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gender stereotypes the little mermaid
the little mermaid fairy tale analysis
little mermaid summary disney
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The Reality Within Fairytales
The Little Mermaid produced by Disney in 1989 portrays a tale of a sixteen year old girl facing the challenges of womanhood. As King Triton, Ariel’s father, forbids her from leaving the ocean she rebels and swims to the surface. In doing so Ariel meets the love of her life. The young mermaid overcomes many obstacles in order to take her life into her own hands and become a human. While Disney’s version of The Little Mermaid depicts a vibrant young woman facing the challenges of an unknown world the original version proves to be much different. In 1836 Hans Christian Andersen wrote a melancholic tale of a young, depressed, and scrawny unnamed woman who changes her appearance for a prince. The storylines are fairly similar, but in Andersen’s version the young girl is put through tremendous pain and suffering. Depression and pain are often associated with Andersen’s original work while Disney focuses on a more cheerful and joyous aspect.
Throughout Andersen’s tale of The Little Mermaid an unnamed ten year old mermaid is caught in mental and physical turmoil. The young girl must marry her true love or else she will die broken hearted and dissolve in the sea foam in the waves. The mermaid takes it upon
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In Hans Christian Andersen’s story there are many elements of torture and depression. The mermaid experiences extreme pain in growing legs and she feels as if she’s being cut each time she puts pressure on her legs. Yet in the Disney version Ariel painlessly is given legs, she just has to give up her voice to Ursula. Disney had taken most of the depressing parts out of Andersen’s story. In Andersen’s version Prince Eric marries another woman and leaves Ariel heartbroken, causing her to go to the ocean and disintegrate. While in Disney’s movie Ariel wins over Prince Eric, marries him, and lives happily ever
Are you tired of Disney’s version of Cinderella? The one where Cinderella gets a happy ending, but the stepmother and stepsisters don’t receive punishment for all the bad things they did? Then I got some stories for you. “Ashenputtel”, “Yeh-Shen”, and “The Algonquin Cinderella” are all different versions of “Cinderella” from around the world, as well as “Interview”, a poem. In this essay I will be comparing and contrasting all three of these Cinderella like stories.
When Ariel kicked up her fins in The Little Mermaid (1989), she ushered in an era of spunky heroines. Like her, Belle in Beauty and the Beast (1991), Princess Jasmine in Aladdin (1992) and the title character in Pocahontas (1995) chaffed at the restrictions imposed on them. They sought to break the bonds of convention
One of the prevalent ideas in Andersen’s fairy tale was the importance of family. In the beginning of the text he goes into detail about Ariel’s early life and the bond she has with her sisters and grandmother, who all helped raise her. Ariel’s family also were to ones to save her soul, as it was the sacrifice that her sisters made which saved her from withering away to seafoam. The saving of her soul is another significant idea that is present in the text. Not only does Ariel want to find love with the price, she also wants to have an eternal soul, similar to that of humans when the ascend to heaven. This is also an example of religious exploration in Andersen’s writing. When watching the Disney adaption, love is one key idea that is present of the majority of the film. Ariel’s main motivation to become human is so she can marry the prince, who she has fallen in love with from afar. While this is present in Andersen’s version, it is not as predominant. there is a brief cameo of the sister in the beginning of the film, however there is no mention of the grandmother. Overall, family is not an important idea in the film. There is also no reference to eternal souls, or any afterlife, which also showcases the lack of religious element in the film. There are other details that are censored in
Under the sea, in an idyllic and beautiful garden, stands a statue of a young man cut out of cold stone – for the Little Mermaid who knows nothing but the sea, the statue stands as an emblem of the mysterious over-world, a stimulus for imagination and sexual desire, an incentive for expansion of experience, and most predominately, an indication that something great and all-encompassing is missing from her existence. Traces of curiosity and a vague indication of the complexities of adult desires mark the child mermaid; in such a stage of development, the statue will suffice. However, as the Little Mermaid reaches puberty, the statue must allegorically come alive in order to parallel the manifestation of her new-found adult desires – the statue must become a prince in his world of adulthood above the sea. Thus, powered by an insistent and ambiguous longing for self-completion, the Little Mermaid embarks on a journey of self-discovery, and, to her ultimate misfortune, prematurely abandons her child-like self as sexual lust and the lust for an adult life takes hold of her.
Although Hans Christian Andersen’s “The Little Mermaid,” published in 1837, contains many patronizing nineteenth-century attitudes towards women, a value system that at least acknowledges the legitimacy of femininity shapes the fairytale. Unfortunately, Walt Disney’s 1989 film version of “The Little Mermaid” eliminates the values that affirm femininity in the original story (Trites 145)
Fairytales, the short stories that most children heard as they went to bed, are actually folktales from previous decades. The fairytales today are primarily adaptations of older versions recreated by Disney— the pioneers of this generation. With that said, the modern versions consistently display good triumphing over evil, a prince charming that constantly came to the rescue, and a happily ever after ending. However, the original folktale version didn’t always come with fortunate events, but often were more violent and gruesome. With the fairytale Cinderella, Disney maintains a similar theme as its Grimm version; however, the conflicts, events, and characters that support this idea are rather different.
