Kate Chopin's work, The Awakening, and Henrik Ibsen's play, A Doll's House, were composed at a time when men dictated women in every part of life. They are both superior examples of literary works greatly ahead of their time. Each work exemplifies the strict social standards placed on women and how they destructively affected the women. They also demonstrate how the women were able to overcome over these social ethics and get towards a life of vaster fulfillment. The characters in The Awakening and A Doll's House were very similar. In addition, the trials that they faced were also very similar. Both of the female characters are confronted with the fact that they have an authoritarian for a husband, and create an exit scheme to leave them. For Nora this includes deserting her family and running away, while Edna makes the choice that Nora could not do and commits suicide. Nora and Edna also harbor a secret that ultimately leads to their choice to leave their families. In addition, both writings also seem to have similar themes. They both explore the idea of freedom and discovering one’s own identity. Furthermore, they show how a woman in late 1800s often had no freedom from what society anticipated of them. As an outcome, the only way they could find their own identity was by leaving these social standards inflicted by their family life. Ibsen and Chopin appear to purposely present their main characters in this way and use their gifts for writing to foretell a transformation in society that needs to and will eventually occur. There are many similarities between the two: each protagonist seems happy about their marriage in the beginning, controlled by their husband, has a secret, and eventually realizes they are someone.
Edna Pon...
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...vald, she tells him, “I don’t believe that any longer. I believe that before all else I am a reasonable human being, just as you are—or, at all events, that I must try and become one. I know quite well, Torvald, that most people would think you right, and that views of that kind are to be found in books; but I can no longer content myself with what most people say, or with what is found in books. I must think over things for myself and get to understand them.” (Ibsen 112) Therefore, in the end both Edna and Nora left in dramatic ways, one leaving a life and the other leaving a family.
Bibliography
Ibsen, Henrik. A Doll's House. Coradella Collegiate Books, 11 Oct. 2004. PDF.
Chopin, Kate, McMichael, George L., J. S. Leonard, and Shelley Fisher. Fishkin. The Awakening. Anthology of American Literature. Tenth ed. Vol. II. Boston: Longman, 2011. 697-786. Print.
Chopin, Kate. "The Awakening." The Norton Anthology of American Literature.. Gen. ed. Nina Baym. 8th ed. Vol. C. New York: Norton, 2012. 561-652. Print.
Chopin, Kate. The Awakening. 1899. 1865-1914. Ed. Nina Baym and Robert S. Levine. 8th ed. New York: W. W. Norton, 2012. 561-652. Print. Vol. C of The Norton Anthology of American Literature.
Chopin, Kate. "The Story of an Hour." Heritage of American Literature. Ed. James E. Miller. Vol. 2. Austin: Harcourt Brace Jovanich, 1991. 487. Print.
In Kate Chopin's novel The Awakening, written approximately one hundred years ago, the protagonist Edna Pontellier's fate is resolved when she 'deliberately swims out to her death in the gulf'(Public Opinion, np). Her own suicide is indeed considered as a small, almost nonexistent victory by many, nevertheless there are those who consider her death anything but insignificant. Taking into consideration that 'her inability to articulate her feelings and analyze her situation [unattainable happiness] results in her act of suicide...'(Muirhead, np) portrays Edna as being incapable of achieving a release from her restricted womanhood as imposed by society. Others state that the final scene of the novel entirely symbolizes and realizes Edna's victory on a 'society that sees their [women's] primary value in their biological functions as wives and mothers?(Kate Chopin, np).
Theoretically, Edna’s need to fulfill her personal desires is the cause of her demise. Edna chooses to associate and be enamored with Robert. In doing so, Edna begins to step farther and farther away from her family and sees their needs less clearly. Bonnie St. Andrews views Edna’s actions as, “one woman’s rebellion against convention” (28). In essence, her desires turn into a greed that blinds her from seeing anyone except herself.
Chopin, Kate. The Awakening. The Norton Anthology of American Literature. Ed. Nina Baym. New York: W.W. Norton, 2007. 535-625. Print.
Chopin, Kate. The Awakening. Anthology of American Literature. Volume II: Realism to the Present. Ed. George McMichael. New Jersey: Prentice Hall, 2000. 697-771.
