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History of mental illness in usa, essay
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The Mentally Ill: 19th Century v. Today After initially reading Charlotte Perkins Gilman’s The Yellow Wallpaper, the reader tends to trust the narrator’s judgment. However, when one explores beyond the literal meaning of the text, they find that the narrator’s “temporary nervous depression” has distorted her sense of reality. It is the reader’s duty to separate fact from fiction in the story. Once the reader has separated the two, the story’s underlying message, regarding the issue of mental illness in the 19th century, becomes apparent. By examining this story and various studies pertaining to mental illness, one can conclude that, treatments, living conditions, and perceptions of the mentally ill have improved drastically since the story’s 1892 publication. The story opens with the narrator moving to a new “home.” She initially describes the house as a “mansion”, and continues by describing it as a “haunted house.” These words both come to mind when thinking about insane asylums; as asylums tend to be large in size and are often associated with suffering and death. The narrator describes the estate as having, “hedges and walls and gates that lock, and lots of separate little houses for the gardeners and people” Hedges and shrubbery are often planted to create a natural barrier. Because insane asylums were not widely accepted, it makes sense that they would plant hedges to shield the building/s from society. The walls and gates that lock sound similar to those of a prison. During this time, asylums were essentially that, a prison. The locked gates were used to keep patients from escaping and to create a sense of security in the surrounding communities. The little houses the narrator mentions are likely living quarters for other... ... middle of paper ... ...tical Analysis of a Scottish Insane Asylum." Historical Social Research / Historische Sozialforschung 17.3 (1992): 3-20. JSTOR. Web. 6 Dec. 2013. . Phelan, Jo C., Bruce G. Link, Ann Stueve, and Bernice A. Pescosolido. "Public Conceptions of Mental Illness in 1950 and 1996: What Is Mental Illness and Is It to Be Feared." Journal of Health and Social Behavior 41.2 (2000): 188-207. JSTOR. Web. 6 Dec. 2013. . "Postpartum Depression: What Is It, and What Causes It?" WebMD. N.p., 5 Nov. 2010. Web. 8 Dec. 2013. . "Psychotic Depression: Symptoms, Causes, Treatments, and More." WebMD. Ed. Joseph Goldberg, MD. N.p., 24 July 2012. Web. 8 Dec. 2013. .
Leupo, Kimberly. "The History of Mental Illness." The History of Mental Illness. N.p., n.d. Web. 13 Nov. 2013.
Corrigan, Watson and Ottati (2003) argue this strong stigma has legitimized a historically inequitable system of treatment for those with mental illness. As far back as the Middle Ages, the mentally ill were sent to prisons because they were perceived as dangerous. Beginning in the 19th century, they were transitioned to asylums and hospitals due to the widely held belief that they were not only dangerous, but also i...
In the 1800’s people with mental illnesses were frowned upon and weren't treated like human beings. Mental illnesses were claimed to be “demonic possessions” people with mental illnesses were thrown into jail cells, chained to their beds,used for entertainment and even killed. Some were even slaves, they were starved and forced to work in cold or extremely hot weather with chains on their feet.
This environment serves not as an inspiration for mental health but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
In the 1840’s, the United States started to build public insane asylums instead of placing the insane in almshouses or jail. Before this, asylums were maintained mostly by religious factions whose main goal was to purify the patient (Hartford 1). By the 1870’s, the conditions of these public insane asylums were very unhealthy due to a lack of funding. The actions of Elizabeth J. Cochrane (pen name Nellie Bly), during her book “Ten Days in a Mad-House,” significantly heightened the conditions of these mental asylums during the late 1800s.
The story starts out with a hysterical.woman who is overprotected by her loving husband, John. She is taken to a summer home to recover from a nervous condition. However, in this story, the house is not her own and she does not want to be in it. She declares it is “haunted” and “that there is something queer about it” (The Yellow Wall-Paper. 160). Although she acknowledges the beauty of the house and especially what surrounds it, she constantly goes back to her feeling that there is something strange about the house. It is not a symbol of security for the domestic activities, it seems like the facilitates her release, accommodating her, her writing and her thoughts, she is told to rest and sleep, she is not even allow to write. “ I must put this away, he hates to have me write a word”(162). This shows how controlling John is over her as a husband and doctor. She is absolutely forbidden to work until she is well again. Here John seems to be more of a father than a husband, a man of the house. John acts as the dominant person in the marriage; a sign of typical middle class, family arrangement.
