The idea that an author of a literary work has certain inalienable rights to his work has been an institution found on a national level in many countries for centuries. These rights have taken on different forms depending on the legal tradition of the country where it is applied. In systems with a common law tradition, based on utilitarian ideals, the rights were referred to as copyright. In systems that relied on a civil law tradition, based on philosophical thought and the basic idea of a moral and natural order, the rights became to be known as author’s rights and later expanded to neighboring rights. Although these rights, and the laws that went along with them, developed in many countries around the same time in history international copyright would take substantially longer to develop. International copyright law is an evolution of thought that has emerged after many years of international political communications between the many states of the world.
The Statute of Anne, created 1694 in England, was the world’s first copyright act. It was titled “An Act for the Encouragement of Learning, by vesting the Copies of Printed Books in the Authors or Purchasers of such Copies, during the Times therein mentioned” (Goldstein, 5). The act gave anyone the ability to gain copyright through the simple registration of their work and gave legal protection for a term of fourteen years from the date of original publication. This term could be renewed for an additional fourteen years if the author was still alive after the initial term of protection was over (Goldstein, 6). This became the foundation on which later copyright legislation would be built on.
Author’s rights developed in France, Germany, and several other states...
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Agreement on Trade-Related Intellectual Property Rights (TRIPS). Marrakesh. 15 April 1994. Print.
Berne Convention for the Protection of Literary and Artistic Works: Paris Act. Paris. 24 July 1971. Print.
Convention for the Protection of Producers of Phonograms Against Unauthorized Duplication of Their Phonograms. World Intellectual Property Organization. 29 Oct 1971. Print.
Goldstein, Paul. International Copyright: Principles, Law, and Practice. NewYork: Oxford UP, 2001. Print.
International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations. Rome Convention, 1961. Rome. 26 Oct 1961. Print.
North American Free Trade Agreement. Part Six, art. 1701-1718.14. 7 Oct 1992. Print.
Universal Copyright Convention. United Nations Educational, Scientific and Cultural Organization. 6 Sept 1952. Print.
Details of copyright law vary between nation countries, however, many nations share a common interest through two international copyright treaty membership agreements, the Berne Convention (which consists of 164 member states) and the Buenos Aires Convention (which is an agreement between North and South American countries,) The treaties, established in order to protect an authors’/creators’ original work from copying - whether it be literary, dramatic, design, musical or artistic.
Edie, Paul C. "History of the Victor Phonograph." The Victor-Victrola Page. N.p., 2006-2014. Web. 15 Feb. 2014. .
“The Law”. http://www.riaa.com - http://www.riaa.com. RIAA, Oct. 2011 -. Web. The Web.
Willoughby, David. "Chapter 11." The World of Music. 7th ed. New York: McGraw-Hill, 2012. 249-53. Print.
2. Lombardi, Victor . "Music and Censorship." Music and Censorship. Alan Stuart, n.d. Web. 4 Dec. 2013. .
Over the past decade the societal view of creative society has greatly changed due to advances in computer technology and the Internet. In 1995, aware of the beginning of this change, two authors wrote articles in Wired Magazine expressing diametrically opposed views on how this technological change would take form, and how it would affect copyright law. In the article "The Emperor's Clothes Still Fit Just Fine" Lance Rose hypothesized that the criminal nature of copyright infringement would prevent it from developing into a socially acceptable practice. Thus, he wrote, we would not need to revise copyright law to prevent copyright infringement. In another article, Entitled "Intellectual Value", Esther Dyson presented a completely different view of the copyright issue. She based many her arguments on the belief that mainstream copyright infringement would proliferate in the following years, causing a radical revision of American ideas and laws towards intellectual property. What has happened since then? Who was right? This paper analyzes the situation then and now, with the knowledge that these trends are still in a state of transformation. As new software and hardware innovations make it easier to create, copy, alter, and disseminate original digital content, this discussion will be come even more critical.
“Copyright is a fundamental right of ownership and protection common to all of the arts” (O’Hara & Beard, 2006, p. 8). “It is a form of intellectual Property (IP)” and it gives the owner exclusive rights to the copyright (O’Hara & Beard, 2006, p. 11).
The Statute of Anne (the first modern form of copyright law) was introduced after the printing press was invented. Before this time, books would have to be hand written and for this reason they were ve...
Is important for anyone who has created any intellectual property to protect it. In the music industry, in order for someone to protect their work, they must obtain a copyright. Music has been around before anyone could obtain a copyright and when the invention of the computer came along it made it easier for someone to steal another artist's intellectual property with the help of the internet. This paper will cover what events have taken a big role in copyright protection for artist, the consequences if someone was to break the rules of a copyright which is called copyright infringement, and how will a copyright hold in the future. Were copyrights enacted without the thought of life changing technology, and how can some music companies surpass copyright infringement and make a profit from the artist? Can a copyright really make that much of a difference in the world we know today?
Intellectual property (IP) is defined as property that is developed through an intellectual and creative processes. Intellectual property falls under the category of property known as intangible rights, which includes patents (inventions of processes, machines, manufactures, and compositions of matter), copyrights (original artistic and literary works of), trademarks (commercial symbols), and trade secrets ((product formulas, patterns, designs). Intellectual property rights has a significant value to both individuals and businesses, providing in the case of large companies, over one half of their value on return. Since intellectual property rights are so important to the U.S. economy and its citizens, federal and state law provides protection, for example, civil damages and criminal penalties to be assessed against infringers. Due to the importance of intellectual property to a business, I don’t think that its protection and enforcement is going to be a thing of the past.
Piracy is a form of theft. Specifically, it refers to the unauthorized copying or use of intellectual property. Intellectual property is knowledge or expression that is owned by someone. There are three major types of intellectual property: 1) creative works, including music, written material, movies, and software, which are protected by copyright law; 2) inventions, which are protected by patent law; and 3) brand-name products, which are protected by trademarks. Many of the issues surrounding piracy have to do with the difference between intellectual property and physical property. A CD, for example, is a piece of physical property, but the songs on the CD are intellectual property. A customer in a record store can purchase a CD, but someone else still owns, or more precisely, has the copyright to the songs on the CD.
middle of paper ... ... A. The "Music and Censorship" Noise Between Stations. Dec. 1, 1991. Web.
...on in her book Copyright Clarity by asserting that the originators of copyright law intended the protection of intellectual property to encourage creativity among inventors, not stifle it.
Copyright is a protection for authors, composers or artists and other creators who create innovative idea base work. Copyright law is important because of its role to protect the interests of the creator, while allowing others to gain access to it legally. It designed to make sure that creators receive appropriate rights for their own ideas and creativity, and to promote artistic creativity by protecting the creator.
A copyright is a legal means that gives the creator of mythical, imaginative, musical, or other creative work the solitary right to publish and sell that work. Copyright owners have the right to manage the reproduction of their work, including the right to receive imbursement for that reproduction. An author may contribute or sell those rights to others, including publishers or recording corporations. Breach of a copyright is called copyright