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Cellphone uses in art essay
Cellphone uses in art essay
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The Influence of the Connectivity of the Cell Phone on Art that is considered a Form of Relational Aesthetics The 1990s came with transformation in many aspects of social life, including art. Digitization of the society through the emergence of the internet and the advent of mobile or cell phones greatly transformed human relations and the society in large. Art and aesthetics has been greatly influenced by the advancement of networking technology in the society since the 90s. As Tofts (2005), a culture critic and renowned cyberculture author, explains in his article aptly titled FCL-039 tsk tsk tsk & Beyond: Anticipating Distributed Aesthetics, “the social concept of networked communities, which preoccupied us in the ‘90s, has its correlative in a particular strand of aesthetics” (Tofts, 2005). The cell phone is one of the key implements that have networked the society by increasing connectivity between people. Digitization and networking of the society has not only changed the way art is produced and distributed but also how it is defined in the context of human relations. Explaining better, Tofts (2005) points out that digital forms of art production, distribution and interaction such as the internet and multi-user platforms, including cell phones, “have modified the spatial and temporal dimensions of what constitutes an art event and an experience of it” (Tofts, 2005). This is because in the 1990s, the approach of analyzing and categorizing fine art changed from the perception of the artist as a central figure in art production to an approach in which the artist is viewed as the catalyst, rather than the object at the center. In this paper, the influence of the connectivity of the cell phone on art that is considere... ... middle of paper ... ... Bourriaud, N. (2002). Postproduction Culture as Screenplay: How Art Reprograms the World. New York, NY: Lukas & Stemberg. Bourriaud, N. (2002). Relational Aesthetics. Paris: Les Presses du Reel. Farias, G. (2011). Everyday Aesthetics in Contemporary Art. Rupkatha Journal on Interdisciplinary Studies in Humanities, Vol. 3, No, 3, 440-447. Krauss, R. (1978). Video: The Aesthetics of Narcissism. In J. H. (Ed), Video Culture: A Critical Investigation (pp. 179-191). New York, NY: Video Studies Workshop, 1986. McLuhan, M. (1964). "The Medium is the Message". In Understanding Media: The Extensions of Man (pp. 23-35). New York, NY: Signet. Tofts, D. (2005). FCJ-039 tsk tsk tsk & Beyond: Anticipating Distributed Aesthetics. The Fibreculture Journal, Issue 7, Available online at: http://seven.fibreculturejournal.org/fcj-039-beyond-anticipating-distributed-aesthetics/.
Mitchell, Helen Buss. "Aesthetic Experience." Roots of Wisdom: A Tapestry of Philosophical Traditions. 6th ed. Boston: Wadsworth, 2011. 303-24. Print.
It is a common mis-conception that films are merely entertainment, and serve no other purpose than to provide for the viewer a two-hour escape from reality. This is a serious under-estimation of the power, purpose, and potential of film, because film, upon reflection, revea...
Newspaper, radio, film, television. These are only a few of the various forms media can take. From the moment we open our eyes to the instant we shut them, we are surrounded by media and absorb the information it hurls at us in an osmosis-like manner. The news ranges from the latest terror attack and political scandals to supposed UFO sightings and scandals involving sandals. We as an audience tend to focus more on the message the media relays rather than on the medium in which it is presented to us. “What?” is asked more than “How?” The key claim Marshall McLuhan makes in his book, The Medium is the Massage, is that the form of media influences how the message is perceived. Let’s illustrate this with a scenario: it’s eight o’clock in the morning.
Robertson, Jean, and Craig McDaniel. Themes of Contemporary Art: Visual Art after 1980. New York:, Oxford UP, 2013.
Before analysing selected art works in more detail it will be worth introducing a few different definitions and hypothesis of aesthetics in art based on theories of well-known critical thinkers.
