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Recommended: History of filmmaking
For decades, Champaign-Urbana has inspired a long succession of independently-made media created by citizens, academics, and students wishing to enrich and inform their friends and neighbors in ways avoided by commercial outlets. This has encompassed print, radio, theater, music, the Internet, and the fine arts. However, the most ill-used form of modern communication to disseminate viewpoints and expression from a local perspective is arguably the one falsely believed to be the province of studio impresarios and celebrity egos―the cinema and its domestic offspring, television. Consumer-priced technology improved and expanded so rapidly through the Nineties and into the new century that the videographer has found him- or herself with plenty of effective production tools and work flow options to aid in shooting and editing quality footage without the time and cost concerns associated with traditional film production. Should the videographer be in the right place at the right time with the competence to tape cleanly and confidence to stand their ground while doing so, she or he may come away with material that not only preserves our community’s history―warts and all―but shows by example how to improve its future as well. A recent example, however inadvertent, is John O’Connor’s recording of Champaign mayor Jerry Schweighart’s “Barak Obama is not an American” comment made at the city’s West Side Park. We should also recall the “Citizens Watch” videos made by Patrick Thompson and Martel Miller, depicting suspect interaction between C-U police officers and African-American residents. Certainly, we’ll mention the progressive work of UI journalism professor Jay Rosenstein, including the upcoming documentary about the landmark Vashti... ... middle of paper ... ...the two core teams – Nicole Pion, Katy Vizdal, Brian Dolinar, Laura Fuhrman, and yours truly for IMCFF, and myself and Sanford Hess for NAFF – to formulate what would make for good cinema viewing and great food for thought. Of course we now ask, “What locally-produced films will we see at these events next year?” Take up your camera in arms and then take advantage of several potential resources – including the IMC, Urbana Public Television, Champaign Government Television , UI-7, Parkland College Television, and the monthly Champaign Movie Makers meetings at Class Act Interactive – to enhance your skills and meet fellow citizens with whom you can collaborate. You can also keep tabs on local activity and viewing opportunities at C-U Blogfidential (http://www.micro-film-magazine.com/cublog). Until then, we can’t wait to hear you yell, “Action!” -- 30 –
The media is a powerful tool and has the ability to influence and change one’s overall perspective of the world and the position they play in it. Although Television shows such as Friday Night Lights are seen as entertainment by consumers, its storyline contributes to the social construction of reality about class in the United States.
Imagine, if you will, a time that seemed innocent... almost too innocent. Imagine a nation under whose seemingly conformist and conservative surface dramatic social changes were brewing, changes as obvious as integration and as subtle as fast food. And imagine, if you will, a radical television show that scrutinized, criticized, and most importantly, publicized these changes, making the social turmoil of a nation apparent to its post-world war, self-contented middle-class citizens. But what if this television show was not as it appeared? What if it masqueraded as simple science fiction, and did not reveal its true agenda until viewers took a closer look? Let us examine how such a television program can become a defining force in the culture of a nation, a force that remains just as powerful almost forty-five years after it first appeared. Let us investigate the secrets of... The Twilight Zone.
Tuchman, Gaye. The TV Establishment: Programming for Power and Profit. New Jersey: Prentice Hall, Inc., l971.
Hundreds of movies are released every year. Filmmakers try to create the next jaw-dropping movie that audiences will stand in line for hours and pay top dollar to see. The key to success is finding ideas that appeal to a mass audience. Viewers are the lifeline of any production company so making something for everyone is a savvy business move for the film industry. To cover all bases, there are over fourteen different genres of movies. Film making is not a solo effort. It is a collaboration between the actors, directors, producers and other key contributors. This combined effort or mise-en-scene includes all the elements of the film to include actors, backdrops, costumes, props and lighting used to meet the director’s vision (Goodykoontz & Jacobs, 2011, Sec 3.2). This paper will discuss the elements of a movie clip entitled “You Can’t Handle the Truth” from the movie A Few Good Men.
The many evils that exist within television’s culture were not foreseen back when televisions were first put onto the market. Yet, Postman discovers this very unforgiveable that the world did not prepare itself to deal with the ways that television inherently changes our ways of communication. For example, people who lived during the year 1905, could not really predict that the invention of a car would not make it seem like only a luxurious invention, but also that the invention of the car would strongly affect the way we make decisions.
Lehman, Peter and Luhr, William. Thinking About Movies: Watching, Questioning, Enjoying. 2nd ed. Oxford: Blackwell, 2003.
White, Hilary. Magill's Cinema Annual, 2006: A Survey of the Films of 2005. Detroit: Gale Group, 2006. Print.
Bretz, Rudy , 1957 “Video Tape: A TV Revolution” The Quarterly of Film Radio and Television , Vol. 11, No. 4 pp. 399-415 Published by: University of California Press Article Stable URL: www.jstor.org/stable/1210000
Film Society of Lincoln Center , ND/NF Q&A: "Stories We Tell", Sarah Polley, online video, May 10 2013, viewed May 5 2014,
Croteau, D., Hoynes, W., & Milan, S. (2012). Media/society (4th ed.). Thousand Oaks, CA: Sage.
Cinema Journal 48.1 (2008): 27-50. Project MUSE. Web. The Web.
Mulvey, Laura. “Visual Pleasure & Narrative Cinema.” Visual and Other Pleasures. Bloomington, IN: Indiana University Press, 1989. 14-26.
My film pallet has opened up so much there isn’t a movie that I can’t appreciate for some reason. I may not appreciate some films as much as other, but most films there’s something to be appreciated in it. When I look at the hollywood films of today I am going to remember that they are large committee films that can’t have the concise vision of most led by a single person. When looking at them this way I’m going to expect a committee film and look toward the non-committee film market to get my films that are going to be truly great. I will also most likely search to films of hold before searching for new releases until I have enough of a depth of knowledge under me. When I approach making films I am going to approach them questioning how everything I do help tell the best story possible. I am also going to take the techniques and practices from the greats and combine them other greats I know to make the best film I
Offering the unique ability to visually and audibly convey a story, films remain a cornerstone in modern society. Combined with a viewer’s desire to escape the everyday parameters of life, and the excitement of enthralling themselves deep into another world, many people enjoy what films stand to offer. With the rising popularity of films across the world, the amount of film makers increases every day. Many technological innovations mark the advancement of film making, but the essential process remains the same. Pre-production accounts for everything taken place before any shooting occurs, followed by the actual production of the film, post-production will then consist of piecing the film together, and finally the film must reach an audience. Each step of this process contributes to the final product, and does so in a unique right. The process of film making will now start chronologically, stemming from the idea of the story, producing that story into a film, editing that footage together, and finally delivering that story to its viewers.
Delving back into my thoughts four and a half months ago, I had no idea that the Global Peace Film Festival (GPFF) and our Peace Through Film class would have such an impact on my mindset and motivations. Because of my previous involvement in the Sydney Film Festival (SFF), I had a small inkling of what the GPFF would be like, but I was not prepared for the effect it would have on my attitude. Additionally, it was incredibly refreshing to be introduced to film writing, which was previously a foreign subject to me. Although I am a lover of movies and an avid watcher, I rarely take the time to truly assess the filming techniques used and the power of good actors. The assignments in this course and the GPFF gave me a greater appreciation for the