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Critical evaluation of psychodynamic therapy
Strengths and weaknesses in psychodynamic therapy
Strengths and weaknesses of psychodynamic therapy
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Often times when people discuss improvisation, they, in reality, discuss comedy. These people discuss shows such as Whose Line Is It Anyways? or Saturday Night Live, and while one of these shows is improvised, it does not begin to encompass all of the fluid aspects of improvisation or comedy. Evidence will not convince many of these people, outsiders to the art form, of the fact that improvisation is much more serious that just telling jokes. Those that practice and perform, the insiders, learn that this branch of performing arts is much bigger than humor. The insiders acknowledge that there is humor in the reality, honesty, connectivity of a scene or story, but these people know that improvisation is a personally and collectively beneficial and inter-professional discipline. Improvisational theater is a branch of performing arts that focuses on acting and performance created at the moment it is performed, without any written script or preparation1. The art originated as a tool used to train actors and actresses to prepare for any unexpected mistakes during onstage performances. The earliest instances of improvisation are said to have taken place during Plautus plays circa 200 BCE in Rome?. From then on, the tradition informally continued in theaters and performances until the 19th century—though theater was heavily inhibited by the Catholic Church for several of these centuries—when Italian masked performers, known as the Commedia dell'arte, spurred a movement of improvisation, through their performances based on broad framework scenarios or sketches given to them by spectators in the streets. While the Commedia dell’arte may have started the widespread instruction of improvisation, despite this, it was still considered t... ... middle of paper ... .... The Funniest One in the Room, the Lives and Legends of Del Close. Chicago, Illinois.: Chicago Review Press, 2008. Meer, Laurie Frederik. 2007. "Playback Theatre in Cuba: The Politics of Improvisation and Free Expression." TDR: The Drama Review 51, no. 4: 106-120. Academic Search Premier, EBSCOhost (accessed February 6, 2014). Pagano, Christopher J. 2012. "Exploring the Therapist's Use of Self: Enactments, Improvisation and Affect in Psychodynamic Psychotherapy." American Journal Of Psychotherapy 66, no. 3: 205-226. Academic Search Premier, EBSCOhost (accessed February 9, 2014). Shochet, Robert, Julie King, Rachel Levine, et al. 2013. "Thinking on my Feet: An Improvisation Course to Enhance Students' Confidence and Responsiveness in the Medical Interview." Education For Primary Care 24, no. 2: 119-124. Academic Search Premier, EBSCOhost (accessed February 8, 2014).
On March 1, 2001, I had the great opportunity to see a very unique Off-Broadway variety show named De La Guarda, written, directed, and designed by Pichon Baldinu and Diqui James. The theatre presenting this show is the Daryl Roth Theatre, which is located at 20 Union Square East, just a few blocks from Baruch College. There were many interesting moments in the show that one would be definitely surprised if he had no prior knowledge about the show. What makes this show the most interesting is that it is not traditional theatre whatsoever. Everything is changed, including the area where it is performed. There is no real plot, but there are many artistic scenes throughout the show. Although there is no real plot, the performers present a wide range of emotions from one part of the show to the next that makes the audience members crave for the next emotion. It is a definite attention getter and everything including in the show, such as props and the performers themselves, makes the audience a part of the show.
“Devised theatre can start from anything. It is determined and defined by a group of people who set up an initial framework or structure to explore and experiment with ideas, images, concepts, themes, or specific stimuli that might include music, text, objects, paintings, or movement.” (Alison Oddey 1). Devised theatre, also called collaborative creation, is a form of theatre in which the script is created through a collaborative process with the actors and the playwright, rather than the traditional method of theatre with a premade script. Devised theatre is created through the process, collaboration, and multi-vision of the group. Similar to improvisational theatre, a devised theatre play is created in the rehearsal process from the performers interacting with each other. By the time the devised play is performed the work is a cohesive piece that is, for the most part, set in stone. This form of theatre is a modern form of theatre, that came about from the collaboration of many different type of artists, because of the need of the performers to have some input into what they are performing. The devised theatre form is most utilized in the USA, Great Britain, and Australia, but especially in our country. Devised theatre utilizes physical movements, rather than focusing on only the language.
When thinking of sketch comedy on television, there aren’t many shows to choose from, but there are two shows that have definitely made an impact. The beginning of sketch comedy as we know it came from Your Show of Shows, and the modern sketch comedy that everyone knows now comes from Saturday Night Live. There have been a handful of other sketch comedy shows, but if it weren’t for these 2, they wouldn’t exist. Your Show of Shows was on the air from 1950-1954 during TV’s first Golden Age. Saturday Night Live started in 1975 and has been going on ever since. Your Show of Shows is definitely an influence to modern day sketch comedy shows like Saturday Night Live, but both shows bring something different to American culture and both had a huge impact on sketch comedy on television.
