Kurt Vonnegut’s Slaughterhouse-Five
Great artists have the ability to step back from society and see the absurd circus that their world has become. Such satirists use their creative work to reveal the comic elements of an absurd world and incite a change in society; examples include Stanley Kubrick’s film, Dr. Strangelove, and Joseph Heller’s novel, Catch-22. Both works rose above their more serious counterparts to capture the critical voice of a generation dissatisfied with a nation of warmongers. Completing this triumvirate of anti-war classics is Kurt Vonnegut’s novel, Slaughterhouse-Five. Infusing his social commentary with science fiction, satire, bizarre characters, and the problem of death, Vonnegut creates one of the most effective arguments against war in the American canon of literature.
The life of Kurt Vonnegut began on November 11, 1922 in Indiana. He aged and entered school, picking up an affinity for the written word while editing his high school paper (Klinkowitz, “Chronology” 3). As he grew up, Vonnegut faced a nation rapidly changing under the burdens of the Depression. This economic disaster harmed Vonnegut’s family as well, causing his parents to make countless sacrifices to keep their family from crumbling under the pressure (Klinkowitz, “America” 8). Vonnegut survived the Depression to enroll at Cornell University in Ithaca, New York, where he majored in chemistry and biology. Three years into school he enlisted in the United States Army and fought in World War II. One year later Germans captured Vonnegut and held him as a prisoner of war in Dresden. He lived in this city for less than half a year before he survived the “boundless” “destruction” (Vonnegut, Slaughterhouse-Five 22) caused by the D...
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Simpson, Josh. “’This Promising of Great Secrets’: Literature, Ideas, and the (Re)invention of Reality in Kurt Vonnegut’s God Bless You, Mr. Rosewater, Slaughterhouse-Five, and Breakfast of Champions.” Studies in Contemporary Fiction 45 (Spring 2004): 261-271. Infotrac Onefile. 28 Oct. 2004. <http://web6.infotrac.galegroup.com>.
Tanner, Tony. “The Uncertain Messenger: A Reading of Slaughterhouse-Five.” Merrill 125-130.
Vees-Gulani, Susanne. “Diagnosing Billy Pilgrim: A Psychiatric Approach to Kurt Vonnegut’s Slaughterhouse-Five.” Studies in Contemporary Fiction 44 (Winter 2003): 175-184. Infotrac Onefile. 28 Oct. 2004. <http://web6.infotrac.galegroup.com>.
Vonnegut, Kurt. God Bless You, Mr. Rosewater or Pearls Before Swine. New York, NY: Dell Publishing, 1965.
---. Slaughterhouse-Five. New York, NY: Delta Fiction, 1969.
After serving in World War Two, Kurt Vonnegut wrote Slaughterhouse-Five about his experiences through Billy Pilgrim, the protagonist in the novel. Slaughterhouse-Five is a dark novel about war and death. Post-Traumatic Stress Disorder is a mental disease that inflicts people who endured a traumatic event. Some of the common symptoms include flashbacks and creating alternate worlds which Billy Pilgrim experienced various times throughout Slaughterhouse-Five. Billy Pilgrim believes he has become “unstuck in time” (Vonnegut 29) and travels to different moments throughout his life. Pilgrim is never in one event for long and his flashbacks are triggered by almost everything he does. While his “time-traveling” is sporadic and never to a relevant time, all of Billy Pilgrims flashbacks are connected through actions done in each of the visions. Perhaps the most important flashback occurred at ...