The 1950’s Cinderella created by world-renown Disney director, Clyde Geronimi, has been established as the most renown and generic story out of all. In comparison to Charles Perrault’s “Cinderella”, the standard storyline, both have the same concepts. Similarities such as the abuse, the magic, and the happily ever after is present in both exactly. Although, there are also horrifying aspects to discuss about Cinderella and their other versions. Certain acts such as the abuse and mutilation are considered to be unjust and not right, no matter the situation; but perhaps Cinderella was not as virtuous and kind as portrayed in the 1950’s film.
The first thing to pop into one’s mind when they hear The Little Mermaid is most likely the Disney animated movie starring the beautiful red haired mermaid, Ariel. However, as with most Disney films, The Little Mermaid is an adaption of an original story written by Hans Christian Andersen in the 1830s. The creation of this classic fairytale into an animated feature required alterations from the Disney corporation, leading to a final product that is reminiscent of Andersen’s original story with added layers of American culture, sexism, and musical numbers. The initial release of Disney’s The Little Mermaid was highly successful both domestically and overseas, resulting in a total box office revenue of about 180 million. Although the film received rave reviews and substantial profit, I argue that the Disney adaption loses the fundamental elements of Andersen’s original story and presents a new narrative laced with negative values and inferior moral lessons. The changes in the Disney remake are closely connected to cultural and social aspects of America in the late 1980’s, making it arguably more relatable and successful for current audiences of the time. However, Disney’s adaption of The Little Mermaid perpetuates negative American ideals and incorporates classic Disney fairytale elements, ultimately erasing the positive moral overarching theme of Hans Christian Andersen’s original story.
In both Hans Christian Andersons “The Little Mermaid,” and Disney’s version of the story, the main character— a young and beautiful mermaid— waits anxiously for her fifteenth birthday to venture from her father’s underwater castle to the world above the water. As the story carries on the mermaids priorities change; her modest and selfless nature is revealed towards the end in Andersen’s version. However, Disney’s version encompasses a rather shallow ending and plot throughout. The theme found in comparing the two versions reveal that Andersen’s substance trumps Disney’s entertainment factor in fairy tales.
Did you know Walt Disney changed the lives of so many people? These are two characters that are either changed those lives or not. Mulan is a female character that changed into a man to save her father from joining the army. She has appeared in 36th animated feature film Mulan, as well as its sequel Mulan II. Ariel is a mermaid who thought she did not belong under the sea. She is from the Disney Pictures' 28th animated film The Little Mermaid. She is all so from The Little Mermaid II: Return to the Sea and The Little Mermaid: Ariel's Beginning. Mulan is a better role model than Ariel. Mulan is a better role model because she doesn't trust strangers, she would die for her family, and she follows her instincts.
Over the years, fairytales have been distorted in order to make them more family friendly. Once these changes occur, the moral and purpose of the stories begin to disappear. The tales featured in the many Disney movies - beloved by so many - have much more malignant and meaningful origins that often served to scare children into obeying their parents or learning valuable life lessons.
In many fairy tales, there is always a damsel in distress that is beautiful and the male character always falls in love with her. In Rapunzel the short story, Rapunzel is put into a tower and lives there most of her young life by her ‘mother’ before her prince comes to recuse her. The difference between Tangled and Rapunzel the short story is that, Rapunzel is the princess and her prince is actually a thief, which ends up falling in love with her. Tangled illustrates how a naïve and beautiful heroine, evil mother figure, and a shallow egotistical hero can make a fairy tale story end with love and marriage.
We all grew up hoping that we were the princesses who met the dreamy prince and lived ‘happily ever after’ like in a fairytale.People debate over whether or not Disney fairytales are beneficial for children. Like Melissa Taylor the author of the piece ‘10 reasons why kids need to read non disney fairy tales’, I am against disneyfied fairy tales. In this essay I will argue on why kids should not only watch disney fairytales but also the real versions.
The purpose of this essay is to apply the feminist framework to the film The Little Mermaid (1989) in order to deconstruct Disney. First, I will provide a textual description of The Little Mermaid (1989), explaining the film's plot line. Then, I will describe my analytical framework, the feminist framework, using Ott and Mack (2010) and additional media related studies. Next, I will give an in depth analysis of The Little Mermaid (1989), using the feminist framework and several additional sources. Finally, I will give a brief conclusion, providing an...
In most to all folktales and fairy tales there is always someone who wants or needs something and is on a mission to achieve what they desire (Ingwersen). Of course the authors of the stories are not just going to come right out and give them what they want. There are always some complications and test that the character or heroine must pass to achieve their goal. The Little Mermaid short story is a perfect example of this. The little mermaid is on a mission to gain the love of the prince and an eternal soul and she has a series of test that she has to go through in order to achieve that goal.