Horowitz, Mark Eden. "The Craft Of Making Art: The Creative Processes Of Eight Musical Theatre Songwriters." Studies In Musical Theatre 7.2 (2013): 261-283.Humanities Full Text (H.W. Wilson). Web. 23 Mar. 2014.
The second stage in the psychodynamic therapy process is, the transference stage. In this stage the development of treatment is set and now it is the patient’s time to let their feelings out. The patient expresses those feelings, emotions, fears, and desires to the therapist without having to worry about censorship. The feelings and behavior of the patient become more pronounced and become a vital part of the treatment itself. During this stage the therapist could experience and better understand of the patient’s past and how it impacted their behavior in the
Rogers, C. R. (1961). A Therapist’s View of Psychotherapy. On Becoming a Person. Boston: Houghton Mifflin.
Michalon, Max. “Selflessness in the Service of the Ego,” American Journal of Psychotherapy. Vol.55, No.2, 2001. Web. 21 May 2015.
In this paper, the readers will learn that I, Chantiara Johnson, played the role of a therapist. My friend, who is a college Sophomore played the role of client. I will use the techniques that I learned during the first three weeks of this course; these techniques will help me conduct the interview with my client. Throughout this interview, I will mock and reflect a therapy session of a client who is facing the feeling of loneliness and the feeling of not being enough.
Throughout the 19th and 20th centuries comedy has evolved from what it use to be. Especially now in the 21st century where we live in a modern society. We want everything in our lives to be modern, from our homes to our entertainment. Where comedy comes in. People love it because it takes something that is serious and bends it a joke. It makes fun of the ills in life, and distracts people from the sorrow and dangers of this world. It’s an escape than has the ability to reach us on a personal level, in our homes, whether it’s on the television or computer screen.
Taylor, R. R., Wook Lee, S., Kielhofner, G., & Ketkar, M. (2009). Therapeutic use of self: A nationwide survey of practitioners' attitudes and experiences. American Journal of Occupational Therapy , 63 (2), 198-207.
This essay will focus on Gestalt therapy and will examine how the self is defined and employed in
Commedia Dell’ Arte was a distinctive form of stage art in the 1600’s and the famous playwright Moliere furthered its acceptance and import throughout his life. Originating in Italy, the popular art form spread quickly with the aid of traveling troops. One area that was greatly affected by this form of theater was France. The French people adored this theater and made it fit in with their culture. This can be seen in an essay by Gustave Lanson when he states, “In Paris Italian farce had replaced French farce.” The success of Commedia Dell’ Arte during the reign of Charles IX is well-known” (Lanson, 137). This effect can be seen through one of the country’s most famous playwrights, Moliere. Moliere was a renowned playwright and actor that continues to be well-known today. He was greatly influenced by Commedia Dell’ Arte. “Well-known definitions of the Commedia Dell’ Arte are that it was a semi-literary form of theatrical performance based primarily upon effective gestures and lazzi, and involving a limited number of generally accepted types who in their contrasting relation provide the setting for a light and flimsy action linked somehow by the eternal theme of love”( 704). His showing of the art form can be seen through his three most famous plays Tartuffe, The Misanthrope, and The Imaginary Invalid. As Lanson stated, “From soiling the noble and pure conception of comic genius given to us by The Misanthrope and Tartuffe” (Lanson, 134). With the progression from an earlier play to his final play, we can see where Moliere used aspects of Commedia Dell’ Arte and where he veered away to fit his own personal tastes and that of France’s. Moliere was born Jean-Baptise Poquelin in 1622 to a father who was an upholsterer for th...
Applied Theatre work includes Theatre-in-Education, Community and Team-building, Conflict Resolution, and Political theatre, to name just a few of its uses. However, Christopher Balme states that “Grotowski define acting as a communicative process with spectators and not just as a production problem of the actor” (Balme, 2008: 25). Applied Theatre practices may adopt the following “theatrical transactions that involve participants in different participative relationships” such as Theatre for a community, Theatre with a community and Theatre by a community Prentki & Preston (2009: 10). Whereas, applied theatre one of its most major powers is that it gives voice to the voiceless and it is a theatre for, by, and with the people. However, Applied Theatre practitioners are devising educational and entertaining performances bringing personal stories to life and build
Theatre as we know it now was born more than two thousand years ago and has gone through many streams until it reached the current modernity. Among these streams is the avant-garde theatre. This theatre achieved a break in the traditional theatre and became the forefront of a new experimental theatre. Therefore it is necessary to ask how this theatre started, what impact it had on society and if this type of theatre is still common in our modern era.
Reinkraunt, R., Motulsky, L. S., & Ritchie, J. (2009). Developing a Competent Practioner. Use of Self in Counseling Psychology Training, 16, 1, 7-29.