“The King Shall Rejoice”
History and Analysis
After the death of King George I, Handel was employed to write several anthems for the coronation of King George II and Queen Caroline by the Chapel Royal. In his second Coronation Anthem, “The King Shall Rejoice,” Handel used instrumentation, contrasting sections, and musical gesture to reflect the text of Psalm 21: verses one, three, and five.
The musical life of the Chapel Royal was affected by two important deaths. The first was the unexpected death of the King on his way to Hanover on June 11th, 1727. The other was that of William Croft, the Chapel’s foremost composer, two months later. Croft held the offices of Composer, Organist and Master of the Children at the Chapel Royal, as well as the post of Organist at Westminster Abbey. Maurice Green was the obvious successor to Croft, but he couldn’t take on all of Croft’s former offices due to his position at St. Paul’s Cathedral. On September 4th, Green was appointed Organist and Composer, retaining his post at St. Paul’s, and Bernard Gates became Master of the Children. Later in September, John Robinson (a former Child of the Chapel Royal), succeeded to Croft’s position as Organist at Westminster Abbey.
Handel decided to adopt British nationality in February of this same year, just before his forty-second birthday. George I signed the Naturalization Bill on February 20th, before his unseen death several months later. Handel never participated in the day-to-day life of the Chapel, but instead participated by providing the Chapel with music for special occasions. The timing of Handel’s naturalization had an immediate musical benefit, because it enabled him to contribute to the coronation service for King George II and Q...
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...e work is well balanced, with the outer two movements in quadruple time, and the inner two in triple, with the short passage in the middle bridging the two halves. Handel gives the piece a grand and majestic feeling with his full orchestration, emphasizing the texts from Psalm 21 with a combination of homophony and polyphony, as well as contrasting instrument choices. Finally, he uses musical gesture, such as the halo image-painting seen in the bridging passage. With every movement marked as allegro, this anthem has a festive spirit, making it perfect for the actual crowning of the king and queen. The coronation proved to be a landmark in Handel’s association with the Chapel, and also in his wider relationship with British society. It was a well-attended event of major social significance, and the composer provided the listeners with a memorable musical experience.
The Song at the Scaffold, by Getrud von Le Fort, takes place in France during the French Revolution. It is the story of Blanche de la Force and her journey to understanding the meaning behind her unusual fear and discovering her vocation in life, and ultimately a story of bravery and heroism. After a traumatic birth, young Blanche is forever scarred, and her external expression of this ordeal is an irrational fear at nearly anything. She grows up timid and afraid, unable to muster any sort of courage, although she often attempts to overcome her fear. Later, she joins a Carmelite Convent, and it is here her journey truly begins. It is also at the Convent that she meets Sister Marie of the Incarnation, the novice mistress. Although Sister Marie is protective of Blanche, even she eventually becomes impatient and annoyed at Blanche’s feebleness and often perplexing fear. Sister
Robert Laurence Moore has written a delightful, enlightening, and provocative survey of American church history centered around the theme of "mixing" the "sacred" with the "secular" and vice versa. The major points of conversation covered include the polarization caused by the public display of religious symbols, the important contribution that women and Africans have made to the American religious mosaic, the harmony and friction that has existed between science and religion, the impact of immigration on religious pluralism, and the twin push toward the union and separation of religion and politics.
Boynick, Matt. "Georg Friedric Handel." Classical Music Pages. 1 Feb. 1996. 13 July 2005 .
Word painting, a “musical representation of specific poetic images”, was a fairly common characteristic of music in the European Baroque period. Composers would often set words like “heaven” on a high note and “hell” on a lower note or set depressing lyrics to a descending chromatic scale. One of the most well-known pieces of the European Baroque period is Messiah by George Frideric Handel, which is an oratorio telling the story of Christ’s birth. Since an oratorio lacked costumes, sets, or acting, Handel used a lot of word painting to give the sacred text an ...
“The Storm” by Kate Chopin is a short story that touches on the controversial subject of adultery. The two characters Calixta and Alcee were both happily married. They reunited spontaneously during the midst of a severe storm, when old feelings resurfaced. Their actions out of lust were feelings they had long forgotten. Soon enough the storm had calmed, and the two parted ways; smiling back at each other they said their goodbyes. Their actions were without the intention of being deceitful, but rather uncontrollable. In the end it is ironic that the infidelity strengthened one marriage’s relationship and made the other character realize the importance of marriage through his wrong doings.
finish the opera, and didn't want to waste any good ideas. The symphony does not
Handel became a proficient composer of oratorio in part to his early success in composing opera. To elaborate on the histological influences on Handel, his career and education path must be noted. Born in Halle, Germany in 1685, Handel began his career in music as an organist, studying under Friedrich Zachow, one of the most renowned organists of his time. In 1702, he began attending the University of Halle while taking on the position as Organist at Calvinist church, Domkirche. After only a year, he tired of this and decided to travel to Hamburg to study opera. To support this endeavor, while in Hamburg, he played in orchestras as a harpsich...
