Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Reflection of society in literature
Reflection of society in literature
Reflection of society in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Reflection of society in literature
More often than not, literature with aspects that the readers can identify with, prompt them to reflect upon their lives. Although highly controversial, these aspects are the respective authors’ vistas of several issues of their society. Social concerns of the times; on the familial and societal front, happen to be some of the most influencing factors for the written word. Some of these concerns like family, marriage, sexuality, society and death, are notably illustrated by the authors, Gustave Flaubert in Madame Bovary and Laura Esquivel in Like Water for Chocolate.
Marital discord, which in general, may arise due to conflicts in the marriage, leading to disloyalty, infidelity, or a termination of the marriage, plays a prominent role in the development of the plots, perhaps being one major reason for the literary tension in the works under study. Marital discord may embody a silent rebellion against the societal norms prevalent in those times.
Furthermore, the characteristic attributes that may be influenced by the societal norms are also instrumental in causing strife in the marriages of Emma and Charles and Rosaura and Pedro. The lives of Emma and Tita are quite different. Their social upbringings and the family environments since their childhood were poles apart. The very prime difference being, unlike Emma, Tita had a domineering mother Mama Elena. This matriarchal figure in the book is perhaps the antagonist in Tita’s life, for as long as she lives. Although Mama Elena represents a very strong image of an independent woman, managing the “enormous responsibility of running the ranch”, guarding her family, she upheld the traditions of De la Garza family, no matter what. One of them being, the youngest daughter would take c...
... middle of paper ...
... As much as Emma wanted to be free and rich, she wanted to be happy, and under the guise of finding happiness, Emma’s marital discord becomes instrumental in attaining her sordid pleasures. Readers may observe a poor choice of decisions on Emma’s part. Likewise, Tita, by virtue of her relation with Mama Elena- being her last daughter, Tita is treated as if she were Mama Elena’s bondservant for life. However, the infidelity of Pedro for Tita quenches their thirst of passion, disregarding the customary family values. Thus, marital discord serves a very important literary purpose in these books, significantly driving their plots ahead. The books Madame Bovary and Like Water for Chocolate show us how these women, bended the rules in search of happiness, although both didn’t achieve it and hence, they stand out in literature as the sun’s vibrant presence in the skyline…
The conflict within the Garcia family took place during the cultural rupture and the point of political. Since their father had rebelled against Trujillo’s oppressive dictatorship, it impacted the Garcia sisters to become rebellious against their parents’ disciplines. The Garcia sisters learned new American habits. They went out to parties, had affairs and even tried drugs.
To keep her daughter’s “virtue” intact Macaria beats her. In this way the mother establishes complete control over Marcela’s sexuali...
As the next few weeks go on we see Pedro and Tita's relationship develop. The biggest change is when Pedro's son Roberto is born. Tita begins to breast feed Roberto because Rosaura had no milk after the strain of her pregnancy. The author uses imagery to express the feelings of longing between Pedro and Tita by writing about the looks they gave each other. Specifically when Pedro looked at Tita, it was a look that, when matched with Tita's "fused so perfectly that whoever saw them would have seen but a single look, a single rhythmic and sensual motion." This look changed their relationship forever, it bonded them together and they would never be separated in their hearts. This shows that the theme of, true love can withstand anything, is true. After this interaction between them they had been less careful about hiding from Mama Elena and when the baptism rolled around Mama Elena had seen enough. She decided, in the middle of the party that Pedro, Rosaura and Roberto would be moving to San Antonio to be with her cousin. They left and after about a year Mama Elena passed
This novel is a story of a Chicano family. Sofi, her husband Domingo together with their four daughters – Esperanza, Fe, Caridad, and Loca live in the little town of Tome, New Mexico. The story focuses on the struggles of Sofi, the death of her daughters and the problems of their town. Sofi endures all the hardships and problems that come her way. Her marriage is deteriorating; her daughters are dying one by one. But, she endures it all and comes out stronger and more enlightened than ever. Sofi is a woman that never gives up no matter how poorly life treats her. The author- Ana Castillo mixes religion, super natural occurrences, sex, laughter and heartbreak in this novel. The novel is tragic, with no happy ending but at the same time funny and inspiring. It is full of the victory of the human spirit. The names of Sofi’s first three daughters denote the three major Christian ideals (Hope, Faith and Charity).
