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The relationship between humans and pets
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The Dynasty and Legacy of Rin Tin Tin
Some twelve thousand years ago, in what is now the Jordan Valley of Israel, a middle-aged man of the Natufian civilization died. When modern archaeologists excavated his tomb, they found that he had been buried with one hand lying on a puppy that had been buried with him. According to the archaeologists, that tomb shows that the very first animal domesticated by the human race was the dog, which was mankind's hunting companion and pet since ancient times (Edelson, 28). In the catacombs of Hollywood we uncover another representative of this great canine legacy – a dog named Rin Tin Tin. He was one of the first animal “stars” beloved to not one man but to millions of fans around the world. This entertainment great changed Hollywood and acted as a guide and example for successive animal celebrities.
Rin Tin Tin showed the world that an animal could be just as big of a star as a human. This was one of the ironic truths for those working with “Rinty” as they used to call him. He would always steal the show from his human counterparts. Rinty was a strong influence to many future animal stars such as Lassie and Bengi. Rinty made dogs and other animals hero’s in the hearts of the people. He gave people an appreciation for animals all over the world. Even though Rinty helped other species of animal actors break through he was the biggest influence on other dogs in the film industry.
Rin Tin Tin did have a predecessor. One of the greatest of those before Rin Tin Tin was a German shepherd named Strongheart. Director Larry Trimble decided in 1920 that a series of films starring a heroic dog would be a profitable venture and so the first dog star was made (Rothel, 152). A three-year-old German shepherd named Etzel von Oeringen, born of champion stock in Germany and trained to kill for military purposes was trained to be an actor in American motion pictures. Etzel von Oeringen, soon named Strongheart, became a star in a 1921 epic titled “The Silent Call”. Strongheart played a dog that was half wolf and that was more intelligent than its human owners. In this film Strongheart saved the life of a woman and managed to get her married, all while raising a family of his own.
The Australian film institute has been seeking recommendations on what Australian film should be included in an international Australian Film festival in late 2016. The inclusion of the film Red Dog should be definite and I am here to persuade you why. Released in 2011, Red dog is the retold story of the Pilbara wanderer. However this wanderer was not a human, he was a Kelpie that touched the hearts of many throughout Western Australia. Director Kriv Stenders has taken the true story of Red Dog and recreated it into a heart jerking film. During the film viewers are exposed to the history,
Ayumu and Ai: Studies in Animal Intelligence. Films Media Group. 2003. Films on Demand. 25 April 2014. .>.
William Wegman never really wanted a dog. He was too caught up in his photography to be bothered, but his wife had a different idea. When William and his wife moved from Wisconsin to California, they started looking for a dog. They decided to go with a Weimaraner when there was no luck with finding a Dalmatian. The first weimaraner was named Man Ray and the first thing William did when he took Man Ray home was take his picture, the rest is history.
In the essay entitled “The Sacred Conspiracy” by Georges Bataille, there is a text that says, “A world that cannot be loved to the point of death—in the same way that a man loves a woman—represents only self-interest and the obligation to work. If it is compared to worlds gone by, it is hideous, and appears as the most failed of all. …Men today profit in order to become the most degraded being that have ever existed,” (Bataille 179). Interestingly enough, the comment can be applied to the problematic relationship of the human and the animal as seen in Byron Haskin’s film The Naked Jungle.
First Friend: A History of Dogs and Humans, by Katherine Rogers, articulates the history of the relationship between dogs and humans. Wild Justice: The Moral Lives of Animals, by Marc Bekoff and Jessica Pierce, investigates if and how dogs exhibit morality. In both texts, anecdotes and observations are used to portray instances of dogs displaying cooperation, empathy, altruism, and, by extension, morality. Consequently, it stands to reason that dogs have a capacity for sociality, but how can the sociality of dogs be described? A dog’s capacity for sociality is the ability to form long term relationships with members of the same or other species. Dogs, in particular, dogs who hunt as well as dogs who play, are able to form long term relationships with humans and other dogs through trust, love,
A sense of belonging and community is essential in finding value and purpose in life. Dogs are naturally social animals that seek to live in packs. In the novel “Fifteen Dogs”, written by André Alexis, the dogs are given human intelligence and are forced to face a difficult question; to embrace this new way of life or revert back to their old nature. The intelligence the dogs gain unites the pack of dogs together, but, it is also what separates them from all other dogs. The introduction of language to the pack creates disorder within the hierarchy of the group which leads to divisions between the dogs.
