During a time where racism was at its height in America, Jim Crow laws separated blacks from mainstream white society. Where the notion of “separate but equal” was widely accepted in America, blacks were faced with adversity that they had to overcome in a race intolerant society. They were forced to face a system that compromised their freedom and rights. Blacks knew that equal was never equal and separate was definitely separate (George 8-9). Blacks had to fight for their rights because it wasn’t handed to them. Racism manifested itself on many levels and had to be fought on many levels. This gave rise to influential black leaders in the fight for civil rights. Langston Hughes was one of those black leaders who arose during the Harlem Renaissance. He gave his people a voice and encouraged pride and hope through his literary work, to overcome racial discrimination. Langston Hughes lived during the time of the Harlem Renaissance, an African American cultural movement of the early 1920s and 1930s that was centered in the Harlem neighborhood of New York City. It also came to be known as the New Negro movement, marked the first time that mainstream publishers and critics took African American literature seriously and that African American literature and arts attracted significant attention from the nation at large. Although it was primarily a literary movement, it was closely related to developments in African American music, theater, art, and politics. This was also the time of the “Great Migration”, where more blacks were migrating from the rural South to the urban North, to seek better jobs and lives for their families (George 62). This new identity blacks to gain a new social consciousness and opportunity that was not available ... ... middle of paper ... ...a fifty seven story famous historic landmark building in New York. “I’ve been a singer: All the way from Africa to Georgia I carried my sorrow songs.” There have been many famous black singers who have made a name for themselves. Singing songs of the blues, gospel etc. telling their stories through melodies and soul. “I’ve been a victim: The Belgians cut off my hands in the Congo. They lynch me still in Mississippi.” Here Hughes shows that blacks have been objects of violent hate. But at the end of the poem Hughes repeats “I am a Negro: Black as the night is black, black like the depths of my Africa.” This shows that although blacks have been treated in ways in which no human should be treated. We still kept moving forward never giving up hope and faith, that a change would come. We have accomplished many things in our past and we can use this to motivate our future.
The Harlem Renaissance, originally known as “the New Negro Movement”, was a cultural, social, and artistic movement during the 1920’s that took place in Harlem. This movement occurred after the World War I and drew in many African Americans who wanted to escape from the South to the North where they could freely express their artistic abilities. This movement was known as The Great Migration. During the 1920’s, many black writers, singers, musicians, artists, and poets gained success including Zora Neale Hurston, Langston Hughes, Marcus Garvey, and W.E.B. Du Bois. These creative black artists made an influence to society in the 1920’s and an impact on the Harlem Renaissance.
As a poet who paved the way for African American artists to flourish in a white dominated world, Langston Hughes changed the face of writers during the era of the Harlem Renaissance. Hughes is the descendant of a mixed race and background, but he is considered the father of the “New Negro Movement.” His most noted piece of literature, “The Negro Artist and the Racial Mountain,” which was written in 1926, still applies to the youth and elderly of Blacks in America. As a young black woman in America’s 21st century, the realization has been made that not many things have changed in regards to the plight of the “Negro” in America. William Pickens said, “The new Negro is not really new; he is the same Negro under new conditions and subjected to new demands” (79). This quote claims that the Negro is neither new nor old but constantly evolving based upon new situations and predicaments. “The Negro Artists and the Racial Mountain” supports the statement that Black Americans are continuously scrutinized for assimilating into Western culture but are praised for embracing Pan-Africanism.
Because of that, his writing seems to manifest a greater meaning. He is part of the African-American race that is expressed in his writing. He writes about how he is currently oppressed, but this does not diminish his hope and will to become the equal man. Because he speaks from the point of view of an oppressed African-American, the poem’s struggles and future changes seem to be of greater importance than they ordinarily would. The point of view of being the oppressed African American is clearly evident in Langston Hughes’s writing.
The "Harlem Renaissance" - "The. International Encyclopedia of the Social Sciences. 2008. The 'Secondary' of the Encyclopedia.com. The World of War II. 23 Apr. 2012 “Langston Hughes, The Big Sea, 1940” United States History: Reconstruction to the Present.
The New Negro Movement, widely known as The Harlem Renaissance, rolled into Harlem, New York – and touched the whole of America – like a gale-force wind. As every part of America reveled in the prosperity and gaiety of the decade, African Americans used the decade as a stepping stone for future generations. With the New Negro Movement came an abundance of black artistic, cultural, and intellectual stimulation. Literary achievers like Langston Hughes, Zora Neal Hurston, Claude McKay, and Countee Cullen rocked the world with their immense talent and strove to show that African Americans should be respected. Musicians, dancers, and singers like Duke Ellington, Cab Calloway, Josephine Baker and Bessie Smith preformed for whites and blacks alike in famed speakeasies like The Cotton Club. Intellectuals like Marcus Garvey, W.E.B. DuBois, and Alain Locke stood to empower and unify colored people of all ages. The Harlem Renaissance was not just a moment in time; it was a movement of empowerment for African Americans across the nation, and remains as such today.