Country music singer, Reba McIntire, recorded a song called "The Greatest Man I Never Knew." In the song, she speaks of how she never really knew her father. It exemplifies the way I feel about my own father. Everyone has a person who has made a deep impact on his or her life. For me, it was my father Donald Alexander. He was a great man with a wonderful sense of humor. He was the reason I wanted to become an attorney. He said I never lost an argument. I feel tormented that I was unable to know what a great person he really was.
The first thing I noticed about Kate Chopin’s “The Storm,” is that it is utterly dripping with sexual imagery and symbolism. Our heroine, if you will, seems to be a woman with normally restrained passions and a well-defined sense of propriety, who finds herself in a situation that tears down her restraint and reveals the vixen within. I wonder if it was intentional that the name Calixta makes me think of Calypso – the nymph from Greek mythology. If half of the sexual symbolism I found in this story was intentional, Chopin was a genius. I was quite taken with the sexual imagery of the colors mentioned: white, and red. There is also mention a place called Assumption, while there’s nothing written on it in the bible, I believe it’s the popular opinion of those of Christian faiths, that Mary (Jesus’ mother) going to heaven was called “The Assumption.” Again, I cannot accept that as merely a happy coincidence, I believe its mention in the story was intentional. Finally, we have the storm, so central to the theme of the story that it was named for it. In this work, as well as others by Chopin, there is a recurring theme of infidelity, or women behaving in ways that society generally doesn’t accept, women behaving badly, if you will, I cannot help but wonder if Kate Chopin used her writing to express desires that she would not otherwise have expressed.
German-English composer, George Frederick Handel, is one of the greatest composers of the Baroque period if not of all time. His work, Messiah, is one of the most famous and beloved works of music in the world. During his career in music, Handel composed Italian cantatas, oratorios (like Messiah), Latin Church Music, and several operas. Handel moved around from country to country writing, composing, and producing music for royalty such as Queen Anne and George of Hanover. In his life, Handel mastered several instruments including the violin and the harpsichord.
Many rumors of the birth of Prince Hall have arisen. A few records and papers have been found of him in Barbados where it was rumored that he was born in 1748, but no record of birth by church or by state, has been found there, and none in Boston. All 11 countries were searched and churches with baptismal records were examined without finding the name of Prince Hall.
Ludwig van Beethoven was born in Bonn, Germany in 1770. His works are traditionally divided into three periods. In his early period, he focused on imitating classical style, although his personal characteristics of darker pieces, motivic development, and larger forms are already evident or foreshadowed. In his middle period, he is beginning to go deaf, and has realized that he cannot reverse the trend. His works express struggle and triumph. He stretches forms, with development sections becoming the bulk of his works. He is breaking from tradition and laying the groundwork for the romantic style period. In his late period, he breaks almost completely with classical forms, but ironically starts to study and use baroque forms and counterpoint. He is almost completely deaf, and his works become much more introspective with massive amounts of contrast between sections, ideas, and movements. He dies in Vienna in 1827.
Bibliography Ashton, Joseph N.. Music in Worship. Boston: Pilgrim Press, 1943. Johansson, Calvin M.. Discipling Music Ministry. Peabody: Hendrickson Publishers, Inc., 1992. Snydor, James Rawlings. Hymns and Their Uses. Carol Stream: Agape, 1982. www.infoplease.com for information on the church history background
In the short story " The story of an Hour" by Kate Chopin, she writes about the impact of being in the social institution of marriage. The author masterfully describes the Protagonist, imagery and irony that captures the readers' attention, and emotions of grief, hope, and joy. As author Kate Chopin brings our attention to these exquisite feelings, she addresses the conflicts one might face as they join into the joys of marriage.
When you read Paradise Lost, it’s like reading the other side of the book of Genesis. You begin to have a new understanding of the both books. You see the relationship between God and Satan. You begin to understand Satan in a way that you never have before. You begin to see Satan as a character who has been through a lot. Then you begin to sympathize with him. After all, he did get kicked out of heaven.