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The book of Jonah analysis
The book of Jonah analysis
The book of Jonah analysis
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One could speculate that the human condition is that of fragmentation, a dichotomy of the many aspects of personality that make us who we are. C.G. Jung, the founder of analytical psychology formulated a school of thought called junginism to explain this state of disunity. One theory from the Jungianism school of thought is the process of "individuation.” The process of individuation refers to the course in which an individual unifies and integrates all aspects of his/her personality. Individuation is clear in both the character “Ray Kinsella” from J.D. Salinger’s “Shoeless Joe” and the character Hamlet, from Shakespeare’s “The Tragedy of Hamlet the Prince of Denmark. Unlike Ray Kinsella, Hamlet was not able to reach individuation because of his melancholic depression and the dichotomy of his archetypes.
Firstly, Hamlets process of individuation is stunted because of his melancholic depression. Throughout the play there are several moments where the reader becomes aware of the harmful nature of Hamlets melancholic depression has on his process of individuation. One of the most famous soliloquies in history “too be or not too be” perfectly illustrates how Hamlet’s melancholic depression is to the detriment of his process of individuation. The first portion of the speech is Hamlet contemplating suicide, only to be dissuaded by the fact that it is a sin to end one’s own life “To be, or not to be? That is the question—Whether ’tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And, by opposing, end them? To die…ay, there’s the rub, For in that sleep of death what dreams may come” Hamlet is essentially contemplating the morality of suicide, but is worried that h...
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...s hinder him for most of the play. Fortinbra like Hamlet is intent on avenging his father, but he is able to integrate all of his archetypes as part of his psyche, and does not lose his voice of reason in the pursuit of violence.
Works Cited
Maslow, A. H. A Theory of Human Motivation. 1943. http://psychclassics.yorku.ca/Maslow/motivation.htm>. Steel, Piers Ph.D. The Science Of Procrastination. n.d. .
1916, English, Book Edition: Collected Papers on Analytical Psychology / by C. G. Jung ; Authorised Translation Ed. by Dr. Constance E. Long. Jung, C. G. (Carl Gustav), 1875-1961." Collected Papers on Analytical Psychology / by C. G. Jung ; Authorised Translation Ed. by Dr. Constance E. Long. N.p., n.d. Web. 29 Dec. 2013.
< http://trove.nla.gov.au/work/2163221?selectedversion=NBD9383373>
Schacter, D. L., Gilbert, D. T., & Wegner, D. M. (2010). Psychology. (2nd ed., p. 600). New York: Worth Pub.
Although the play Hamlet is largely centered around the “tragic hero” Hamlet, it is the minor foil characters that gives us a deeper understanding of the text and a more conscious understanding of the internal struggles experienced by Hamlet. Each of these characters contrasts a specific aspect of Hamlet that would otherwise be overlooked. Horatio consolidates all of the desirable features that Hamlet wants to be into one person. Fortinbras, although in the exact same situation as Hamlet with his father dead and his uncle on the throne, is the complete opposite of Hamlet by choosing action over inaction. Finally, Ophelia personifies Hamlet’s innocence and the death of his innocence after the death of his father. Despite being opposites of each other, each of these characters bring a new outlook on the tragedy of Hamlet.