During the early to mid-twentieth century Langston Hughes contributed vastly to a very significant cultural movement later to be named the “Harlem Renaissance.” At the time it was named the “New Negro Movement,” which involved African Americans in creating and expressing their words through literature and art. Hughes contributed in a variety of different aspects including plays, poems, short stories, novels and even jazz. He was even different from other notable black poets at the time in the way that he shared personal experiences rather than the ordinary everyday experiences of black America. His racial pride helped mold American politics and literature into what it is today.
Hughes, a.k.a. Langston, a.k.a. “Harlem [Dream Deferred]” The Bedford Introduction to Literature. Ed. Michael Meyer.
1920’s Harlem was a time of contrast and contradiction, on one hand it was a hotbed of crime and vice and on the other it was a time of creativity and rebirth of literature and at this movement’s head was Langston Hughes. Hughes was a torchbearer for the Harlem Renaissance, a literary and musical movement that began in Harlem during the Roaring 20’s that promoted not only African-American culture in the mainstream, but gave African-Americans a sense of identity and pride.
During the 1920's and 30’s, America went through a period of astonishing artistic creativity, the majority of which was concentrated in one neighborhood of New York City, Harlem. The creators of this period of growth in the arts were African-American writers and other artists. Langston Hughes is considered to be one of the most influential writers of the period know as the Harlem Renaissance. With the use of blues and jazz Hughes managed to express a range of different themes all revolving around the Negro. He played a major role in the Harlem Renaissance, helping to create and express black culture. He also wrote of political views and ideas, racial inequality and his opinion on religion. I believe that Langston Hughes’ poetry helps to capture the era know as the Harlem Renaissance.
Langston Hughes was probably the most well-known literary force during the Harlem Renaissance. He was one of the first known black artists to stress a need for his contemporaries to embrace the black jazz culture of the 1920s, as well as the cultural roots in Africa and not-so-distant memory of enslavement in the United States. In formal aspects, Hughes was innovative in that other writers of the Harlem Renaissance stuck with existing literary conventions, while Hughes wrote several poems and stories inspired by the improvised, oral traditions of black culture (Baym, 2221). Proud of his cultural identity, but saddened and angry about racial injustice, the content of much of Hughes’ work is filled with conflict between simply doing as one is told as a black member of society and standing up for injustice and being proud of one’s identity. This relates to a common theme in many of Hughes’ poems: that dignity is something that has to be fought for by those who are held back by segregation, poverty, and racial bigotry.
During the Great Migration, an influx of African Americans fled to Northern cities from the South wishing to flee oppression and the harshness of life as sharecroppers. They brought about a new, black social and cultural identity- a period that later became known as the Harlem Renaissance. Originally the Harlem Renaissance was referred to as the “New Negro Movement” (Reader’s Companion.) It made a huge impact on urban life. The Harlem Renaissance played a major role in African American art, music, poetic writing styles, culture and society.
Langston Hughes, a primary voice of the Harlem Renaissance in the 1920's, was known as "The Poet Laureate of Harlem". Hughes had pride in his black heritage, strong political beliefs, and the will to survive in a society where racial equality had to be fought for. Hughes' strength and determination shine through his poetry, he does not hide the fact that he lived with racism, but talks of his strength and to st...
“Harlem” by Langston Hughes opened the doors to African American art. Throughout history, there has been a lot of issues with racial inequality. During the Harlem Renaissance, many African Americans wanted to prove they were just as intelligent, creative, and talented as white Americans. Langston Hughes was one of the people who played an influential part in the Harlem Renaissance. His poem “Harlem” painted a very vivid picture of his life and his outlook on the society he lived in.
The poem “Negro” was written by Langston Hughes in 1958 where it was a time of African American development and the birth of the Civil Rights Movement. Langston Hughes, as a first person narrator tells a story of what he has been through as a Negro, and the life he is proud to have had. He expresses his emotional experiences and makes the reader think about what exactly it was like to live his life during this time. By using specific words, this allows the reader to envision the different situations he has been put through. Starting off the poem with the statement “I am a Negro:” lets people know who he is, Hughes continues by saying, “ Black as the night is black, /Black like the depths of my Africa.” He identifies Africa as being his and is proud to be as dark as night, and as black as the depths of the heart of his country. Being proud of him self, heritage and culture is clearly shown in this first stanza.
The civil rights movement may have technically ended in the nineteen sixties, but America is still feeling the adverse effects of this dark time in history today. African Americans were the group of people most affected by the Civil Rights Act and continue to be today. Great pain and suffering, though, usually amounts to great literature. This period in American history was no exception. Langston Hughes was a prolific writer before, during, and after the Civil Rights Act and produced many classic poems for African American literature. Hughes uses theme, point of view, and historical context in his poems “I, Too” and “Theme for English B” to expand the views on African American culture to his audience members.