"In Slaughterhouse Five, -- Or the Children's Crusade, Vonnegut delivers a complete treatise on the World War II bombing of Dresden. The main character, Billy Pilgrim, is a very young infantry scout* who is captured in the Battle of the Bulge and quartered in a Dresden slaughterhouse where he and other prisoners are employed in the production of a vitamin supplement for pregnant women. During the February 13, 1945, firebombing by Allied aircraft, the prisoners take shelter in an underground meat locker. When they emerge, the city has been levelled and they are forced to dig corpses out of the rubble. The story of Billy Pilgrim is the story of Kurt Vonnegut who was captured and survived the firestorm in which 135,000 German civilians perished, more than the number of deaths in the bombings of Hiroshima and Nagasaki combined. Robert Scholes sums up the theme of Slaughterhouse Five in the New York Times Book Review, writing: 'Be kind. Don't hurt. Death is coming for all of us anyway, and it is better to be Lot's wife looking back through salty eyes than the Deity that destroyed those cities of the plain in order to save them.' The reviewer concludes that 'Slaughterhouse Five is an extraordinary success. It is a book we need to read, and to reread.' "The popularity of Slaughterhouse Five is due, in part, to its timeliness; it deals with many issues that were vital to the late sixties: war, ecology, overpopulation, and consumerism. Klinkowitz, writing in Literary Subversions.New American Fiction and the Practice of Criticism, sees larger reasons for the book's success: 'Kurt Vonnegut's fiction of the 1960s is the popular artifact which may be the fairest example of American cultural change. . . . Shunned as distastefully low-brow . . . and insufficiently commercial to suit the exploitative tastes of high-power publishers, Vonnegut's fiction limped along for years on the genuinely democratic basis of family magazine and pulp paperback circulation. Then in the late 1960s, as the culture as a whole exploded, Vonnegut was able to write and publish a novel, Slaughterhouse Five, which so perfectly caught America's transformative mood that its story and structure became best-selling metaphors for the new age. '"Writing in Critique, Wayne D. McGinnis comments that in Slaughterhouse Five, Vonnegut 'avoids framing his story in linear narration, choosing a circular structure.
Most novels are not able to adequately present two distinct themes that oppose each other; Slaughterhouse-Five is not most novels. It is unique in almost every way, especially with respect to its themes. In Slaughterhouse-Five, Kurt Vonnegut develops, to the surprise of the reader, the themes of both the necessity of the concept of free will and its illusion. While these themes seem to contradict each other, they are also complimentary. Kurt Vonnegut’s unique writing style enables the reader to perceive both of these themes in the text.
“How nice – to feel nothing, and still get full credit for being alive” (Vonnegut 50). In Slaughterhouse-Five, Kurt Vonnegut introduces the genuine danger war implements on the innocent minds of soldiers by introducing Billy Pilgrim as a prisoner and Dresden bombing survivor. Kurt Vonnegut’s anti-war novel appropriates around a science fiction theme where Billy Pilgrim becomes “unstuck” in time. This allows Billy to experience his life disorderly.
War novels often depict a war hero facing off against an enemy, with a winner on the other side. However, Kurt Vonnegut’s novel Slaughterhouse Five takes an opposite approach to the telling of a war story. The narrator uses the protagonist, Billy Pilgrim, to display his own anti-war sentiment. Vonnegut’s style of writing as well as his characters help to portray the effect of war on individuals and society as a whole.
Vik, Marek. "The Themes of Kurt Vonnegut's Slaughterhouse-Five." Geocities. 11 Mar. 2002. 12 Mar. 2007 .
Kurt Vonnegut’s anti-war science fiction novel entitled, Slaughter House Five otherwise known as “The Children’s Crusade” or “A Duty Dance with Death,” is a classic example of Vonnegut’s eccentric and moving writing capabilities.Originally published in 1969, Slaughterhouse-Five pays tribute to Vonnegut’s experiences in World War Two, as an advanced scout in the 106th infantry division, a prisoner of war and witness to the firebombing of Dresden on February 13th, 1945 in which 135,000 people were killed, making it the greatest man-caused massacre of all times.This novel illustrates the cruelties and violence of war along with the potential for compassion in human nature and all that it encompasses.
What is war? Is war a place to kill? Or is it a place where something more than just killing happens? War, as defined by the Merriam Webster is “a state or period of usually open and declared fighting between states or nations.” War, can also be viewed with romantic ideals where heroes and legends are born. Even the most intelligent of us hold some rather naïve notions of war. Upon reading Kurt Vonnegut’s Slaughterhouse Five, intelligent readers have been divested of any romantic notions regarding war they may have harboured.
Throughout his career, Kurt Vonnegut has used writing as a tool to convey penetrating messages and ominous warnings about our society. He skillfully combines vivid imagery with a distinctly satirical and anecdotal style to explore complex issues such as religion and war. Two of his most well known, and most gripping, novels that embody this subtle talent are Cat's Cradle and Slaughterhouse-Five. Both books represent Vonnegut’s genius for manipulating fiction to reveal glaring, disturbing and occasionally redemptive truths about human nature. On the surface, Cat’s Cradle and Slaughterhouse-Five are dramatically different novels, each with its own characters, symbols, and plot. However, a close examination reveals that both contain common themes and ideas. Examining and comparing the two novels and their presentation of different themes provides a unique insight into both the novels and the author – allowing the reader to gain a fuller understanding of Vonnegut’s true meaning.
