The mediation of the concept of balance in the Tao Te Ching by Lao-Tzu;
‘The way’ is cluttered with constant imagery of contradictory views which are both compelling and insightful, through which we are taken on a journey, our final destination being the true meaning of life. In a world where we are all yearning for the meaning for life, true harmony and real balance it is no surprise that the Tao Te Ching is a very haunting piece of literature that holds the reader in an almost trans like state of mind as it attempts to portray the way to accomplish the above.
‘The Tao that can be told is not the eternal Tao.
The name that can be named is not the eternal name.’
The opening two lines of this collection of 81 proverbial chapters introduces the reader to the superstitious sense of mystery that prevails right until the very end. From a literary perspective we can see this as a paradox in itself. It is nothing unusual in literary texts to find the use of contrasting images andor ideals so as to produce a clear image in the reader’s mind of what the author is trying to convey. The Tao is no different in this aspect seeing as on analysis of the first lines, they in other words mean that the ‘way’ which can be described is not a true representation of it; and the name given to it does not do justice to what it really is. This is a very strange way to introduce the subject matter, however it brings into focus the main element of this text, that being the fact that to understand we must rid ourselves of the common definitions we have given to things whilst accepting the things we cannot see, however believing in their existence. The original text was written roughly 2,500 years ago in Chinese so when you connect the dots it is interes...
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...gether once we have familiarized ourselves with Taoist goodness and accept all its flaws.
How balance is truly mediated cannot be rectified completely, although I believe it is fair to state that the Tao is similar to a ‘do it yourself’ manual, it plays with and stirs up the notion of the need for clarification in the reader’s mind on a psychologically intricate level and then releases us back into the labyrinth of life to fend for ourselves.
Sources:
Primary text:
Feng, Gia-Fu and Jane English (trans.). Lao Tsu-Tao Te Ching. New York: Vintage Books, 1989
Secondary text(s):
Cleary, Thomas (trans.). The essential Tao. San Francisco; Harper San Francisco, 1991
Lau, D.C. (trans.). Lao Tzu: Tao Te Ching. New York: Penguin Books, 1963
Mitchell, Stephen and Stanley Lombardo (trans.). The Tao Te Ching. Indianapolis Cambridge: Hackett Publishing company inc. 1933
The first main principle of Taoism that is presented in this novel is the idea that things in their original simplicity contain their own natural power, power that is easily contaminated and lost when that simplicity is altered. This principle is also known as the Uncarved Block. Winnie-the-Pooh is very significant in this principle of the Uncarved Block, because he illustrates the perfect example of an individual that follows this principle. Pooh always exists in his "natural state", he is...
Robinson, B.A. "History of Taoism." Taoism. March 21, 2002. http://religioustolerance.org/taoism.html Velasquez, Manuel. Philosophy: A Text With Readings. 8th Edition. Belmont, CA: Wadsworth/Thomson Learning, 2002.
Cao Xueqin’s Story of the Stone is a classic in Chinese literature, showcasing the life and exploits of the wealthy Jia clan during the feudal era. Through Cao’s depiction, the reader is afforded a glimpse into the customs and lifestyle of the time. Chinese mode of thought is depicted as it occurred in daily life, with the coexisting beliefs of Confucianism and Taoism. While the positive aspects of both ideologies are presented, Cao ultimately depicts Taoism as the paramount, essential system of belief that guides the character Bao-yu to his eventual enlightenment.
Taoism is the first major philosophical and religious tradition explored by Peter Marshall, in his book Nature's Web. Marshall calls Taoism "the way of nature," emphasizing that this is the ideal religion from the perspective of ecological sensibility. Passivity is a key element of Taoist thought, and is a repeated concept in the primary Taoist text, the Tao Te Ching. The concept of passivity stresses that the wise person will not attempt to cause change in his world, but will rather be receptive to and allow natural changes to happen, as is the way of nature. Other Taoist principles concerning government, society, life, and death branch off from this concept. Marshall considers this religion to be a necessary foundation for an ecologically sound world and way of life, which is why he makes it the foundation of his book. However, Marshall's views may not be entirely realistic when we consider the practicality of the philosophy to our modern ecological crisis.
