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The importanceof teaching writing
The importanceof teaching writing
The importanceof teaching writing
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As I try to fight my amateur urge to be simplistic, it is impossible for me to avoid my main concern about composition pedagogy. The issue that most pervades and perplexes me is the intricate, tender yet all encompassing role and influence of The Teacher. Simply stated, I find the influence of the teacher to be the problem, and sometimes the solution in the realm of teaching writing. I read through our student essays and found the constant notion that what has influenced, and sometimes determined the fate of a student writer is-yes, The Teacher.
In the pedagogical world I have since perceived, the teacher is almost solely in control of the development of his/her students. And more often than not, an encouraging, attentive, positive and guiding teacher will have a class full of blossoming writers. On the other hand, I’ve observed that with negative commentary, harsh judgments and insufficient time and ability to escort them to their writing peak, students may come to a standstill in their development as writers; some may come to detest it because of insufficient guidance which may lead to confusion, and some may come to the conclusion that they have simply failed as writers. The fact that a teacher’s approach, caused and/or influenced by a variety of reasons, which I will elaborate, further on, may be the culprit for the vast amount of students who feel they cannot write, is a grave, grave travesty--but not one we can not combat.
I am not stating that with proper encouragement every student can escalate to the level of Charles Dickens, but I do believe that they will be able to at least make significant improvements with the proper direction so that they can be considered respectable writers. What I believe to be the core of ...
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...ific courses in various genres should be included), as well as at least two classes in the subject of the course we are currently enrolled in--Composition Theory and Pedagogy.
Though there are many parts and obviously a lot of planning necessary to actualize this proposal, my plan is actually quite direct and I believe would be extremely effective. . Simply, students will feel better about their writing and produce better work if there is a skilled teacher who has been trained specifically in writing and the teaching of it, in a class whose sole purpose is to educate our youth on how to competently express themselves through writing. Teachers who do not have the time, and in some cases, the expertise, to engage and encourage a student writer many a time, end up with a class full of students who are scared to write or irresolute about the act of writing in general.
“Although both articles are exploring writing and the change that needs to or that does happen, Peter Elbow’s idea of growth in writing is a more naïve and simplistic approach to writing, where as Somers and Saltz’s article, while still very general, takes a more realistic point of view at the writing experience for students and new writers”.
Thinking about a topic to write about is not always easy, and sometimes the process of writing can end up being difficult. Jennifer Jacobson discusses strategies to overcome the struggles that young writers can encounter while writing. I was interested in her book No More “I’m Done!” Fostering Independent Writers in the Primary Grades because I feel like as a future teacher this could be a frequent problem among students. From reading this book, I hoped that I would learn useful strategies that I could use to help students overcome their problems with writing. After reading this book, I do believe that Jacobson has provided me with plenty of methods to use. I was surprised at the depth that she goes into in her text. There is a vast amount
In Downs and Wardle’s article, they argue and identify the flaws in teaching writing in college. Demonstrating the misconceptions that academic writing is universal, but rather specialized in each case. Citing studies and opinions from esteemed professionals, Downs & Wardle state their points and illuminate the problem in today’s many colleges.
In his essay, "Teach Writing as a Process not a Product," Donald Murray outlines the major difference between the traditional pedagogy that directed the teaching of writing in the past and his newly hailed model. Traditionally, Murray explains, English teachers were taught to teach and evaluate students' writing as if it was a finished product of literature when, as he has discovered, students learn better if they're taught that writing is a process. For Murray, once teachers regard writing as a process, a student-centered, or writer-centered, curriculum falls into place. Rules for writing fall by the way side as writers work at their own pace to see what works best for them.
“What is Good Enough Writing, Anyway?” by Lynn Bloom and published in 2006, questions the standards professors hold their students writing to. Bloom asks the questions, “is good enough writing great?” and “is it reasonable to want better than good enough?” At first glance, Bloom’s writing seems to reach out to students, motivating them to reach above average and to become great writers. However, she is reaching out to teachers, imploring them to enhance their teaching styles, and to inspire their students to want more from their writing.
