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Essay about Mary Shelley’s Frankenstein

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Frankenstein, by Mary Shelley, to this day is one of the most important and largest books in the genre that is Romanticism. Romanticism itself, is made up of multiple elements such as these; Supernatural, emotion, imagination, nature, social progression, endless potential, and spiritual growth. Throughout the whole story of Frankenstein, Mary Shelley implements most, if not all, of the elements of romanticism, whether the elements are portrayed by the monster or by Victor Frankenstein himself. These elements are present in every part of the story of Frankenstein and are strongly shown through the writings by Shelley. It is no question that Mary Shelley is a writer of the romantic period of 1800 to 1850.
First and fore most, the Romantic Movement is one of the most important literary periods in history; affecting the literature, music and art of the period. Before discussing the aspects of Mary Shelley’s Frankenstein, it is a necessity to explain the ideological groundwork of romanticism. Many critics say that Frankenstein is more sophisticated and higher class than other writings of the time because the novel, “initiates a rethinking of romantic rhetoric” (Guyer 77). Also, Shelley implements the elements of romanticism in different ways making the novel “more complex than we had earlier thought” (Goodall 19). “The romantic period was characterized by a marked departure from the ideas and techniques of the literary period that preceded it, which was more scientific and rational in nature. Romantic poetry and prose, by contrast, was intended to express a new and visionary relationship to the imagination (Fite 17). For the relevance of this essay it would have to talk about the subject of the actual use of Romanticis...


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...ry Shelley, is one of the most important and most popular novels in the genre that is Romanticism. It is no question that the writer of this novel surely was an artist of the romantic period of the 19th century and truly.
Works Cited
"Alchemy." Merriam-Webster. Merriam-Webster, n.d. Web. 12 May 2014.

Bloom, Harold. Bloom’s Modern Critical Interpretations: Mary Shelley’s Frankenstein.
New York, NY: Chelsea House Publishers, 1994. Print. Pages (13-17).
Fite, David. Harold Bloom: The Rhetoric of Romantic Vision. Amherst, MA: University
of Massachusetts Press, 1985. print
Goodall, Jane. “Frankenstein and the Reprobate’s Conscience.” Studies in the Novel.
31.1. (1999): 19.
Guyer, Sara. “Testimony and Trope in Frankenstein.” Studies in Romanticism 45.1
(2006): 77.
Shelley, Mary. Frankenstein. New York: Enriched Classics, 2004.Print.Pages (42-173).





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