Lao Tzu believed that Tao is a natural thing. He believes that you come by it or you realize its presents and experience it. The best way for me to explain how Lao Tzu perceives the Tao is to take it directly from our reading in Molloy, “The Doa cannot be named because it has no form. But the Dao can be experienced and followed by every individual thing that has a name (213).” Lao Tzu used Tao as a way of being and living in harmony with nature. Lao Tzu believed that Tao came to you by using his teaching of Wu Wei, Simplicity, Gentleness and Relativity (217-218).
Wu Cheng’en, “introduction to the journey to the West” Foreign Languages Press; 1 edition 2003.
These four distinctively different philosophical theories create a complex web of mental environment, which is the most important aspect of the setting in this novel. These philosophies are so effectively blended into the spirit of Shangri-La, that they created a new philosophical fusion: a perfect society. The philosophical beliefs of the Shangri-Lain culture is what frames it into a Utopia. The philosophy is not only the setting, it is the deeper meaning of the story. This setting gives hope to the weary, and may be a link into the development, through philosophical understanding, of a perfect world.
Fairbank, John King. The Great Chinese Revolution 1800-1985. New York, NY: Harper & Row, 1986.
In its second sense, Tao means "the way of the universe." Tao is something that goes through all beings, all of the earth. It is everywhere, all the time. It is something that flows through everything. This flowing idea links with the idea in Buddhism that Nirvana can be reached by anyone, as long as one is devoted enough and has lost all attachments.Thirdly, one life must be a certain way to work with the Tao: Tao also refers to "the way of human life" as it "meshes" with the universal Tao in its second sense.
Gittings, John. The Changing Face of China: From Mao to market. Oxford University Press, 2005.
Kaltenmark, Max. Lao Tzu and Taoism. Translated by Roger Greaves. Stanford: Stanford University Press. 1969.
“Life is a series of natural and spontaneous changes. Don't resist them - that only creates sorrow. Let reality be reality. Let things flow naturally forward in whatever way they like” (Lau Tzu). Born into a life of noodles and relaxation Po, a chubby panda, always wanted to be a Kung Fu master. Out of nowhere an opportunity arises to have his dream become reality. Po, like any normal panda snatches up this once in a lifetime opportunity and runs with it. But when the going gets tough, he doesn’t know if this is the life he was meant to live. While the film was meant for enjoyment, DreamWorks has incorporated clear examples of the three major Chinese Schools of Thought: Confucianism, Taoism, and Buddhism.
... subtle and elusive. It can’t be named, held, seen, or heard, but it is the essence of it. It is part of us and everything around us. It is first and foremost life itself. Unfortunately, we do not recognize it unless we truly destroy of our ignorance. Daoism and Hinduism influenced the Dao and the Brahman in their own unique ways but the core remains the same – indescribable. The Dao is motion-like and entails a process thus called “The Way,” while the Brahman relates to the transcendent spirit. Perhaps each possesses its own cultural uniqueness originating from India and China but both are pointing to the fundamental nature of reality. The Dao and the Brahman are in nature, are natures; they are the life force, and the core of nature. In order to experience them, we must at least follow world-renowned martial artists, Bruce Lee’s advice: “Be like water, my friend.”
As one of the greatest founding novels of Taoism, Book of Chuang Tzu serves to strengthen Lao Tzu 's arguments in Tao Te Ching and lays the foundation for Taoism 's place in Chinese philosophy. Because Confucianism and Taoism are two competing philosophy schools that share more outstanding differences than similarities, the followers of both schools often refute and evaluate the ideals of the opposite school. However, the constant appearance of Confucius as the main character in more than twenty chapters in Book of Chuang Tzu not only surprises the readers, but also calls for deep analysis of the roles played Confucius in order to understand the true meaning of this ancient literature. While Chuang Tzu criticizes many of the Confucian ideas
Goodrich, L. Carrington (1959). A Short History Of The Chinese People. New York: Harper &