Many works of literature contain an aspect of writing in which the author relays a story to the reader directly in order to conceal a deeper hidden meaning or concept that the reader will later discover. Authors veil the messages they wish readers to uncover using literary devices such as metaphor. In “Mending Wall” Robert Frost uses the metaphor of the wall to reveal the literal and figurative distance between the speaker and his neighbor to present the question as to whether or not neighbors need walls. Beyond expressly stating the existence of the wall, Frost often constructs the individual lines of the poem to look like a wall to further create the illusion of walls in the poem. The poem’s form and content creates and reinforces the idea of the literal and figurative wall which exists between the two men in “Mending Wall”. Frost also uses metaphor to conceal his opinion on the necessity of walls through the character of the speaker.
The poem “Mending Wall” is narrated by a character referred to as the speaker. The speaker is characterized as a contemplative, whimsical, and withdrawn man. At the very start of the poem the speaker contemplates how the wall falls into disarray over the course of the winter, he thinks of hunters, that while chasing foxes, topple the perched boulders from their place on the stone wall (5-9). The speaker is a whimsical imaginative man, he envisions using spells to keep the boulder in place (18), and that building the wall with his neighbor is “just another outdoor game” (21). His playful nature comes out in the spring, as he likes to prod his neighbor to engage in conversation about why they need a wall between their properties (28). However, the speaker’s main attribute is his withdrawn antisocial...
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...o cause to ever tread on the toes of his neighbor. These lines which contain most breaks in meter occur in the center of the poem, dividing it directly in half as wall would. After these the lines, the poem resumes its iambic pentameter structure. At this point in the poem, the speaker acquiesces and falls silently into thought. It is here that the wall between the two men is solidified.
“Mending Wall” written by Robert Frost uses the literary device metaphor to reveal the literal and figurative wall between two men and wall exist in society. The wall devised by Frost exists between the two men because they cannot overcome their differences in personality and opinion. The reader discovers the underlying message by analyzing the created metaphor of the wall between the speaker and his neighbor.
Works Cited
Frost, Robert. “Mending Wall.” Poets.org. Web 2014
The persona in the poem reacts to the power the wall has and realizes that he must face his past and everything related to it, especially Vietnam.
The "Mending Wall" is the opening poem in Robert Frost's second book entitled, North of Boston. The poem portrays the casual part of life as seen by two farmers mending their wall. A great number of people might look at "Mending Wall" and see a simple poem about a simple aspect of life. If this is truly the case then why are so many drawn to the poem and what is found when more than a superficial look is spent on Robert Frost's work? The "Mending Wall" is an insightful look at social interactions as seen in the comparison of the repeated phrases and the traditional attitudes of the two farmers.
Both authors explore the progressive attitudes and how these were received during the time period of both Fitzgerald and Robert. Frost presents this idea in the poem, ‘Mending Wall’. The poem is about two neighbours who every year go to the end of the garden to meet and build a wall together. However, one neighbour is confused as why there needs to be a wall as there is nothing that needs to be divided or prevented from escaping or entering. This neighbour begins to challenge the other neighbour, ‘why do they make good neighbours?’
The speaker in Frost’s, “Mending Wall” expresses through thoughts primarily the necessity for a wall between himself and his neighbor. Every year the wall is damaged by weather and hunters as the speaker indicates, “Something there is that doesn’t love a wall (Frost, 51).” Additionally, the speaker asks his neighbor of what purpose is there is such ...
It describes how the conservative farmer follows traditions blindly and the isolated life followed by him. It reflects how people make physical barriers and that later in life come to their social life too. Where neighbor with pine tree, believes that this separation is needed as it is essential for their privacy and personal life. The poem explores a paradox in human nature. The first few lines reflect demolition of the wall, ?Something there is that doesn?t reflect love a wall? this reflects that nature itself does not like separation. The "something" referring to the intangible sense of social interaction. Furthermore "that sends the frozen-ground-swell under it" refers to Frost or to the author. Although the narrator does not want the wall, ironically, the mending of the wall brings the neighbors together and literally builds their friendship. An additional irony of the poem is that the only time these two neighbors sees each other is when they both mend the wall. The narrator sees the stubbornness in his neighbor, and uses the simile 'like an old-stone savage' to compare him to a stone-age man who 'moves in darkness', that is, set in his ways, and who is unlikely to change his views.
In his poem 'Mending Wall', Robert Frost presents to us the thoughts of barriers linking people, communication, friendship and the sense of security people gain from barriers. His messages are conveyed using poetic techniques such as imagery, structure and humor, revealing a complex side of the poem as well as achieving an overall light-hearted effect. Robert Frost has cleverly intertwined both a literal and metaphoric meaning into the poem, using the mending of a tangible wall as a symbolic representation of the barriers that separate the neighbors in their friendship.