Throughout the semester i only learned few new things but i did improve and solidify my skill of writing. Before my first year of college my skills have always undermined by other high school english teachers and with that came disappointing grades. I am writing this paper as a reflection of the semester and the progress i have made as a writer. I now understand many things that my high school teachers have done a poor job demonstrating and i am grateful that i decided to take my own route in my education instead of their syllabus. I entered the semester with anxiety that i would perform as i did before but i clearly outdid my own expectations by receiving top grades on my essays.
There are various ways writers can evaluate their techniques applied in writing. The genre of writing about writing can be approached in various ways – from a process paper to sharing personal experience. The elements that go into this specific genre include answers to the five most important questions who, what, where, and why they write. Anne Lamott, Junot Diaz, Kent Haruf, and Susan Sontag discuss these ideas in their individual investigations. These authors create different experiences for the reader, but these same themes emerge: fears of failing, personal feelings toward writing, and most importantly personal insight on the importance of writing and what works and does not work in their writing procedures.
Being a new teacher of English, I find the assessment of compositions to be a concept I question and struggle with on a regular basis. Having consulted several colleagues, mentors, administrators, and fellow graduate students, I have come to the conclusion that there is no easy answer to this tedious yet ever important question. While there are many inlets and outlets to this dilemma, for the sake of time I will touch on only three. While all three are very different in terms of concepts, rituals, and conducts, they all come together to one common goal - helping students express themselves in terms of writing.
In my experiences at the Writing Resource Center, I have found that the biggest area of concern that I have run into is the feeling that I am an ineffective tutor as far as tutoring the students that come in search of writing assistance. I feel that I am a very inadequate means of relief for these people, yet they still come to me for help. In this paper, I will explore these thoughts and try to find out what it is that makes me feel so ineffective.
The purpose of Baker’s essay and its placement in The Prentice Hall Guide for College Writers is to encourage young writers to realize that writing truly is a privilege. It is also placed in the book to show college English students that writing does not have to be a grim task and that thinking of it in that manner will only make the student average.
Linton, Patricia, Robert, Madigan, and Johnson, Susan. “Introducing Students to Interdisciplinary Genres: The Role of the General Composition Course.” Language and Learning Across the Disciplines 1.2 (1994): 63-78. Print.
This reading discusses a lot about the need for students, teachers, and the school to raise expectations. Expectations for students are limited because we choose them to be this way. Students are capable of doing incredible work if the teacher believes in them, and teaches them the appropriate and necessary skills to do their best work. Giving the students the needed skills and attributes to become successful writers is the first step to see the work they can do. Competency leads to confidence which will lead to students wanting to write, and when students want to write and are not forced to write, that is when we will see their best work.
It has been my experience that young student writers can be very vulnerable to harsh criticism from a teacher or person in authority. And in my own case, that criticism didn’t disappear at the end of the semester but in fact, stayed with me for many years. I still have to push that ghost of criticism out of my head when I sometimes have difficulty with my writing. For the most part, the wounds from the red pen have healed and the scaring has been greatly reduced. Since the process of writing is difficult enough without discouraging words from teachers, it is imperative that harsh criticism be chased out of the writing classroom for the good of all students.
Although adequate writing skills are indispensable for life, leisure, and employment, quite a few students do not learn how to write effectively. Since writing is an exercise in thinking, it is important to balance the process of writing with the mechanics of writing. The areas of the brain involved in the writing task are varied yet interrelated; therefore, a student’s individual needs will determine the method of instruction they receive. Many students who have low expectations for their own academic success will not make even minimal efforts to complete a...
The relationship between teachers and students is one that can not be solved easily. Each teacher is different and has his own methods of conveying information to students. The only practical way to become better at writing for teachers is to get to know the instructor then adjust your own work habits so that both of you can make the most of your time. Overall, this will produce a less stressful working environment and both the teacher and the student will be more willing to accommodate each other. Ultimately, this will resolve the dilemma between the instructor and the author while providing an increased understanding of literary techniques to the student.