...Slaughterhouse Five, serves as much more than a just a Sci-Fi element in a war novel; it is a portal into the nonsensical and destructive nature of war meant to invite the reader to adopt an active stance against war. The realities of war have long been tainted by history, retailing the brutal events as a saviour’s tale full of honour, glory and patriotism. However, the truth sits far away from the textbooks and scholars. Those who have marched, fought and survived that blood thirsty, chaotic development can testify to its destructiveness. However, the absurdity and trauma causes scars that lay in deep ravines logic cannot reach. Therefore, Vonnegut resources to a parallel planet, as his only means of explaining the unexplainable, in hopes of unveiling war's folly and shake his readers into action so that Earth does not become a planet full of futile toilet plungers.
War in itself can affect many people in many different ways, wives take on twice the responsibility, and mothers mourn the loss of their child’s innocence. At the time of this novel there had been no research on what happens when you return from war. Kurt Vonnegut in Slaughterhouse-Five touches on how it is to deal with this mental illness before it was diagnosed as post-traumatic stress disorder. The author uses science fiction’s raw intensity to alter Billy Pilgrim’s imagination after he returns from the war. As he is a victim of this undiagnosed mental illness, he uses science fiction’s effect on him as a coping mechanism. Through the experiences of Billy Pilgrim, Kurt Vonnegut explores the powerful impact science fiction had on a vulnerable
Wolfgang Amadeus Mozart baptized as Johannes Chrysostomus Wolfgangus Theophilus Mozart lived from January 27, 1756 to December 5, 1791. Mozart was a very influential and prolific composer of more than 600 works, including symphonies, concertante, chamber, piano, opera, and choral music. Regarded as a child prodigy, Mozart composed and performed in the European courts from the age of five, and was engaged at the Salzburg court at 17. Mozart’s musical style can be classified as Classical, although he learned from many of his contemporaries throughout his musical career. In order to better understand Mozart’s genius it is best to begin looking at his earliest contributions to the musical world as a child. From there, an exploration of his composition work in the employ of various patrons gives a more rounded picture of the development of Mozart’s musical style. Mozart is one of the most enduring composers, with his work continuing to resonate with modern audiences.
The Thought-experiments in Kurt Vonnegut's Slaughterhouse Five or the Children's Crusade: A Duty Dance With Death
Kurt Vonnegut’s novel Slaughterhouse-Five, uses the biblical allusion of Lot’s wife looking back on the destroyed cities of Sodom and Gomorrah to parallel the story of Billy Pilgrim during the war and his experience after, when he returns to the United States. Although the reference is brief, it has profound implications to the portrayal of America during World War II, especially the bombing of Dresden. Although Lot’s wife’s action dooms her to turn into a pillar of salt, the narrator emphasizes her choice to indicate the importance of being compassionate and having hindsight. Ultimately, Slaughterhouse-Five critiques the American social attitude to disregard the unjust nature of its actions in World War II. Furthermore, Vonnegut’s novel explicates this by elucidating the horrors of war—especially in regard to the massacre of innocence, how it leaves the soldiers stagnant when they return home, and leaves them empty with an American Dream that cannot be fulfilled. In order to combat violence, the novel stresses that one must hold human life to a higher value and be compassionate towards others; America must acknowledge its mistakes so that the soldiers who fought and died for her so that the soldiers may move on.
Mozart was born on Jan. 27, 1756, in Salzburg, Austria. His father was Leopold Mozart, a composer and a popular violinist. Mozart received his early musical training from his father. At the early age of 3 Mozart showed signs of being a musical genius. Then, at the age of five Mozart started composing. Beginning in 1762 Mozart’s father took young Mozart and his older sister, Maria Anna, on tours in Europe where they played the piano, harpsichord, violin, and organ, together and separately. Mozart learned to play the piano, harpsichord, and violin from his father. He gave public concerts and played at numerous courts and received several commissions.