Esperanza ponders how she inherited her grandmother’s name, but does not wish to inherit her experiences with marriage. When speaking of how her grandmother was married, Esperanza remarks, “my great-grandfather threw a sack over her head and carried her off. Just like that, as if she were a fancy chandelier” (Cisneros, 11). Through a simile, Cisneros exemplifies that women allow themselves to be objectified and trapped, which removes their freedom and hinders their progress towards their dreams. This is also identified when Alicia’s father finds her studying late at night and speaks with her about her duties as the woman of the house. Alicia’s father alludes to her that, “a woman’s place is sleeping so she can wake up early with the tortilla star” (31). Through this metaphor, Cisneros indicates that in Hispanic culture, women let themselves be pressured into putting duties at home
Taking place during the Mexican Revolution, Tita who is one of the main cooks in the household is not allowed to marry her true love Pedro. Mama Elena strictly forbids her from marrying Pedro which pushes her further into emotional distress. The day of Pedro and Rosaura 's wedding, Tita tears fell into the cake batter and had a sorrowful effect on anyone who ate it. Esquivel shows us that emotion can have a positive or negative influence on
“Like Water for Chocolate” by Laura Esquivel, is a beautiful romantic tale of an impossible passionate love during the revolution in Mexico. The romance is followed by the sweet aroma of kitchen secrets and cooking, with a lot of imagination and creativity. The story is that of Tita De La Garza, the youngest of all daughters in Mama Elena’s house. According to the family tradition she is to watch after her mother till the day she does, and therefore cannot marry any men. Tita finds her comfort in cooking, and soon the kitchen becomes her world, affecting every emotion she experiences to the people who taste her food. Esquivel tells Titas story as she grows to be a mature, blooming women who eventually rebels against her mother, finds her true identity and reunites with her long lost love Pedro. The book became a huge success and was made to a movie directed by Alfonso Arau. Although they both share many similarities, I also found many distinct differences. The movie lost an integral part of the book, the sensual aspect of the cooking and love.
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
Kumaraswami (2007) identifies that the females presented are stereotypical in their nature; this is to say that they either exist in the domestic atmosphere or that they have lost their purity due to being forced into the revolution. Although Camila and Pintada are complete opposites, the similarity lays in the fact that they both fit different parts of society at that time: “En combinación, forman una síntesis de dos extremos irreconciliables que se le presentan a la mujer mexicana y entre los cuales tiene que escoger” (Clark, 1980). In this sense, the mexican women were in two different situations, those who wished to remain traditionalistic and those who sought self-advancement through the likes of previously considered male characteristics. One can see the traditional character through Camila, Azuela has ensured that initially Camila would fit the traditional role of the female, caring, weak, and doting to the men’s needs. Thus Camila seems to be a flat stereotypical character that is expected to appear in novels of this era if women were to appear at all. Nevertheless, the character of Camila becomes more dynamic as Los de Abajo develops, thus she becomes more of an indication as to how women involved in the revolution did not remain ‘sana y buena’. On the contrary, the almost paradoxical characteristics of Pintada seem to confuse Azuela. Pintada is an emasculated character but only in the sense of
Mama Elena is the widow with three daughters: Rosaura, Gertrudis, and Tita, and she is also the main cause of Tita’s suffering in Like Water for Chocolate by Laura Esquivel. Because of Mama Elena, Tita’s entire life is distorted and she has to spend her time with tears and despair. Especially, Mama Elena abuses the power of family tradition and misuses the power as the head of the household to decide her daughter’s marriage and life.
Gustave Flaubert incorporates and composes a realistic piece of literature using realistic literature techniques in his short story, “A Simple Heart.” Flaubert accomplishes this through telling a story that mimics the real life of Félicité, and writing fiction that deliberately cuts across different class hierarchies; through this method, Flaubert
well known to each other, or ever so similar beforehand, it does not advance their felicity in the least.
The short stories “Souls Belated” and “The Yellow Wallpaper” have in common ‘Marriage’ as main theme. However, the marriage is treated quite differently in both short stories. In "Souls Belated", Lydia chooses to take control of her destiny, to deviate from conventions and to choose what is good for her. She is the strongest character of the couple. Whereas, in "The Yellow Wallpaper", the name of the main character who is also the narrator of the story is not known. She is identified as being John’s wife. This woman, contrary to Lydia in "Souls Belated" is completely locked up in her marriage. This essay will first describe and compare the characters of Lydia and John's wife in the context of marriage, and then it will look at how marriage is described, treated and experienced by couples in these two short stories.
The novel Madame Bovary by Gustave Flaubert has numerous lessons hidden in seemingly ordinary dialogue. One of the most memorable and powerful passages contains what is a veritable moral of the novel. In the last third of the book, Emma Bovary's life goes on a rapid downward spiral, and in one significant scene, she reflects on her life, past, and what she has learned from her affairs. On page 200, one line strikes the reader: "everything was a lie!" This avowal can be applied to many different situations in the novel, and can be said to be the chief lesson Flaubert wishes to exploit.
Madame Bovary is Gustave Flaubert’s first novel and is considered his masterpiece. It has been studied from various angles by the critics. Some study it as a realistic novel of the nineteenth century rooted in its social milieu. There are other critics who have studied it as a satire of romantic sensibility. It is simply assumed that Emma Bovary, the protagonist, embodied naive dreams and empty cliché that author wishes to ridicule, as excesses and mannerisms of romanticism. She is seen as a romantic idealist trapped in a mundane mercantile world. Innumerable theorists have discovered and analysed extensively a variety of questions raised by its style, themes, and aesthetic innovations. In this research paper an attempt has been made to analyse life of Emma Bovary as a paradigm of Lacanian desire.