Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essay on the caribbean countries
Essay on the caribbean countries
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essay on the caribbean countries
The Caribbean features literature from English, French, Dutch, Spanish, and also fusions of fragments of those languages forming a dialect or sometimes a new creole language emerges. The experiences of the islands are similar, but not identical. Therefore the women and men had difference experiences and so authors will have different themes in their literature. Some may be more focused on the social aspects of the country, some political, and others try to convey the personal triumphs and hardships of the individuals that inhabit the Caribbean space. In Her True-True Name: An Anthology of Women’s Writing from the Caribbean, the reader experiences both differences in the way the language conveys identity and the themes from the different authors.
Literature has to be translated surely in order for the words to be read by people across the world. Reading the stories from Cuba, Haiti, Dominican Republic, Puerto Rico, and Guadeloupe, I felt it perhaps lacked the hybridity of the language that the Anglo-Caribbean stories featured. The content of the Spanish and Francophone Caribbe...
Contrasts between the works exist mostly in structure and slightly in background. Julia de Burgos wrote her poem in the 1930’s, whereas Ferré penned her story in the 1970’s. These times were vastly different in what determined socially acceptability. There was less leverage in Julia de Burgos’ time for women writers and their ideas, especially those as thought provokingly empowered that hers tended to be, compared to Ferré’s world forty years later. Puerto Rico in the seventies still remained marred by sexism, yet went through a wave of legal Feminist reform and change that made small progress. Identity as a strong, independent female separate from the male dominated culture was still a growing identity however, which is why the connections to Julia de Burgos could still be noticeable.
Fluorescent turquoise waters, a vibrant city culture, as well as an unending supply of mimosas and sunburns within a resort, benefits the common wealthy couple looking for a swell time. When people imagine the Caribbean, they probably visualize the soft sands of the Spice Island Beach Resort. Many people see the Caribbean as relaxing paradise. What people don’t understand, are the years of history hidden behind the mask of many resorts. In the book entitled “Empire’s Crossroads: A History of the Caribbean from Columbus to the Present Day”, Author Carrie Gibson differentiates how people view the Caribbean nowadays, by altering their visualization with four-hundred pages of rich history and culture, that argues the ideology about the Caribbean
societies to reexamine their view of the Caribbean. In this paper the following topics in The
“What light is to the eyes - what air is to the lungs - what love is to the heart, freedom is to the soul of man” (Brainy Quotes). Light is essential to the eyes, love is what makes the heart beat, and freedom is the hope of man kind; all of which are essential to the happiness of humanity. Having to live without these rights is a difficult way of living. For example, Cubans have suffered time after time in pursuit of their freedom, but sadly they never accomplish their goal. They live in fear of their broken government, but never stop fighting for freedom. In the early 20th century, Cuba was a democracy. From 1940 to 1944 Fulgencio Batista, a Cuban politician, was Cuba’s president. In 1952 he decided to run again, but when it was apparent he’d lose, Batista seized power before the election took place. The citizens were outraged causing them to turn against their flawed democracy that was brought upon by the election. As a result, Fidel Castro, a communist revolutionary political man, began to plot Batista’s downfall. The Cuban Revolution, also known as Castro’s Revolution, began on July 26, 1952, and ended January, 1, 1959. After Batista, Cuba’s former president, fled the country, Castro took complete control and turned Cuba into a communist country. The Revolution brought upon: many deaths, censored news and publicity, and no freedom of speech. Throughout the years Castro stayed in power, but due to health issues originating on July 31, 2006, he had to step down. After Castro returned, he took control of Cuba up until February 19, 2008. He then abdicated his place as dictator and handed down his position to his brother, Raul Castro.
8. Shepherd, Verene. Engendering History: Caribbean Women in Historical Perspective. New York: St. Martin's Press, 1995.
...d issues of post-colonialism in Crossing the Mangrove. It is clear that Conde favors multiplicity when it comes to ideas of language, narrative, culture, and identity. The notion that anything can be understood through one, objective lens is destroyed through her practice of intertextuality, her crafting of one character's story through multiple perspectives, and her use of the motif of trees and roots. In the end, everything – the literary canon, Creole identity, narrative – is jumbled, chaotic, and rhizomic; in general, any attempts at decryption require the employment of multiple (aforementioned) methodologies.