For centuries, animals have been utilized in a wide variety as forms of entertainment. Their wide range of work expanding from circus acts all the way to social media purposes. The earliest signs of animal captivity according to archaeological evidence, are lions that were caged and held in captivity by rulers in Macedonia around 2,000 B.C. (Evans, 2007). As the decades progressed animal involvement in the entertainment industry began to form. In the 1800’s, circuses and sideshows held wild animal performances for the public that consisted of a trainer showing off their bravery against a wild animal’s ferocity (Evans, 2007). These types of interactions between man and animal called for trainers to establish complete dominance. Therefore, this
The dog they rescued is a particularly prominent topic, a vestige of the past civilizations. In defiance of the treacherous environment, the dog managed to survive, a feat that even Lisa, the most cold-blooded of the three main characters, could not help but be “impressed by” (Bacigalupi 61). Therefore, the dog is a symbol of hope for the reader, an animal that is in the extreme, completely out of its element, and yet capable of surviving. As a result, nature’s idea of itself is astoundingly resilient, keeping certain species alive as an attempt to return to the normal state of the world. Even after horrendous trauma the natural world is still capable of a stalwart attempt at reclaiming itself. Accordingly, it is never too late to start fixing the damages and help nature’s cause, before allowing it to escalate to such a degree where the oceans are black with pollution and there is no room left for the humans of today. Chen could not help but notice that the dog is different than them in more than just a physiological nature; “there’s something there” and it’s not a characteristic that either them or the bio-jobs are capable of (64). Subsequently, the dog has something that the evolved humans are missing, compassion. In consequence, the author portrays the idea that the dog
Humans and animals have always coexisted together for as long as man could remember and exist. They would hunt each other for survival, sometimes man would come out as the victor, and sometimes it was the animal. Mankind would feast on them like they would feast on us. With time, this relationship would change. The animals would become our companions as well as being our food. They would become our hunting tools, such as in tracking prey. They would later be used as our means of transport and also as labor tools, such as when humans would need help working on their farmland. Let’s not forget that they also provide us with entertainment, such as in a zoo or as a circus attraction. Although only some cultures still consider some animals as sacred, most of us look down on them, consider them inferior to us. There was however a time when we worshipped them more and even admired them. We will explore this worship and admiration of animals in this essay as we compare and contrast the depictions of animals in the Upper Paleolithic period in cave arts and in Ancient Egypt in order to identify the presence of a shift, if there was one, in our reverence of animals in between both periods.
While the main focus of this essay is the wild dogs we can notice a cultural conflict in the town, because of religion or tradition. This essay describes the town of Istanbul as having “a hundred thousand” dogs throughout the city, and how that the city is filled with trash. In addition to the above description, Brunner tells us some people are more sensitive to dogs and they feed and care for them, but do not allow them in the houses because “Quran, strict Muslin consider dogs—especially their drool—to be unclean”(89). We can relate the above statement with the passage when Brunner says that “[i]t sounds like the dogs, not the authorities, set the tone. In popular shadow-puppet plays, dogs were compared to the poor” (91). Mostly this essay, by focusing on dogs, is addressing a big conflict that Istanbul is experiencing with poor people. They cannot eliminate the dogs as they cannot get rid of people because that would be an act of “barbarism”. The essence of this essay is to show that the culture of this city is trying to deal with the unclean, both dogs and poor people, in a way that does not seem cruel. This essay reflects the above with all the attempts they have made to eliminate the dogs, meaning that they would like to get rid of them but they cannot because they just cannot eliminate a living creature just because its nature. Therefore, they most find some alternative to live with them, as most rich people
Animals have long been an integral part of human culture. Up until the mid-nineteenth century, humans got around by horse and carriage. Animals have always been essential to human survival; man has always used animals for resources. Given the time spent together, animals and humans have developed bonds and relationships. Today, there are millions of domesticated animals.
“Much as we might want to understand animals at a level deeper than pop culture, we can only understand them in terms of our own experiences, language and emotions, and interpreted within our social, historical and cultural contexts. The only way we have of understanding animals is to recognize that ‘when we gaze at animals we hold up a mirror to ourselves’ (Corbett, 176). Animal messages are brought to us by the pop culture industry, whose job it is to create, disseminate, and sell meaning. In most cases, they aren’t selling you a moose, but what a moose means to you for example – the characteristics and qualities that you and most people associate with the species. Based on common meanings presented to us from an early age, animals are the perfect shorthand communication symbol. We use animals as devices, metaphors and symbols for a great deal of our expressions and ideas” (Corbett, 179).
Human fascination for lions and tigers has prompted circuses, such as Ringling Brothers, to hold these feline animals in captivity for entertainment. However, these actions are morally impermissible because it causes unnecessary harm and suffering, therefore compromising the animal’s welfare (21). Furthermore, the moral issue that arises is whether these circuses are minimizing the level of discomfort their animals experience. The basis of these arguments is not whether lions and tigers have the same mental capacity or communication skills as humans, but the ability to feel pain and discomfort.
Folklore and myths had told stories about humans and animals, and their mixed relations for centuries and continued to be told in sixteenth century Sweden. The Christian religions did not believe these stories to be innocent, and as Christianity grew, these stories w...
This article provides many examples that revoke many critics’ validity against animal rights. This information could be used to explain why animals may be different but still deserve the basic rights that humans possess. Including more factual evidence and persuasion rather than discussing animal’s souls and human’s magnitude of evil could improve this source.