Kubler-Ross on Gregor Samsa and Meursault

1598 Words4 Pages

In the novels The Metamorphosis and The Stranger by Franz Kafka and Albert Camus, Kubler-Ross’s five stages of death are incorporated to emphasize the themes of individualism and isolation. While denial, anger, bargaining, depression, and acceptance are common emotions when dealing with death, denial, anger, and acceptance are essential in connecting to Kafka and Camus’s ideas regarding individualism. Through their experiences relating to those three stages of death, the protagonists, Gregor Samsa and Meursault, are isolated from greater society and forced to acknowledge their individuality.

Both Gregor and Meursault have pivotal experiences with denial, the first stage of the grief process, in their respective novels. While Gregor refuses to accept his transformation in order to remain a part of society, Meursault denies God in the religious culture of Algeria, proving his individuality while isolating himself. Gregor’s denial takes place when he prepares for work, ignoring his transformation, “First of all he wanted to get up quietly, […] get dressed, […] have breakfast, and only then think about what to do next” (Kafka 6). By characterizing Gregor as determined, Kafka shows his protagonist’s resolve to remain firm in ignoring his transformation for his family’s sake. Typically, such a metamorphosis would warrant panic, but Gregor is so selfless that he denies his own emotions to be useful for his family. Through the sequential syntax employed in this quoate, Kafka shows that Gregor does not want to stray from his usual routine. This attribute, along with his physical transformation, separates Gregor from humanity. With his unfamiliar mindset, seen through the denial of his metamorphosis, and his lack of human physical charac...

... middle of paper ...

...sis and The Stranger, they can be applied to the experiences of Gregor and Meursault to give a sense of humanity to the surrealist and absurdist novels. By allowing their characters to go through the death cycle in their own right, Kafka and Camus emphasize the importance of individuality and how it leads to isolation. Despite the fact that both males encourage uniqueness, the end results differ for Gregor and Meursault greatly; Gregor seems to show the negative side of individuality while Meursault’s is positive. Kafka and Camus utilize emotions from Kubler Ross’s five stages of death in The Metamorphosis and The Stranger to stress individuality and isolation.

Works Cited

Camus, Albert. The Stranger. Trans. Matthew Ward. New York: Vintage International,

1988. Print.

Kafka, Franz. The Metamorphosis. Trans. Stanley Corngold. New York: Bantam, 2004.

Print.

Show More
Related

  • Isolation in Franz Kafka’s The Metamorphosis

    876 Words  | 2 Pages

    Throughout The Metamorphosis, Franz Kafka shuns Gregor. At first glance, Gregor’s transformation creates the only isolation. As the story evolves, the Samsa family’s segregation begins to play a larger role. Through intuitive actions, each family member isolates themselves. The Samsa’s accommodate the renters generously, in order to win communal approval. Failing the renters positions the Samsa’s lower in society than they previously were. Not only do the Samsa’s isolate themselves, they are also secluded from society. Many instances allow the Samsa’s severance from society to shine through Gregor’s isolation.

    Read More

  • Unveiling the Metamorphosis: Gregor Samsa's Insectile Existence

    1497 Words  | 3 Pages

    Thirdly, he suffers isolation from the physical world, which he is no longer able to participate in due to his presence and lack of mobility. Lastly, he suffers isolation from other people around him, especially his family. By the end even his sister, Grete, the most compassionate member of the family, explanations that they should stop thoughtful of the creature as the person they knew. She says that “the fact that we’ve believed it so long is the root of our trouble” (Kafka 48), which can be taken to mean that at some point Gregor stopped being a person not only because of his entrance but since of his non-conformist actions. The beating he receives from his father shows the extent of the cruelty he endures, though his father knows that “family duty compulsory the conquest of disgust and the use of endurance, nothing but patience” (Kafka 36). The tragedy is that this alienation ends up killing Gregor, who “dies not as a vermin, but as a human being thinking of his family”. The transformation is an indication of the breakdown of Gregor’s psyche and alienation within his self. The reader is not told how the transformation

    Read More

  • Franz Kafka's Metamorphisis

    958 Words  | 2 Pages

    Gregor Samsa awakes one morning to discover that he has been transformed into a repugnant vermin. One may never know what initiated this makeover, but the simple truth is that Gregor is now a bug, and everyone must learn to live and move on in this strenuous situation. In Franz Kafka’s The Metamorphosis, the characters that interact with Gregor, including his mother, his father, and his sister Grete, must come to terms with his unfortunate metamorphosis, and each does so by reacting in a unique way. Gregor’s family members are constantly strained by this unusual event, and all three of them are pressed to their breaking point.

