In the late 1800s and early 1900s, gender roles were very specific. It was a male dominant society and women were considered subordinate; therefore, it was difficult for women to break free from their existing roles. Also in this time frame, classism, or discrimination based on class, existed. Louise Mallard, the protagonist in Kate Chopin’s “The Story of an Hour,” and Emily Grierson, the protagonist in William Faulkner’s “A Rose for Emily,” are both characters living in the post-Civil War era, struggling to free themselves from the constraints society has placed upon them. Louise Mallard and Emily Grierson both lack the freedom to control their own lives because of societal reasons. In “The Story of an Hour” and “A Rose for Emily,” Kate Chopin and William Faulkner show us that their characters, Louise Mallard and Emily Grierson, both have an experience of loss that makes them understand their oppression.
Kate Chopin creates Louise Mallard as a character in the nineteenth century who experiences conflicting emotions regarding to her marriage. In her writing, Chopin does not mention anything bad about Louise’s husband, Brently Mallard. In fact, the text suggests that Brently is a good husband to Louise and their relationship is not a problem. This is why when Mrs. Mallard receives the news that her husband is on the list of people who were killed in a train crash, she grieves. She isolates herself in her room, stares out an open window, and then involuntarily begins to feel emotions other than sadness and devastation. Feelings of joy and freedom consume her and she becomes internally conflicted. Chopin does much in the text to show that Louise is not a horrible and egotistic person for feeling happiness at the death of her husban...
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... Emily, to learn and understand the actuality of their oppression.
Works Cited
Chopin, Kate. “The Story of an Hour.” The Compact Bedford Introduction to Literature.
Ed. Michael Meyer. 9th Ed. Boston: Bedford, 2012. 15-16. Print.
Faulkner, William. “A Rose for Emily.” The Compact Bedford Introduction to Literature.
Ed. Michael Meyer. 9th Ed. Boston: Bedford, 2012. 84-90. Print.
Jamil, S. Selina. "Emotions in The Story of an Hour." The Explicator 67.3 (2009): 215+.
Literature Resource Center. Web. 12 Apr. 2014.
West, Ray B., Jr. "Atmosphere and Theme in Faulkner's 'A Rose for Emily'." William
Faulkner: Four Decades of Criticism. Ed. Linda Welshimer Wagner. Michigan State University Press, 1973. 192-198. Rpt. in Short Story Criticism. Ed. Laurie Lanzen Harris and Sheila Fitzgerald. Vol. 1. Detroit: Gale Research, 1988. Literature Resource Center. Web. 17 Apr. 2014.
6. West, Ray B., Jr. "Atmosphere and Theme in Faulkner's 'A Rose for Emily'." William Faulkner: Four Decades of Criticism. Ed. Linda Welshimer Wagner. Michigan State University Press, 1973. 192-198. Rpt. in Short Story Criticism. Ed. Laurie Lanzen Harris and Sheila Fitzgerald. Vol. 1. Detroit: Gale Research, 1988. Literature Resource Center. Web. 5 July 2011.
After reading The Story of An Hour by Kate Chopin, Daniel Deneau remarkably breaks down and analyzes the most intense aspects of the short story. Deneau acknowledges simple things such as “the significance of the open window and the spring setting” along with more complex questions including what Mrs. Mallard went through to achieve her freedom. He also throws in a few of his own ideas which may or may not be true. Almost entirely agreeing with the interpretation Deneau has on The Story of An Hour, he brings stimulating questions to the surface which makes his analysis much more intricate.
Pike, David L., and Ana Acosta. "Chapter 10 "The Story Of An Hour"" Literature: A World of Writing. New York: Longman, 2009. 442-44. Print.
Can you hear the voices? In a story there is always more that just one voice to be heard. Can you hear them? It is only necessary to look closely and read the text, then you can hear them. In Kate Chopin’s story, “Story of an Hour,” there are four distinct voices that can be heard. You are able to hear the narrator, author, character, and yourself as you read.
"William Faulkner (1897-1962)." Short Story Criticism. Ed. Jelena Krstovic. Vol. 97. Detroit: Thomson Gale, 2007. 1-3. Literature Criticism Online. Gale. Hempfield High School. 31 March 2010.