Imagery symbolically guides the process of self-emancipation for Nora, the protagonist of A Doll's House by Henrik Ibsen. Objects like the macaroons, the lamp, the Christmas tree, and costumes represent the movement towards freedom of a woman who was a victim of society. Ibsen painted Nora as a youthful and lovely creature who was brought through life treated as a plaything by both her father and then her husband, Torvald. She must break society's unwritten laws. Although the consequences of her actions are initially minor, they start her along the path towards crisis when she realizes her position and the injustice of it. Through Ibsen's use of symbolism, objects in the play echo her process of anguish to liberation.
to discover and educate herself. She must strive to find her individuality. That the perception of woman is inaccurate is also supported by the role of Torvald. Woman is believed to be subordinate to the domineering husband. Instead of being the strong supporter and protector of his family, Nora's husband is a mean and cowardly man. Worried about his reputation he cares little about his wife's feelings and fails to notice many of her needs. The popular impression of man is discarded in favor of a more realistic view, thus illustrating society's distorted views. Ibsen, through this controversial play, has an impact upon society's view of the subordinate position of women. By describing this role of woman, discussing its effects, and predicting a change in contemporary views, he stressed the importance of woman's realization of this believed inferiority. Woman should no longer be seen as the shadow of man, but a person in herself, with her own triumphs and tragedies. The exploration of Nora reveals that she is dependant upon her husband and displays no independent standing. Her progression of understanding suggests woman's future ability to comprehend their plight. Her state of shocked awareness at the end of the play is representative of the awakening of society to the changing view of the role of woman. "A Doll's House" magnificently illustrates the need f...
Kate Chopin's work, The Awakening, and Henrik Ibsen's play, A Doll's House, were written at a time when men dominated women in every aspect of life. Edna Pontellier, the protagonist in The Awakening, and Nora, the protagonist in A Doll's House, are trapped in a world dominated by men. The assumed superiority of their husbands traps them in their households. Edna and Nora share many similarities, yet differ from each other in many ways.
Throughout history society has been controlled by men, and because of this women were exposed to some very demanding expectations. A woman was expected to be a wife, a mother, a cook, a maid, and sexually obedient to men. As a form of patriarchal silencing any woman who deviated from these expectations was often a victim of physical, emotional, and social beatings. Creativity and individuality were dirty, sinful and very inappropriate for a respectful woman. By taking away women’s voices, men were able to remove any power that they might have had. In both Alice Walker’s “The Color Purple” and Kate Chopin’s “The Awakening”, we see that there are two types of women who arise from the demands of these expectations. The first is the obedient women, the one who has buckled and succumbed to become an empty emotionless shell. In men’s eyes this type of woman was a sort of “angel” perfect in that she did and acted exactly as what was expected of her. The second type of woman is the “rebel”, the woman who is willing to fight in order to keep her creativity and passion. Patriarchal silencing inspires a bond between those women who are forced into submission and/or those who are too submissive to maintain their individuality, and those women who are able and willing to fight for the ability to be unique.
The enforcement of specific gender roles by societal standards in 19th century married life proved to be suffocating. Women were objects to perform those duties for which their gender was thought to have been created: to remain complacent, readily accept any chore and complete it “gracefully” (Ibsen 213). Contrarily, men were the absolute monarchs over their respective homes and all that dwelled within. In Henrik Ibsen’s play, A Doll’s House, Nora is subjected to moral degradation through her familial role, the consistent patronization of her husband and her own assumed subordinance. Ibsen belittles the role of the housewife through means of stage direction, diminutive pet names and through Nora’s interaction with her morally ultimate husband, Torvald. Nora parades the façade of being naïve and frivolous, deteriorating her character from being a seemingly ignorant child-wife to a desperate woman in order to preserve her illusion of the security of home and ironically her own sanity. A Doll’s House ‘s depiction of the entrapment of the average 19th century housewife and the societal pressures placed upon her displays a woman’s gradual descent into madness. Ibsen illustrates this descent through Torvald’s progressive infantilization of Nora and the pressure on Nora to adhere to societal norms. Nora is a woman pressured by 19th century societal standards and their oppressive nature result in the gradual degradation of her character that destroys all semblances of family and identity.Nora’s role in her family is initially portrayed as being background, often “laughing quietly and happily to herself” (Ibsen 148) because of her isolation in not only space, but also person. Ibsen’s character rarely ventures from the main set of the drawi...
In, A Doll’s House, the reader meets Nora, a woman desperately trying to hide a secret that ended up changing her life forever. When Nora’s deceitful ways finally come to haunt her, she comes to a shocking conclusion. She must leave her family to find out who she is exactly. Ibsen uses deceit as the main theme of A Doll’s House to create drama in a seemingly peaceful world. It teaches the reader that sooner or later their deceit will catch up with them. Ibsen created a play where a marriage was tested by one criminal lie and where one woman tested the rules of society with her deceit.
Spangler, George M. "Kate Chopin's The Awakening: A Partial Dissent." Novel: A Forum on Fiction 3 (1970): 249-55.
Henrik Ibsen published A Doll House in 1879, which was a time period of intense debate over women’s rights. Ibsen believed in the equality of people; consequently, the play displays the unjust inequality between men and women during the 19th century. Women were expected to fulfill the roles of a daughter, wife, and mother. However, to conform to the standards of the time women would repeatedly sacrifice their own happiness for the sake of men (Shahbaz). Nora attempted to fulfill the roles society expected of her, but she could not. Henrik Ibsen demonstrated how a woman has a duty to herself first by showing the negative effects of restricting women to the subservient roles of a daughter, wife, and mother in A Doll House.