    Read More

  • Kafka Metamorphosis Analysis

    1694 Words  | 4 Pages

    In Kafka's Metamorphosis, Gregor Samsa, whose life is controlled by his work and family, wakes up a giant insect. Prior to this metamorphosis, Gregor obsequiously goes about his life of routine, despite his hatred for his works and a complete emotional disconnect between Gregor and the family which he works so hard to support. Gregor's metamorphosis marks an important transition in Gregor's life as well as an escape from the monotony of his previous life. Sokel theorizes that Gregor's metamorphosis allows Gregor to express previously repressed feelings of rebellion while not being held accountable for his these tendencies stating "The metamorphosis enables Gregor to become free and stay "innocent", a mere victim of uncontrollable calamity."(206). While his metamorphosis does allow him to free himself from some of the suffering, it traps him in a new cycle, trapped by his families obligation to help him. Throughout his life, Gregor is plagued by a cycle of suffering caused by his families dependence on him which leads to further alienation leading to a dependence on his family's dependence. Though Gregor is broken out of this cycle in his metamorphosis he does not find true freedom until his death.

    Read More

  • The Metamorphosis by Kafka

    1497 Words  | 3 Pages

    Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.

    Read More

  • The Meaning Of Life Death And The Universe

    1090 Words  | 3 Pages

    Albert Camus is a widely renowned author and existentialist philosopher from the 1950s. He believed in a concept called “The Absurd” which he described as the notion that our universe is completely irrational, yet people continue to try and give order and meaning to it. For most normal human beings, this is an extremely difficult concept to accept, including the main character from the novel “The Stranger”, Meursault. Meursault does not express and ignores his emotions, even though it is evident in the book that he does experience them. However, once Meursault falls into a blind rage with the chaplain, the universe begins to make more sense to him. In order to come to an acceptance of the indifference of the universe, one must have an emotional breakthrough, which Camus shows through differences in sentence structure and elemental imagery between parts one and two.

    Read More

  • Maman’s Funeral Characterises Meursault And the World of The Stranger

    1659 Words  | 4 Pages

    In the experimental novel The Stranger by Albert Camus, he explores the concept of existentialism and the idea that humans are born into nothing and descend into nothingness after death. The novel takes place in the French colony of Algiers where the French-Algerians working-class colonists live in an urban setting where simple life pleasures are of the upmost importance in the lives of working class people like the protagonist of the novel Meursault. What is fascinating about this novel is that it opens up with a scene of perpetual misfortune for him through the death of his mother although he seems to express otherwise. The reader perceives this nonchalance as a lack of care. Maman’s death and its impact on Meursault appear in both the very beginning and very end of the two-part novel, suggesting a cyclical pattern in the structure. This cyclical pattern suggests not a change in the moral beliefs of Meursault but rather his registering society’s systems and beliefs and craft meaning in his own life despite the fact that he meets his demise in the end. Camus uses Maman’s funeral to characterise both Meursault and the society and customs created by the society Meursault lives in in order to contrast the two while at the same time reveal how while society changes, Meursault does not. Rather, Maman’s funeral becomes of unprecedented importance in Meursault’s life and allows him to find that nothing means anything in his meaningless world at the time of his death. He finds peace in that.

    Read More

  • Analysis Of Camus's The Stranger

    823 Words  | 2 Pages

    On the surface, one might not find much overtly attractive about Camus’s cold philosophy expressed by Meursault in the cell he spiritually shares with all people awaiting inevitable deaths as the universe watches on with indifference, but there is a freedom that comes with letting go of hope that tries to cover up fear. If society tries to prosecute each person with the moral guilt of those that have been buried, it is liberating to reject those presumptions of guilt. There is a happiness that can be found in that freedom and an appealing strength in being able to face the howls of execration from the spectators of every individual’s march toward death in a benign, indifferent universe.