Academic essayists such as Susan M. Gilbert, Susan Gubar, and Elaine Showalter have a feminist reading of the story, however, this is not the most important reading. The author experienced the turmoil of the rest of the cure personally, which means that the story is most likely a comment on the great mistreatment of depression, hysteria and mental disorders in general. Despite the claims of Gilbert, Gubar, and Showalter that “The Yellow Wallpaper” is solely feminist propaganda, their analysis is often unnecessarily deep and their claims are often unwarranted, resulting in an inaccurate description of a story that is most importantly about the general mistreatment of psychosis and the descent into insanity regardless of gender. When things are stretched too thin, they become less sturdy and less reliable; the same is true for arguments in writing.... ... middle of paper ...
Diane Gray made her views on early treatment in insane asylums clear: “Another early treatment was the branding of a patient's head with a red-hot iron to ‘bring the animal to his senses’. An English treatment of the earlier nineteenth century involved using a rotating device i...
Throughout the late 1800s Americans were workaholics, constantly working in order to make a living for their families at home. Women stayed home and took care of the house as well as the children. The short story “The Yellow Wallpaper” takes place in the late 1800s.The author, Charlotte Perkins Gilman is no stranger to the hysteria that took over women in the 19th century. According to Mary Ellen Snodgrass, after her own postpartum emotional collapse and treatment in 1887, Gilman knew about the situation women were experiencing (“Gilman”). All the pressure of working and raising children affected all Americans, but society blamed the nervous depression mainly on women because they were women. Charlotte Perkins Gilman conveys her own life experience and illness that she went through and how women were treated during the 1800’s.
In the 1600s, Europeans began to isolate the mentally ill, where they were kept with the handicapped and delinquents ("Timeline: Treatments for," ). The mentally ill who were seen as insane were treated cruelly, they were often chained to walls and kept away in dungeons ("Timeline: Treatments for,”). In the late 1700s, After the French Revolution, French physician Phillippe Pinel took over the Bicêtre insane asylum and changed the rules ("Timeline: Treatments for,”). He forbid the use of shackles, took patients out of the dungeons, gave them sunny rooms, and let them roam the ground for exercise ("Timeline: Treatments for," ). Although Pinel changed the rules of Bicêtre, mistreatment still persisted in other places in Europe ("Timeline: Treatments for,”).
After giving birth, women will have hormonal oscillations (Rosequist). In the meanwhile, their bodies are getting back to their normal state, however if that “blues” does not go away, it can evolve in a deep depression. As she recalls, saying: “And yet I cannot be with him, it make me so nervous”(Gilman), it is obvious that Post-Partum depression is the cause of her poor attachment with the child; the mother can be hazardous to the baby; mood swing occur, and in extremes circumstances, about 1 in 1,000, it can bring psychotic indications (Hilts). If this condition if left untreated, it can cause serious psychological and physical damages. Treatment would include anti-depressants and therapy. This can also trigger other types of mental
"Mental Illness Overview." Congressional Digest 81.1 (2002): 3. Points of View Reference Center. Web. 10 Feb. 2014.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions society places on her as a woman have a worsening effect on her until illness progresses into hysteria.
In Charlotte Perkins Gillman’s short story “The Yellow Wallpaper”, the author takes the reader through the terrors of a woman’s psychosis. The story convey to understatements pertaining to feminism and individuality that at the time was only idealized. Gillman illustrates her chronological descent into insanity. The narrators husband John, who is also her physician diagnosed her with “nervous depression” and therefore ordered her to isolate until she recuperates. She is not only deprived of outside contact but also of her passion to write, since it could deteriorate her condition. The central conflict of the story is person versus society; the healthy part of her, in touch with herself clashing with her internalized thoughts of her society’s expectations. In a feminist point of view the central idea pertains to the social confinement that woman undergo due to their society.
The Yellow Wallpaper is a very astonishing story written by Charlotte Perkins Gilman that daringly reaches out to explore the mental state of a woman whose mind eventually begins to be broken down to a state of insanity by the appearance of a creeping woman who is trapped behind a revolting yellow wallpaper. This short story takes a look at the causes of the narrator’s insanity by how she was confined in a house alone, trapped with only her mind and a dull wallpaper; while dealing with depression and consuming strong