Jamaica Kincaid’s success as a writer was not easily attained as she endured struggles of having to often sleep on the floor of her apartment because she could not afford to buy a bed. She described herself as being a struggling writer, who did not know how to write, but sheer determination and a fortunate encounter with the editor of The New Yorker, William Shawn who set the epitome for her writing success. Ms. Kincaid was a West-Indian American writer who was the first writer and the first individual from her island of Antigua to achieve this goal. Her genre of work includes novelists, essayist, and a gardener. Her writing style has been described as having dreamlike repetition, emotional truth and autobiographical underpinnings (Tahree, 2013). Oftentimes her work have been criticized for its anger and simplicity and praised for its keen observation of character, wit and lyrical quality. But according to Ms. Kincaid her writing, which are mostly autobiographical, was an act of saving her life by being able to express herself in words. She used her life experiences and placed them on paper as a way to make sense of her past. Her experience of growing up in a strict single-parent West-Indian home was the motivation for many of her writings. The knowledge we garnered at an early age influenced the choice we make throughout our life and this is no more evident than in the writings of Jamaica Kincaid.
Ayiti, by Roxane Gay, is a collection of fifteen short narratives about Haiti and its people, which gives the readers insights into the complex Haitian diaspora experience. The novel seeks to offer a deeper view into Haitian society and covers an array of themes such as the politics of survival, resiliency, and feminist culture in Haiti. Throughout the novel, Gay is highly critical of mainstream media because of how they depict and silo Haiti as a poor and helpless country. Haiti’s historical stance on censorship is well documented, and as a Haitian writer living in America, Gay is successful in giving agency to the voiceless by chronicling the stories of the Haitian diaspora. Ayiti explores stories that explain what it is like to be a Haitian
The pervasiveness of passive heroines in popular versions of fairytales and folklore has long afforded feminist critics a rich hunting ground to criticize the roles forced on women by patriarchal societies. In The House on Mango Street, Sandra Cisneros uses allusions to female heroines in children’s tales in many of the novel’s vignettes to create a portrait of expected feminine roles within a Latino patriarchal community and recasts the tales to “reveal the true-to-life consequences for women who are socialized to live their lives waiting for the happy ending” (Spencer 278). The women of Mango Street are shown to conform to the traditional roles espoused by quintessential fairy and folk tale heroines. However, their lives, as described through the voice of young Esperanza, are far from magical. Instead The House on Mango Street is suggestive of a social reality in which the women’s lives are constrained by gender roles and social mores. This research paper will endeavour to demonstrate how Esperanza’s coming-of-age transition to an empowered Chicana can only be achieved by rejectin...
... of language and education is the most important in this story and society. The make use of two different languages in a narrative, provides a reader a perplexing yet fascinating image of characterization and customs. Multilingual story telling pushes the reader to decelerate and acquire supplemental focus on the expressions which are in the small fragments, however as soon as the reader has figured out the foreign words, he or she acquires a priceless picture of the theme of this story. The panorama of native words and phrases, cultural perceptions, and class dispute taken from the incorporation of two different languages are helpful for the reader to obtain significance that he or she couldn't gain if exclusively one language was employed in the story. Just as the power of language is applied to unveil a society, a better comprehension is provided to the reader.
Sandra Cisneros’ novel, The House on Mango Street, examines various key issues within established social systems. As a bildungsroman story, not only is there much growth and development experienced by the character, but from the reader as well. This is because the novel challenges false preset notions that one may have of the main character’s culture. In tearing down custom barriers and voicing out painful truths, there is a deeper understanding of Latina culture in the United States of America. Sandra Cisneros empowers the women who are living in a patriarchal society and her main character, reinforced by her name, Esperanza, gives women just that, hope.
The frustratingly reminiscent tone encompassed in Julia Alvarez’s “Bilingual Sestina” works to emphasize the author’s difficulties of assimilating into a new culture. When she looks back and reflects on her past memories in her hometown, she yearns for the same simplistic lifestyle. Correspondingly, the constant repetition of the six end words further expresses her conflictions as she must fuse together two different cultures to truly find her identity.
Bailey, Carol. "Performance and the Gendered Body in Jamaica Kincaid's "girl" and Oonya Kempadoo's Buxton Spice." Meridians: Feminism, Race, Transnationalism. 10.2 (2011): 106-123. Print.
Rivas-Rojas, Raquel. “FABULAS DE ARRAIGO VICARIO EN LA NARRATIVA DE JULIA ALVAREZ. (Spanish).” Canadian Journal Of Latin American & Caribbean Studies 33.66 (2008): 157-169. SocINDEX with Full Text. Web. 25 Mar. 2014.
As the Hispanic Caribbean has evolved it has managed to grow and thrive beyond belief, whether one is discussing art, music or just the culture alone the Hispanic Caribbean is truly reaping the benefits of allowing themselves to be influenced by many other cultures. While the Hispanic Caribbean is thriving they are still facing the many new found struggles that come along with the territory of becoming more affluent as well as more accepting to other cultures and their beliefs. Often with the growth of large proportions comes many problems, problems also can come about when incorporating of different cultures as a whole as well as just bringing in their beliefs and mannerisms. None the less it can be argued that the struggles being faced in