The relation between these two characters is a lot like the juxtaposition with Hamlet and Laertes. Just like Hamlet and Laertes, Fortinbras’ father, King Fortinbras, was also killed but the way he died was in a battle with King Hamlet. Hamlet and Fortinbras’ circumstances are almost identical. Their fathers were both murdered, both their uncles are on the throne and they are both princes of their countries. Revenge is the motive for both of these princes because of their dead fathers, but the way and the reason they seek it is extremely different. Hamlet wants revenge because the ghost of his father told him to and Fortinbras wants revenge to reclaim the land that his father lost when he died. Fortinbras is more focused on the honour of his country, Norway, but all Hamlet cares about is killing his fathers murderer. Hamlet’s morals slow down the process of his revenge whereas Fortinbras’ firm attitude makes him act faster. Hamlet later develops some jealously towards Fortinbras, he says, “Rightly to be great/Is not to stir without great argument/But greatly to find quarrel in a straw/When honor’s at the stake” (Shakespeare 4.4.53-56). Hamlet is saying that if Fortinbras is taking such quick action for a little bit of land that means nothing then what does that make Hamlet? He says in order for him to be great like Fortinbras he must take violent action. Hamlet and Fortinbras are both equally rebellious
Peter Wenzel declares, “the most important evidence against the thesis of Hamlet’s insanity, however, is again to be found in the comments of other character’s and in this case of Hamlet himself”. Wenzel suggests through his declaration that the reader should look scrupulously at the lines of each character, especially Hamlet, to verify his sanity. When Wenzel says “in this case of Hamlet himself”, he is implying that one should focus on Hamlet’s soliloquies to understand his real thoughts and emotions. Hamlet’s famous “To be or not to be” speech, truly explains all that Hamlet is feeling throughout the play. Hamlet frantically expresses, “To be or not to be; that is the question: / whether ‘tis nobler in the mind to suffer / The slings and arrows of outrageous fortune, or to take arms against a sea of troubles / And by opposing end them? To die: to sleep” ( ). These famous lines are the most important lines in the entire play because there is much debate on Hamlet’s sanity during his confession. In these lines, Hamlet is contemplating suicide. One could argue that he is insane for wanting to kill himself, however understanding his past helps show he is sane. Up to this point in the play, Hamlet has dealt with family problems. His father dies, and his mother remarries his uncle. He still grieves the loss of his father, and he cannot believe his mother has moved on
In life, one goes through different experiences which makes and shapes us into the person who we become. Whether something as little as a "hello" by a crush or a death in a family, they contribute to the difference, as they are all equal in importance. In the play Hamlet by William Shakespeare, the protagonist Hamlet struggles throughout his life as he is in search of his true identity. The Webster's dictionary, under the second definition, defines identity as "The set of behavioral or personal characteristics by which an individual is recognizable as a member of a group." As life only moves forward for Hamlet, he struggles to find his place in life, nonetheless to revenge the murder of his father.
Fortinbras, Laertes, Hamlet: hero, villain, mechanism of conflict. This triad is necessary to Shakespeare 's celebrated play, Hamlet. Despite his crucial role, the first named character is often absent in productions. Fortinbras represents the brave hero Hamlet wants to be and ultimately becomes, while Laertes represents Hamlet 's emotional self-doubt and self-hatred that drives the play 's conflict. The separate subplots of Fortinbras and Laertes mirror both Hamlet 's contradictory personality and the play’s plot.
The study of psychology began as a theoretical subject a branch of ancient philosophy, and later as a part of biological sciences and physiology. However, over the years, it has grown into a rigorous science and a separate discipline, with its own sets of guidance and experimental techniques. This paper aims to study the various stages that the science of psychology passed through to reach its contemporary status, and their effects on its development. It begins with an overview of the historical and philosophical basis of psychology, discusses the development of the various schools of thought, and highlights their effects on contemporary personal and professional decision-making.
Fortinbras, a Norway prince, was calm and spirited, while using his thought processes to avenge his father’s death, relating to the importance of not falling down to anger and use of thought processes. The Norway prince, shared the same tragic event of losing his father as Laertes and Hamlet, though Fortinbras has proven the most successful character because he is the last one living. Hamlet’s bold words spoke of Fortinbras after meeting with the captain of Fortinbras’s army, “Look at this massive army led by a delicate and tender prince whose so puffed up with divine ambition” (Shakespeare 108). The wording is extremely substantial because Hamlet brings up that he is brought by divine ambition, a desire to reach a goal. Fortinbras is composed, in control of his body, and of course not controlled by anger, but a goal. The prince of Norway devised several plans by reclaiming land once lost, and waiting until it was the right time to strike. He was more strategic than Hamlet and Laertes, and did not allow anger to consume him. When he arrives in Denmark, he comes at the right time because chaos occurs leaving everyone dead. His action of attack was not so sudden, but put within a process under the control of his brain and not anger. Fortinbras is the character that Shakespeare wants human’s to be, strong enough to control anger and use thought
In Hamlet, the motif of a young prince forsaken of his father, family, and rationality, as well as the resulting psychological conflicts develop. Although Hamlet’s inner conflicts derive from the lack of mourning and pain in his family, as manifested in his mother’s incestuous remarrying to his uncle Claudius, his agon¬1 is truly experienced when the ghost of his father reveals the murderer is actually Claudius himself. Thus the weight of filial obligation to obtain revenge is placed upon his shoulders. However, whereas it is common for the tragic hero to be consistent and committed to fulfilling his moira,2 Hamlet is not; his tragic flaw lies in his inability to take action. Having watched an actor’s dramatic catharsis through a speech, Hamlet criticizes himself, venting “what an ass am I! This is most brave, that I, the son of a dear father murdered, prompted to my revenge by heaven and hell… [can only] unpack my heart with words” (Hamlet 2.2.611-614). Seeing how the actor can conjure such emotion over simple speech, Hamlet is irate at his lack of volition and is stricken with a cognitive dissonance in which he cannot balance. The reality and ...
