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Leonardo da Vinci and Plant Forms in Painting Essay

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Leonardo Da Vinci and Plant Forms in Painting
Leonardo Da Vinci was an artist as well as a scientist. He devoted his time to gaining knowledge through his studies of the natural world. For Leonardo, understanding the world meant experimenting and observing in a cause-and-effect manner. He believed that nature followed a set of laws and they could be uncovered by intensive studies. This eagerness to understand the natural world through examination set him aside from his contemporaries. Through these observations he created a vast number of scientific manuscripts that helped him understand the natural world he celebrated in his paintings.
Leonardo devoted great effort to observing and experimenting natural phenomena. Leonardo believed that natural laws governed the shape and form of all things. He believed in the oneness of nature that it was the fundamental, creative force in all life. This experimentation led Leonardo to a very modern and functional theory of life. Leonardo noted, “Every smallest detail has a function and must be rigorously explained in functional terms that are in accord with nature as opposed to the postulates of the ancients. Human ingenuity...will never discover any inventions more beautiful, more appropriate or more direct than nature, because in her inventions nothing is lacking and nothing is superfluous” (Emboden10-190). Nature will always be moving forward never pushing itself backwards. Leonardo studied the inter-workings of plant forms and their systems. When he studied plant forms he realized that there was a relationship between our internal systems with those of plants and to even a great extent of how water flows over the Earth. As Leonardo furthered his investigation of nature he began to noti...


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...Wilfrid, and William T. Stearn. The Art of Botanical Illustration. London: Collins, 1950. Print.

Brizio, Anna Maria. Leonardo the artist. New York: McGraw-Hill, (1980); 46-50. Print.

Emboden, William A. Leonardo da Vinci on Plants and Gardens. Vol.1. Portland, Oregon: Dioscorides Press, 1987. 10-190. Print.

MacCurdy , Edward. The Notebooks of Leonardo da Vinci . New York: Reynal & Hitchcock, Inc., 1958. 209-314. Print.

Meyer, Barbara Hochstetler Meyer, and Alison Wilson Glover. "Botany and Art in Leonardo's "Leda and the Swan"." , Art and the New Biology: Biological Forms and Patterns. Vol. 22.No. 1 (1989): 75-82. Web. .

Pizzorusso, Ann. “Leonardo's Geology: The Authenticity of the "Virgin of the Rocks".”
Leonardo, Vol. 29, No. 3 (1996), pp. 197-200. Web.













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