The conflict in "Mending Wall" develops as the speaker reveals more and more of himself while portraying a native Yankee and responding to the regional spirit he embodies. The opposition between observer and observed--and the tension produced by the observer's awareness of the difference--is crucial to the poem. Ultimately, the very knowledge of this opposition becomes itself a kind of barrier behind which the persona, for all his dislike of walls, finds himself confined.
The persona begins to think about how he cannot take both paths and be the same “traveler”
The poem “Mending Wall” begins by the narrator telling is that there is a wall that is constantly being taken down by nature, and the narrator and his neighbor have to keep re-building it. But as the poem progresses, the narrator becomes unsure with himself, and begins to say that there is a wall “There where it is we do not need the wall” (23). He starts to question why a wall is there, knowing that he can never get across it to his neighbor. As the poem keeps progressing, he learns that the wall is there because of his neighbors tradition from his father, and he ends up saying “Something there is that doesn’t love a wall that wants it down (35), and he is talking about himself. In the progression of this poem, we see the narrator’s character change from someone who is persistent to someone who has hatred for what he is doing. He becomes more aware, having an epiphany, learning that there is truly no need for a wall, and it is only there because his neighbor is following his father’s tradition that requires him to keep the wall up. Through this characterization, we see that by only one side having hatred for the other, it can cause a division between them, because one person disagrees with the other. Through this poem, we see many character changes amongst the narrator, but one character that stays the same
In his poem 'Mending Wall', Robert Frost presents to us the ideas of barriers between people, communication, friendship and the sense of security people gain from barriers. His messages are conveyed using poetic techniques such as imagery, structure and humour, revealing a complex side of the poem as well as achieving an overall light-hearted effect. Robert Frost has cleverly intertwined both a literal and metaphoric meaning into the poem, using the mending of a tangible wall as a symbolic representation of the barriers that separate the neighbours in their friendship.
"Mending Wall" is a poem written by the poet Robert Frost. The poem describes two neighbors who repair a fence between their estates. It is, however, obvious that this situation is a metaphor for the relationship between two people. The wall is the manifestation of the emotional barricade that separates them. In this situation the "I" voice wants to tear down this barricade while his "neighbor" wants to keep it.
When a wall is encountered literally and physically, there are many different ways in which a person can react to the situation. One group of people would generally just find a way over or around the obstacle. While some other people might pursue a way directly through the wall. Both have their advantages and disadvantages, but they both exist as outcomes to the same dilemma. The basic wall has been around with humans for as long as the discovery of masonry has been around. Robert Frost’s poem Mending Wall is one such example of how a wall can have conflicting properties of human interaction. The neighbor in the poem says that “fences make good neighbors” and that the two neighbors involved with the wall rebuild it each spring and they enjoy fixing the wall with each other. The poem just helps illustrate that walls are an important factor in human activities. Walls are not limited to any specific culture or region and still they continue to be built over time.
The poem renders an apparent question: Why do people build unnecessary obstructions between one another? Each the poet and his neighbor stays on his side of the wall, taking up the stones that had fallen on his own side, which suggests that there is no trespassing at all. The mysterious force that appears to be attempting to destroy the wall is a symbolic representation of the craving for harmony among all of mankind. This craving is almost depressing, because the dissatisfaction is never quenched. Its will is, however, strong and persistent, and it "makes gaps even two can pass abreast," which is a plead for the men to put aside their differences and walk side by side. Frost sympathetically watches as his neighbor "moves in darkness." The poet does not mean that he dwells under the shadow of his pine trees, but under the shadow of his hostile ignorance, and the poet perceives no hope for his brutality. The neighbor, however, thinks himself highly for his wit, disregards the wisdom of his father, and states indifferently, "Good fences ...
In the poem "Mending Wall," Robert Frost utilizes the literary devices of imagery, meter, and symbolism to demonstrate the rational and irrational boundaries or metaphoric "walls" humans place on their relationships with others. The precise images, such as the depiction of the mending-time ritual and the dynamic description of his "old-stone savage armed" neighbor, serve to enhance our enjoyment as well as our understanding of the poem (40). The poem is written in blank verse (iambic pentameter); the form that most closely resembles everyday English. Frost deliberately employs this direct, conversational, and easy to understand style of meter which appears simple on the surface. Although symbolism is used throughout, the three most significant symbols are: the wall, his neighbor, and Frost himself as the speaker. Analyzing each of these devices as well as how they harmonize with one another is necessary in order to appreciate what Frost was revealing about human behavior.
Perhaps one of the most well-known poems in modern America is a work by Robert Frost, The Road Not Taken. This poem consists of four stanzas that depict the story of the narrator traveling through the woods early in the morning and coming upon a fork in the path, where he milled about for a while before deciding upon one of the two paths, wishing he could take both, but knowing otherwise, seeing himself telling of this experience in the future.