Prisons come in all shapes and sizes, some do not have walls or locks. This is evident in Kate Chopin’s short fiction pieces, “Desiree’s Baby”, “The Story of An Hour”, and “The Storm” where all of Chopin’s main female characters are imprisoned by their role as wife and all that implies during the 19th century.
Kate Chopin whose name was first Catherine O’Flaherty was born on July 12, 1850 in St. Louis. Her father Thomas O’ Flaherty had only been in the United States since 1823, in 1825 he moved to St. Louis. As time went by he became a very wealthy merchant. Later he married his first wife in 1839, who died after giving birth he later married Kate’s mother in 1844. Kate’s father died suddenly in 1855 when she was only five years old forcing her to rethink everything she knew. June 9, 1870 she married a man named Oscar Chopin and later moved to New Orleans, they had their first child Jean Chopin in 1871. Their last child was born in 1879. She faced family tragedy in the following years with her husband Oscar dieing in December 1882 due to swamp fever, she moved her family back to St. Louis to be live closer to her mother and begin to write to support herself and her children. Chopin wrote during the Victorian period which based itself on social customs and monetary stature. Her mother then passed away in June 1885. Chopin followed in August 1904 when she passed away due to a brain hemorrhage.
As a women who was raised in the 19th century she was well aware of limitations and restrictions of women. In “The Story of an Hour” Mrs. Mallard’s name begins our symbolism for imprisonment. A mallard is a wild animal not meant to be tamed and often kept in cages. That is the way Mrs. Mallard feels trapped by her husband, kept in a c...
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Stanton, Elizabeth Cady. The Seneca Falls Declaration (1848). Project Gutenberg, n.d. eBook Collection (EBSCOhost). Web. 9 Nov. 2011.
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MAYER, GARY H. "A Matter Of Behavior: A Semantic Analysis Of Five Kate Chopin Stories." ETC: A Review Of General Semantics 67.1 (2010): 94-100. Academic Search Premier. Web. 9 Nov. 2011.
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A connection can be drawn among the stories listed above regarding women who live as prisoners. Beatrice, of Rappaccini's Daughter, is confined to a garden because of her father's love of science, and she becomes the pawn to several men's egos. The woman of The Yellow Wallpaper is trapped by her own family's idea of how she should conduct herself, because her mood and habit of writing are not "normal" to them. Sethe, of Beloved, carries the burden of her past and also the past of all slaves. She is unwelcome in her community and a prisoner in her own home, where she is forced to confront these memories of slavery. All three of these women are viewed by society as crazy, evil, or both. The "prisons" in which these women live are constructed by their family, their history, or even themselves.
Kate Chopin was born on February 8, 1851, into a wealthy Catholic family in St. Louis Missouri. As a little girl, her father died a few years later in 1855 and was raised at home with her other sisters and mother, strong willed and prominent women who believed in self sufficiency. Soon, on June 9, 1870, Chopin married a man named Oscar. She graduated from St. Louis convent school. In the meanwhile, Kate was soon busy by the occupations of a being a mother and wife to the prestigious business man, Oscar whom she married. Throughout this escapade of life, Kate was forced to relocate often due to her husband’s change of business. Although, it was difficult to build upon these circumstances, Kate managed a small farm and plantation farm to keep things running. Even through these circumstances, Kate pulled through only to discover that all these locals would soon be her inspirations and se...
Kate O'Flaherty Chopin was raised in St. Louis in the 1850's and 1860's. Chopin had a close relationship with her French grandmother which lead to her appreciation of French writers. When she was only five Chopin's father, Thomas O'Flaherty died leaving her without a father figure. Eliza O'Flaherty, Chopin's mother, was from there on the head of the household. Chopin grew up knowing that women could be strong and intelligent and that they did not have to be submissive creatures (Skaggs 2). She loved her mother and considered her "A woman of great beauty, intelligence, and personal magnetism" (Seyersted 14).
Kate Chopin was born February 8, 1850 in St. Louis. She was raised by a single woman; this impacted her views in the family at an early age. She began her own family at a young age; Kate had a different method compare too many women in her time. As time progressed, she developed a bad habit of dressing inappropriately. Soon she started to publish stories about the experiences and stories of her interests such as women’s individuality and miserable
This author was born Katherine (Kate) O’Flaherty Chopin in February of 1850 to a father of Irish descent and a Creole (French settlers of the southern United States, esp. Louisiana) mother (Guilds 293). Chopin was a bicultural mixture of strength. Due to measures beyond her control, she grows up in a life surrounded by strong willed women. These ladies were passionate women Chopin loved and respected; her great-grandmother, grandmother, and mother. They each added their individual spice of life to a brew of pure womanhood. Thus, seasoning a woman that would become one of the most influential, controversial female authors in American history. Kate Chopin created genuine works exposing the innermost conflicts women of the late 1800’s were experiencing. The heroines of her fictional stories were strong, yet confused, women searching for a meaning behind the spirit that penetrated their very souls.
Kate Chopin was one of the most influential nineteenth century American fiction writers. She was born in St. Louis, Missouri on either one of three dates: February 8, 1851, February 8, 1850, or July 12, 1850, depending on the source. She once said that she was born in 1851, but her baptismal certificate states February 8, 1850 as her birthday (Inge, 2). There is also an indiscretion regarding the spelling of her name. Her full name is Katherine O’Flaherty Chopin, but one source spells her first name with a ‘C’ (Katherine, 1). Her father, Thomas O’Flaherty, was an Irish immigrant who became a successful merchant in St. Louis. Her mother, Eliza Faris O’Flaherty, came from a wealthy aristocratic Creole family (Inge, 2). Kate Chopin was a student at the Academy of the Sacred Heart in St. Louis. Here she learned the Catholic teachings and great intellectual discipline. She graduated from this French school in 1868 (Inge, 2). On June 9th in 1870, she married Oscar Chopin. Together the couple had six children: Jean (1871), Oscar (1873), George (1874), Frederick (1876), Felix (1878), and Lelia (1879) (Inge, 3).
