veil" by Nathaniel Hawthorne is a literary work of art that demonstrates the author's use of allegory to highlight the psychological angle of the story and characters.
In “The Minister’s Black Veil,” for example, Hawthorne describes how, “perhaps the palefaced congregation was almost as fearful a sight to the minister, as his black veil to them”(2). This directly contrasts the “light” faces of the members of the congregation with the darkness of the minister’s veil. By stating that the minister was just as afraid of the people as the people were of him, Hawthorne indicates that the people fear the minister due to the abrupt reveal of his mysterious sin, but the minister also somewhat fears the people and the secrets they hold deep within their hearts. The people of the town are supposedly pure and innocent, yet it is clear that many of the citizens carry the burden of their own evils. Although the minister boldly comes forward with his own sin, he still feels the pain of the loneliness, scorn, and spite that has come with his statement. Hawthorne represents the discomfort the guilty townspeople feel when in the presence of Mr. Hooper when he describes how they were, “conscious of lighter spirits the moment they lost sight of the black veil” (3). Once again, this use of light and dark imagery supports Hawthorne’s argument that people, even those who claim to be pure and innocent, are capable of sin. The townspeople in Mr. Hooper’s community feel the burden of their own sins when they come in
In Nathaniel Hawthorne’s short story “The Minister’s Black Veil”, the reader is introduced to Parson Hooper, the reverend of a small Puritan village. One Sunday morning, Hooper arrived to mass with a black veil over his impassive face. The townspeople began to feel uneasy due to their minister’s unusual behavior. When Parson appeared, “Few could refrain from twisting their heads towards the door; many stood upright….” (Monteiro 2). Throughout the story Hooper does not take off the black veil and the townspeople, including Reverend Clark from a nearby village, treat him as if he were contagious disease. A veil typically is used to represent sorrow, but in this story it is used to represent hidden sins. No one exactly knows why he
The same thing happens in “The Minister’s Black Veil,” except the reader does not know exactly what secret sin makes Reverend Hooper begin to don the black veil. Many scholars believe that this has something to do with the funeral of the young lady at the beginning of the story. The opinions range from believing that Reverend Hooper loved the girl in secret, to Poe’s believe that Reverend Hooper may have actually been the cause of the girl’s death (Newman 204). Whatever the reason, the minister’s wearing of the veil taints his view of everyone else around him, making all of them look like they are wearing veils as well (Hawthorne 107).
“The Wonders of the Invisible World”, written by Cotton Mather, is an account of the Salem Witch Trials. He retells information that has been passed down to him without actually being present at the trial and simultaneously explains his theory to why witches were suddenly emerging in Salem, Massachusetts. There were quite a few holes in the Salem Witch Trials, especially regarding whether or not these events occurred the way they are said to. Mather’s book shows us how intense the Puritan ideals were, attaching anything out of the ordinary to a higher power and in doing this shows the flaws of the religion which caused to Salem Witch Trials.
The Minister’s Black Veil, written by Nathaniel Hawthorne in 1836, is a parable about a minister, Mr. Hooper, who constantly wears a mysterious black veil over his face. The people in the town of Milford, are perplexed by the minister’s veil and cannot figure out why he insists on wearing it all of the time. The veil tends to create a dark atmosphere where ever the minister goes, and the minister cannot even stand to look at his own reflection. In Nathaniel Hawthorne 's literary work, The Minister 's Black Veil, the ambiance of the veil, separation from happiness that it creates, and the permanency of the black veil symbolize sin in people’s lives.
In the short story, “The Minister’s Black Veil,” Nathaniel Hawthorne tells the Mr. Hooper’s black veil and the words that can describe between him and the veil. Hawthorne demonstrates how a black veil can describe as many words. Through the story, Hawthorne introduces the reader to Mr. Hooper, a parson in Milford meeting-house and a gentlemanly person, who wears a black veil. Therefore, Mr. Hooper rejects from his finance and his people, because they ask him to move the veil, but he does not want to do it. In Nathaniel Hawthorne’s “The Minister’s Black Veil”, Mr. Hooper’s black veil symbolizes sins, darkness, and secrecy in order to determine sins that he cannot tell to anyone, darkness around his face and neighbors, and secrecy about the black veil.