In the play, Hamlet, by William Shakespeare, the character of Fortinbras, has been used as a foil for the main character, Hamlet. Hamlet and Fortinbras have lost their fathers to untimely deaths. Claudius killed Hamlet's father, King Hamlet, and King Hamlet killed Fortinbras' father. Both Hamlet and Fortinbras have vowed to seek revenge for the deaths of their fathers. Since the revenge tactics of Hamlet and Fortinbras are completely different, Hamlet perceives the actions of Fortinbras as better than his own and the actions of Fortinbras, then, encourage Hamlet to act without hesitating.
Abstinence from overly dramatizing the actions of the play may be reflective of Hamlet's character prior to his escape from true self: a once-lived life of normalcy focused more wholly on "smoothness" (7) rather than an uncontrolled "torrent, tempest, / ...whirlwind of passion" (5-6).
In Hamlet by William Shakespeare, the importance of characters Laertes and Fortinbras have been an issue that's discussed and analyzed by many literary critics. Hamlet, Laertes and Fortinbras are parallel characters in the play. Laertes and Fortinbras are often use by Shakespeare to compare the actions and emotions of Hamlet throughout the play. "They are also important in Hamlet as they are imperative to the plot of the play and the final resolution" (Nardo, 88). Shakespeare placed these three men: Hamlet, Laertes and Fortinbras into similar circumstances, which is, to avenge for their fathers' deaths. The main difference between the three is the way that each of them comes to grief of their fathers' deaths and the way they planned their vengeance.
The Shakespearean play, Hamlet, is a story of revenge and the way the characters in the play respond to grief and the demands of loyalty. The importance of Fortinbras and Laertes in the play is an issue much discussed, analysed and critiqued. Fortinbras and Laertes are parallel characters to Hamlet, and they provide pivotal points on which to compare the actions and emotions of Hamlet throughout the play. They are also important in Hamlet as they are imperative to the plot of the play and the final resolution. Hamlet, Laertes and Fortinbras are three young men who are placed in similar circumstances, that is, to avenge their father's deaths. The way the each comes to terms with their grief and how they rise to the call of vengeance is one of main contrasts between the three.
Hamlet is a man with an identity crisis because of the conflicting emotions he is feeling and expectations being thrust upon him. His eventual plunge into a state of insanity was a direct consequence of stress. The stress between worlds destroyed his moral base, the actions of his mother and his consequential treatment of Ophelia left him with no 'north point' to follow and his constant changing of moods either caused his crisis or were as a result of losing his way. Hamlet to this day remains a complex character in the centre of perhaps the finest play in the history of the English language.
After arguments like Goethe’s and Snider’s were published came a wave in the early 1900s where psychological theories began to take firm root and have scientific backing behind their former assumptions. After publications of psychoanalysis were released, literary critics began to apply psychoanalysis to almost everything they could find, and what better a muse than Hamlet, which, as shown above, had already been widely debated on Hamlet’s psyche alone? An earlier one of these authors, Samuel Tannenbaum, wrote a 1917 article in which he applies Freudian theory to Hamlet’s sense of consciousness. He states that Hamlet has made a conscious decision to not kill his uncle; his moral human state could not bring him to be so villainous (Tannenbaum