Mrs. Mallard is the example of a typical housewife of the mid 1800’s. At the time, most women were not allowed to go to school and were usually anticipated to marry and do housework. During that time, the only way women could get out of a marriage was if they were to die or their husbands was to die. In that time period, the husband had control of all of the money, so it would not be wise if the wife were to leave the financial freedom that was provided by the husband. This is most likely why Mrs. Mallard never leaves her husband’s death, she is sad at first but then experiences an overwhelming sense of joy. This shows that she is not in a fulfilling marriage as his death means she will finally have own individual freedom, as well as financial freedom being the grieving widow who will inherit her husband’s wealth. In the words of Lawrence I. Berkove he states, “On the other hand, Chopin did not regard marriage as a state of pure and unbroken bliss, but on the other, she could not intelligently believe that it was desirable, healthy, or even possible for anyone to live as Louise, in the grip of her feverish delusion, wishes: to be absolutely free and to live totally and solely for oneself.” (3) Mrs. Mallard’s reaction to her husband’s death is Chopin’s way of expressin...
In many short stories, characters face binding situations in their lives that make them realize more about themselves when they finally overcome such factors. These lively binding factors can result based on the instructions imposed by culture, custom, or society. They are able to over come these situations be realizing a greater potential for themselves outside of the normality of their lives. Characters find such realizations through certain hardships such as tragedy and insanity.
Kate Chopin's The Story of an Hour. Kate Chopin was a Victorian writer whose writing manifests her life experiences. She was not happy with the principles of the time, because women had fewer rights, and they were not considered equal to men. Afraid of segregation from society, people lived in a hypocritical world full of lies; moreover, Kate Chopin was not afraid of segregation, and used her writing as a weapon against oppression of the soul.
Short Story Analysis “The Story of the Hour” by Kate Chopin portrays an opposing perspective of marriage by presenting the reader with a woman who is somewhat untroubled by her husband's death. The main character, Mrs. Louise Mallard, encounters the sense of freedom rather than sorrow after she got knowledge of her husband's death. After she learns that her husband, Brently, is still alive, it causes her to have a heart attack and die. Even though “The Story of the Hour” was published in the eighteen hundreds, the views of marriage in the story could coincide with this era as well. Louise is trapped in her marriage.
In "The Story of an Hour" Kate Chopin tells the story of a woman, Mrs. Mallard whose husband is thought to be dead. Throughout the story Chopin describes the emotions Mrs. Mallard felt about the news of her husband's death. However, the strong emotions she felt were not despair or sadness, they were something else. In a way she was relieved more than she was upset, and almost rejoiced in the thought of her husband no longer living. In using different literary elements throughout the story, Chopin conveys this to us on more than one occasion.
Chopin, Kate. “The Story of an Hour.” Backpack Literature. 4th ed. Ed. X. J. Kennedy and Dana Gioia. Upper Saddle River, New Jersey: Pearson: 2012. 168-170. Print.
Kate Chopin’s story “The Story of an Hour” focuses on a married woman who does not find happiness in her marriage. When she hears of her husband’s death, the woman does not grieve for long before relishing the idea of freedom. Chopin’s story is an example of realism because it describes a life that is not controlled by extreme forces. Her story is about a married nineteenth-century woman with no “startling accomplishments or immense abilities” (1271). Chopin stays true to reality and depicts a life that seems as though it could happen to any person. Frank Norris comments that realism is the “smaller details of every-day life, things that are likely to happen between lunch and supper, small passions, restricted emotions…” (1741). “A Story of an Hour” tells the tale of an unhappy married woman which is not an unrealistic or extreme occurrence. Chopin conveys in her short story the feeling of marriage as an undesired bondage to some married women in the nineteenth century.
Chopin, Kate. "The Story of an Hour." The Compact Bedford Introduction to Literature. 4th ed. Ed. Michael Meyer. Boston: St. Martins, 1997. 12-15.
In Kate Chopin's "Story of an Hour" the author portrays patriarchal oppression in the institution of marriage by telling the story of one fateful hour in the life of a married woman. Analyzing the work through feminist criticism, one can see the implications of masculine discourse.
The descriptions in the story foreshadow the tragedy that ends the story. The author believed unexpected things happen often. In the case of this story, Louise Mallard believed her husband to be dead, having been told this by her sister, Josephine. However, when it is revealed that her husband had been alive the whole time, she is unhappy to see him and suffers a fatal heart attack. While she did have heart trouble, Richards and Josephine thought that the news of her husband’s death, not her seeing him again would be detrimental to her health, possibly even fatal. Chopin succeeded in getting this message across.