Though some still argue the effects and challenges of birth order, Kate Chopin proved to be audacious and overcome the arduous challenges of losing her birth order. At a younger age Chopin’s siblings all passed and this eventually resulted in her becoming an only child. Not only did this affect her life in reality, this also affected her life artistically. Becoming the only child in the family made it impossible for Kate to rely on siblings for help, and this transformed her into a more individualistic writer. She escaped the social norm and wrote about her true feelings as a woman. Kate’s writing
Kate Chopin was born in St. Louis in 1851. Her mother Eliza O’Flaherty and father Thomas O’Flaherty were Slave-owning Catholics. (Wilson, Kathleen. The Story of an Hour. Ssfs. 2. Detroit, Michigan: Gale, 1997. 263. Print.) (Wilson 263) At the age of four she had lost her father in a train wreck. She was raised by her French-Creole mother and Great-Grandma. She had begun school at the age of five at Academy of Sacred Heart. After her father died she was taught at home. Later she returned to school and graduated at the age of 17. She got married at the age of twenty years to Oscar Chopin, twenty-five years old and a son of a wealthy cotton-growing family in Louisiana. He was also a French catholic like Kate. Chopin went as...
The symbols and imagery used by Kate Chopin's in “The Story of an Hour” give the reader a sense of Mrs. Mallard’s new life appearing before her through her view of an “open window” (para. 4). Louise Mallard experiences what most individuals long for throughout their lives; freedom and happiness. By spending an hour in a “comfortable, roomy armchair” (para.4) in front of an open window, she undergoes a transformation that makes her understand the importance of her freedom. The author's use of Spring time imagery also creates a sense of renewal that captures the author's idea that Mrs. Mallard was set free after the news of her husband's death.
In Kate Chopin’s “The Story of an Hour”, it talks about marriage and a woman’s life in the 1800’s. This story illustrates the stifling nature of a woman’s role during this time through Mrs. Mallard’s reaction to her husband’s death. When Mrs. Mallard obtains news that her husband is dead, she is hurt after a brief moment and then she is delighted with the thought of freedom. This story shows how life was in the mid 1800’s and how women were treated around that time.
In “Hills Like White Elephants” and “The Story of an Hour”, the woman in each story imprisons in the domestic sphere. In “Hills Like White Elephants”, the woman in this story conflicts between keeping the baby or getting abortion although the relationship with her boyfriend would not improve as he said. In “The Story of an Hour”, even though Louise Mallard, an intelligent, independent woman understands that she should grieve for Brently, her husband and worry for her future, she cannot help herself from rejoice at her newfound freedom. The author of this story, Kate Chopin suggests that even with a happy marriage, the loss of freedom and the restraint are the results that cannot be avoid.
“The Story of an Hour” expresses the difficulties of being a women in the late 1800’s in South America due to the issues of gender inequalities. This story, written by Kate Chopin, who was a married woman in late 1800’s, provides the perspective of a young married women who has limited freedom and is largely controlled by her husband. Throughout this story gender norms are clearly displayed in different ways. One clear example is when Mrs. Mallard, the protagonist, is expected to act a specific way when she hears the news of her dead husband, yet she feels the extreme opposite. The narrator then does a great job of expressing the reality of how Mrs. Mallard is truly feeling and uses that as a way to express the control as a conflict. The outcome of this story is the blatant reality of this life that so many women have lived during the late 1800’s. With additional research and knowledge on the history of gender inequalities, it is easier to connect Mrs. Mallard to her restricted life throughout this
Kate Chopin was born Kate O'Flaherty in St. Louis, Missouri in 1850 to secure and socially prominent parent, Eliza O'Flaherty, of French-Creole descent, and Thomas O'Flaherty, an Irish immigrant and successful commission merchant. Kate attended the St. Louis Academy of the Sacred Heart from 1855 until she graduated on 1868. In 1855, her father was died in a railroad accident. She lived at home with her mother, grandmother, and great-grandmother, all of them were widows. Her great-grandmother, Victoria Verdon oversaw her education and taught her French, music, and the gossip on St. Louis women of the past. Kate O'Flaherty grew up surrounded by smart, independent, single women. Victoria's own mother had been the first woman in St. Louis to obtain legal separation from her husband. She was influenced by her upbringing among these women. This showed up later in her fiction. For example, in her first short story “Wiser than a god” she characterized a strong and independent woman. This woman had an exceptional musical talent. She preferre...
In the short story “The Story of an Hour” by Kate Chopin, the reader is introduced to Louise Mallard, the wife of Brently Mallard who supposedly died in a train accident. The story uses multiple literary devices such as irony, conflict and symbolism to convey Mrs. Mallard’s emotions within the hour that she discovers the sudden death of her husband.
She has defied her husband, instead of being better, she is now worse. In “Story of an Hour” Mrs. Mallard now truly believes her husband is gone, “There was a feverish triumph in her eyes, and she carried herself unwittingly like a goddess of Victory” (“Story of an Hour”). She is happy at last. Through these characters, actions we can see their feminist side. They all had tragic endings; two died and one went insane all because of their oppression.