    Read More

  • The Stranger: Changes in Meursault

    997 Words  | 2 Pages

    In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.

    Read More

  • The Unemotional Meursault in The Stranger by Albert Camus

    682 Words  | 2 Pages

    In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives.  His self-inflicted alienation from society and all its habits and customs is clear throughout the book.  The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.

    Read More

  • The Unselfish Gregor Samsa in The Metamorphosis

    1408 Words  | 3 Pages

    In Franz Kafka's "The Metamorphosis," some might argue that Gregor was a terrible person and his metamorphosis was not real, but only an illustration of the terrible person he had become. However, it can much more strongly be argued that he was an extremely unselfish person and his actions were largely taken for granted by his family. Kafka was emphasizing the common practice of selfless actions being unappreciated through his story of Gregor and his family.

    Read More

  • What is the importance of symbolism in Metamorphosis by Franz Kafka?

    980 Words  | 2 Pages

    Using symbols, Kafka illustrates the story which is not just about Gregor’s transformation but it is more than that. The entire Metamorphosis is an allegory about Gregor changing into a vermin, symbolize that he wanted to free himself from his family obligation. “As Gregor Samsa awoke from unsettling dreams one morning, he found himself transformed in his bed into a monstrous vermin” (Kafka 7). He thought his transformation was a dream but he soon realizes that it was reality. Gregor was the source of the income for his family and was employed in a job he did not like. “What a grueling profession I picked! Traveling day in, day out” (Kafka 7). This is ironic because Gregor was forced by his father to choose the alienated career. Mr. Samsa was indebted to his boss; working as a traveling salesman he would have pay off his father debt. Working as traveling salesman made Gregor alienated socially and mentally. The word transformation does not only app...

    Read More

  • Themes In Metamorphosis, The Stanger By Albert Camus And The Perfume

    1186 Words  | 3 Pages

    Throughout the last few weeks we’ve been reading and discussing three largely renowned books (Metamorphosis by Kafka, The Stanger by Albert Camus and The Perfume by Patrick Suskind) that share similarity in themes, and in the character profiles of Gregor Samsa, John Baptiste Grenouille and Meursault. These themes and profiles include; isolation and alienation from humanity as well as society, sociopathic tendencies, distorted reality, feelings of apathy towards life and others, among other.

    Read More

  • Meursault's Absurd In The Stranger, By Albert Camus

    768 Words  | 2 Pages

    Camus’s absurd philosophy asserts that the events of the world have no rational order or visible meaning. The story of the returning son murdered by his mother and sister is a perfect example of what he is trying to show us in The Stranger. There is no reason for the son to have died. His terrible, ironic fate is not compatible with any logical or ordered system governing human existence. Like Meursault’s killing of the Arab, the son’s death is a purposeless, meaningless tragedy that defies rationalization or justification. Now because of the murder Meursault is put on trial the following summer and while he is on trial, Meursault comes to understand that his failure to interpret or find meaning in his own life has left him vulnerable to others, who will impose such meaning for him. Until this point, Meursault has unthinkingly drifted from moment to moment, lacking the motivation or ability to examine his life as a narrative with a past, present, and

    Read More

  • Essay on Camus’ The Stranger (The Outsider): World Without Purpose

    1754 Words  | 4 Pages

    In The Stranger, Albert Camus misleadingly portrays his existentialistic views of life, death, and the world.  Camus portrays the world as absurd or without purpose Meaursalt, who, as a reflection of Camus, is foreign and indifferent to his own life and death.  Meaursalt eventually senses guilt for his crime, not because of the remorse of taking someone else’s life, but because it means he would lose the little things that he considers important in his life.  Meaursalt is a puzzling character, who leaves readers to be uncertain about Camus’ views of life.

    Read More

More about Kubler-Ross on Gregor Samsa and Meursault

Open Document