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Modernism and its impact
Modernism and its impact
Modernism and its impact
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The “art and life” aspects of the interwar avant-garde are an advanced socially trivial form of art which to a bigger extent is symbolic of the visual setting of the human community. It is the art of expressionism in any artistic work which greatly influence its adaptation by the target audience. It has been evidently claimed that most artistic works of the early twentieth century have had a number of varied themes all encompassing the political environment of the time. The interwar avant-garde is a direct expression of the modernism in a society marked with low levels of civilization. It is indeed the expressive nature of artistic works that we claim high levels of civilization in our human society. This is the reason why art is quite crucial in the society as it evidently has both a social and moral function within the environment. They are a major recipe in the process of realizing cultural and/or character assimilation of our otherwise wishful set of modernism in the society. This essay gives a critical discussion on the “art and life” aspects of the interwar avant-garde and its impact on the human community.
The first third of the twentieth century was marked with many experimental artistic works which were typically made to impact on the people a visual modernity aspect of the human community. They were a great link of modernism and its ties to our traditions and the element of nationalism. The spirit wining at war is greatly represented in these artistic works always portraying the other opponent as the ultimate loser in the fight. It is to be realized here that the aim of an artwork is to instill a human aspect that seems otherwise impossible. The art of advanced expressionism therefore played a major role and had enormou...
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...ility. Challenging the existing human social setting is basically realized by expressing irresponsibility in the actor’s actions. By questioning the morality principles and societal norms, we always seek to find a new, probably better scheme of living and behavioral code for the human society. It is to be noted here that war related artistic works are literally involving the mind of the audience to experience the actual picture of the war. It is due to this that the action is eminently marked with much irresponsibility acts from the key actors.
In conclusion, it is clearly evident that most interwar avant-garde artworks were mainly a visual expression of modernism in the society. It is such artistic techniques which highly influenced the adaptability of these wonderfully developed artworks.
Works Cited
Art of the Avant-Gardes edited by Steve edwards and Paul Wood
Hicks, Patrick. "War, Literature and the Arts." War, Literature and the Arts. An International Journal of the Humanitie, n.d. Web. 6 Dec. 2013. .
In the film Red Dawn of 1984, it depicts both a work of art and propaganda for various of reasons. To start off, propaganda is used to imply a negative impact on both Russia and Russian troops. The way they are portrayed in the film, illustrates them as savages and corrupted people who are ruthless. In the film, the United States is portrayed as the victim because of the the strong brave soldiers, who are trying to survive and would fight any obstacle in their way. In fact, this film of Red Dawn can also be considered a work of art, because this film uniquely symbolizes the acceptance of thinking like a child. For example, in many scenes in the movie seeing the world from a children’s point of view was a way to help the soldiers forget about their present situation. In this case, the war battles between Russian troops. Most importantly, what I consider a work of art in this film, would be that a group of teenagers get together as a team to defend their country from Soviet invaders. In this essay I will explain different examples that prove that the film of 1984 Red Dawn can be considered both a work of art and a of propaganda.
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Much of contemporary art, as many have noted, has posed a challenge to much of traditional philosophical aesthetic analysis. British Avant-Garde art is no exception. This paper will argue that the "British Avant-Garde" art is best understood in terms of Wittgenstein¡¦s concept of "seeing-as,"(1) and will also point out that the artists and their critics often implicitly or explicitly u...
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Ever since the arrival of the Renaissance, new ways of approaching art physically and emotionally have been introduced by some of the most prominent men of the rebirth and by many lesser known people. The innovators of the Renaissance have brought into the art world many new characteristics and techniques to paintings and sculptures. From experimentation, to observation, to getting in touch with the human body and mind, artists of the time period were able to learn and build upon that knowledge. The information and innovations they contributed sculpted the modern world of creativity for us to learn, use, and develop our own styles for future generations in the light of artistic encouragement.
Modern art serves to immerse us more thoroughly in a scene by touching on more than just our sight. Artists such as Grosz, and Duchamp try to get us to feel instead of just see. It seems that this concept has come about largely as a way to regain identity after shedding the concepts of the Enlightenment. “Philosophers, writers, and artists expressed disillusionment with the rational-humanist tradition of the Enlightenment. They no longer shared the Enlightenment's confidence in either reason's capabilities or human goodness...” (Perry, pg. 457) It is interesting to follow art through history and see how the general mood of society changed with various aspects of history, and how events have a strong connection to the art of the corresponding time.
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People decided to rebel against the political and social rules of their time and started a new trend of art. It conveyed dramatic subjects perceived with strong feelings and imagination.
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