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John Donne biography assignment with introduction and references
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John Donne was a very remarkable and well known author throughout British Literature. He led a very interesting life from his career as a preacher and author even to his personal life. Donne faced a life of hardship, tragedy, and secrets. Although through all his endeavors he managed to write famous manuscripts, sermons, and poems. At the time he wrote these works, John Donne’s fames didn’t really occur significantly until after his death. From a young age he was a very well educated man, and excelled onto college, obtained a job, and established a variety of careers. Though many people know Donne for his literary works, his personal life is quite one to gossip about. Many people do not know about his dirty past, scandalous marriage, and him fathering twelve children. There was a lot more to John Donne than what appears of his famous writings; it is the in between the lines that really makes Donne such an interesting man during his time period.
John was born into an affluent, Roman Catholic family in London around December 1572. Donne’s father died a few years after he was born, but his mother quickly remarried to a wealthy man. By the age of 11, Donne was already very educated and he was attending Hart Hall (Hertford College), and three years later he was accepted to the University of Cambridge. After John graduated college he had quite an inheritance from his father. John took this money and spent it on worthless, dirty things. There was a few years gap between Johns college years and his first job. During these years, Donne chose to spend all of his inheritance on womanizing and travel. John had the talent, potential, and money he needed in order to start a great life for himself, but even a well-educated man like John Donne,...
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... hardships, scandals, romance, and success. Although his personal life was full of many shocking details, he managed to use his personal life to bring about a passion in all of his successful literary works.
Works Cited
Lein, Clayton D. "John Donne." British Prose Writers of the Early Seventeenth Century. Ed. Clayton D. Lein. Detroit: Gale Research, 1995. Dictionary of Literary Biography Vol. 151. Literature Resource Center. Web. 25 Mar. 2014.
Reeder, Robert W. "Before the beginning: John Donne on creation, birth, and calling." Renascence: Essays on Values in Literature 65.1 (2012): 25+. Literature Resource Center. Web. 24 Mar. 2014.
Smith, A. J. "John Donne." Seventeenth-Century British Nondramatic Poets: First Series. Ed. M. Thomas Hester. Detroit: Gale Research, 1992. Dictionary of Literary Biography Vol. 121. Literature Resource Center. Web. 25 Mar. 2014.
Everett, Nicholas From The Oxford Companion to Twentieth-century Poetry in English. Ed. Ian Hamiltong. Oxford: Oxford University Press, 1994. Copyright 1994 by Oxford University Press.
5. As His reputation as an author began to rise, his personal life took a
Raffel, Burton. and Alexandra H. Olsen Poems and Prose from the Old English, (Yale University Press)Robert Bjork and John Niles,
critique the misogyny and misrepresentations of marriages put forth by male poets, such as John Donne,
Through all of his courage, he found what he was looking for. He dug deep and went to the extremes that were not normal to himself. All of his work leads to his dynamic characteristics.
John Donne?s poem connects flesh and spirit, worldly and religious ideas in a fascinating way between seemingly unrelated topics. He compares sexual intercourse to a bite of a flea and says that now their blood has mixed inside the flea. He also compares the inside of the tiny flea to the entire world, including the couple.
his life where it has influences of his writing and how it did impact many people.
Donne, John. “Holy Sonnet 5, Holy Sonnet 6, Holy Sonnet 10.” John Donne’s Poetry: A Norton Critical Edition. Ed. Donald R. Dickson. W.W. Norton & Company. New York, London. 2004. (Handout)
Death is a very complicated subject that people view very differently in different situations. In John Donne’s Holy Sonnets, he writes about death in Meditations X and XVII. Both meditations use many similar rhetorical devices and appeals, but the tones of the meditations are very disparate. Donne’s different messages in Meditations X and XVII convey tones of defiance and acquiescence towards death, respectively. His apparent change of attitude towards death could be accounted for by his differing life situations while he was writing the meditations: mid-life, and near-death.
W.W Norton. (2000). John Donne Holy Sonnet 14. The Norton Anthology of English Literature, 1(1271).
The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The content of his earlier works focused on pursuing women for his sexual desires, which contrasts heavily with his latter work. John Donne’s desire for physical pleasure subsides and he seeks to gain an emotional bond with women, as expressed in his later poetry.
Pope, Alexander. "An Essay on Man." in Eighteenth-Century English Literature. Eds. Geoffrey Tillotson, Paul Fussell, Jr. and Marshall Waingrow. New York: Harcourt, 1969. 635-51.
Because Donne describes the connection between the body and union with God in the form of a poem, Donne is able to evoke his readers. Unlike Augustine 's readers who just read of Augustine’s anguish and experience, those who read Donne 's poems actually experience anguish, frustration, and ultimately the unavoidable reliance one has on God, which most Christian followers eventually experience on the road to redemption. Furthermore, writing in a Petrarchan sonnet form, Donne provides an alternate meaning to Augustine’s medieval concept of the souls’ journey to unity with God. In the examination of Donne’s language, which is permeated with many emotions, Donne introduces the new idea that the journey to redemption involves not only a movement away from loving sin but a movement towards loving oneself so that one is not afraid to be loved. In other words, Donne introduces—through his diction—that the process of redemption involves self-love, which will, in turn, allow one to accept God’s already existing
In both ‘The Sun Rising’ and ‘The Good Morrow’ Donne presents the experience of love, in a typical Metaphysical style, to engage his reader through sharing his own experiences. These poems show distinctive characteristics of Metaphysical poems which involve colloquial diction, drawing inventive imagery from unconventional sources, passionately analysing relationships and examining feelings. Donne presents the experience of love through conceits, Metaphysical wit, language techniques and imagery, in a confident tone using logical argument. The impact of Donne’s use of direct and idiomatic language shows the reader how he feels about a woman and ultimately love.
John Donne had an interesting view of life and many questions that he constantly begged God to answer. In the early stages of his life he could not decide if he wanted to represent good or evil, so he decided to exemplify both. After many years of rebelling against God and the church, he decided to give it all up and become a member