Cell phones are gradually affecting American culture today because they are becoming a key part of everyday life. The cell phone is "?an indispensable companion that serves without favor or prejudice. It has reached into every civilized corner of the world--and often brought civilization with it. From its wires spring the words of history in the making, the chatter of daily life" ("43 Years" sc. 1). The cell phone enables individuals to communicate rapidly over great distances and obtain information like never before. People can now pick up the phone and get information on the weather, time, stock market quotations, and other things simply by dialing a few numbers. Cell phones connect the world together, to the point where individuals become almost helpless without it. The next time you find yourself waiting at a stoplight, take the time to observe the people around you. There will likely be at least one person in the surrounding cars who is talking on the phone. Even on the streets, people continue to chat on the phone. Cell phones are everywhere. One resident in Greenville, S.C. admitted that he uses his cell phone at least 15 times a day (Chany sc. 2). The cell phone is in such high use that the traditional phones in homes and offices almost become antique devices on display. Although traditional phones are still around, individuals are quicker to pick up their cell phone.
The ideas put forth in Marshall McLuhan's Media Hot and Cold, present many theories regarding the effects of media on the world. What qualifies as media, in essence, is any experience or information, imparted on the awareness of an individual and/or societies. These can be physical or nonphysical influences. TV and radio are examples of physical media. Their effects and evolution can be easily observed. However, and perhaps more importantly, McLuhan examines those nonphysical influences which can be observed in the individual and society. It is not enough to merely identify these mediums as such. What is more crucial is the perpetual waxing and waning of influence of such ineffable phenomena, whose identity and existence rely upon their interdependency
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
In the essay “Our Cell Phones, Our Selves” written by Christine Rosen, the author presents a brief history on how cell phones were introduced into society and how this artifact changed people’s interactions in the physical space. Rosen describes the first cell phone that appeared in 1983 as “hardly elegant,” big and expensive (458). Cell phones at that time were mainly used by important and affluent people. However, seven years later, cell phones became smaller and affordable provoking a big change in society. This big technological advance did not only affect the United States, but the entire world.
The Social Construction of Technology (or SCOT) is a new research tradition rooted in the sociology of technology. SCOT provides a multi-directional model based on the property of interpretative flexibility, and emphasizes on social influences on the technology design and development. This paper will apply SCOT principles to explore the development of cell phone, define the development of cell phone into three different stages historically, and analyze the interpretative flexibility of the cell phone accordingly in the three different stages. Based on SCOT theory, this paper will discuss how the original huge cell phones are shaped and developed by social influences to the smartphones in today’s life.
Hartley, John (2002), Communication, Cultural and Media Studies: The Key Concepts, London, Routledge, pp. 19-21.
It’s hard to believe that the cell phone, which has revolutionized daily life, is a relatively new phenomenon. It wasn’t that long ago, that a telephone was like a piece of “furniture” that connected to a wall in a home or place of business and was used for making a telephone call. Today a cell phone is a part of one’s wardrobe. It goes where we go, and it is used for so much more than making calls. In his book Cell Phone Culture, Dr. Gerard Goggin looks at the cultural implications of this transformative piece of technology. But to do so, he first discusses the history of the cell phone and how that history impacted society.
Sinclair, John (2002) “Media and Communications : Theoretical Traditions”, in Stuart Cunningham and Graeme Turner (eds), The Media & Communications in Australia, Allen & Unwin, Sydney, pp.23-34.
It is difficult to define or explain the artistic impulse, even today, and it is even more difficult to pinpoint the one point in history when human beings developed a desire for aesthetically pleasing objects. However, several trends that have endured for thousands of years, particularly the decoration of vessels, textiles, and jewelry, and the creation of drawings and sculpture even today when they are no longer the easiest way to tell a story, leads me to believe that there is something in the human spirit that has always sought out the beautiful, whether in concord or conflict with the practical. And although the role of art and artists has changed drastically in the past and will likely continue to do so in the future, there will always be an impulse, whether admired and supported or looked down upon by society, to make life just a little bit brighter.
I believe cell phones have dramatically changed the way we interact with each other. Since the introduction of the smart phone, mobile calling, texting, and social media have brought many people closer together, but they also have their disadvantages.