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Sir Gawain and the Green Knight symbolism
Symbolism in sir gawain and the green knight
Symbolism in sir gawain and the green knight
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Some battles are more important than other’s like the one the character endures eternally. British literature as a whole pertains a lot of literary elements. But within these stories the most prominent is identity. A soul searching journey for one’s identity can begin at any stage of one’s life. The universal, time-transcendent idea of identity within British Literature attests to the human need for self knowledge, as it can be seen in the novels in Frankenstein, Beowulf, and Sir Gawain and the Green Knight.
The Monster is struggling to find his identity. He is trying to figure out if he is like Adam made upon this earth for a purpose or like Satan expelled from the “almighty kingdom”— in his case society. The Monster’s reading of the book Paradise Lost within the story was misinterpreted the story as factual; He seems to see Satan as a compassionate sympathetic character whom was misunderstood and expelled found in chapter fifteen “Many times I considered Satan as the fitter emblem of my condition; for often, like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me” (Shelley p.114). One thing the monster doesn’t have in common with Adam is one has been given a form of guidance and Doctor Frankenstein left the monster alone and unsure about how to make it in the world which led to the beast’s journey throughout the novel Frankenstein. During the novel the monster displays, humanistic characteristics when his sense of remorse was developed as he was saving the little girl in chapter 16 when he saved the little girl who slipped into the stream. The monster saving the little girl in the stream develops that he has human traits, but has yet to develop them as a whole. In a sense the monster y...
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...uties “But of all those who dwelt there, of the British kings, Arthur was always judged noblest, as I have heard tell.” (Sir Gawain p. 25-26) Instead of just saying that Arthur is very aristocratic, he says that Arthur has a prestige for nobility, which means that it’s not just the unknown author but everyone that thinks so also.
The speech made by King Arthur, presents the Green Knight prod Arthur’s court into playing his game or risk having their reputation for bravery besmirched. Yet he also reminds the men at the round table of the delicacy of a reputation if it can, in truth be "overthrown with a word from one man’s mouth." Even though what the Green Knight is referring to here is the way his challenge threatens their reputation which also, we can’t help but think of the way that other words from men’s mouths - for example, rumors - can have the same effect.
At first, The Monster is very kind and sympathetic. He has a good heart, as shown when he collected firewood for the family on the brink of poverty. Like every other human creation, he was not born a murderer. All the Monster wanted was to be accepted and loved by Victor Frankenstein and the other humans but instead he was judged by his appearance and considered to be dangerous. The Monster says, “like Adam, I was created apparently united by no link to any other being in existence…many times I considered Satan as the fitter emblem of my condition; for often, like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me” (page 105). This line is an important part of the novel because the Monster lets it be known how like Adam he was created into this world completely abandoned and like Satan he is angry with those people who have found contentment and satisfaction in their lives. The rejection and unwelcome feeling he is faced with, is the main reason the Monster becomes a killer. Watching another family show love towards each other made the Monster realize how alienated he truly was. He did not know how to deal with his pain and emotions so he murders as
Rather, it is others who alienate it because of its grotesque appearance. The monster is quite literally ‘born’ into perpetual isolation beginning with Victor’s abandonment of it. He denies it domestic safety when he flees to his bedchamber. Victor disregards the monster’s utterance of “inarticulate sounds while a grin wrinkled his cheeks,” then escapes its outstretched hand “seemingly to detain [him]” [Shelley 49]. Examining the monster’s body language as though an impressionable infant, its actions can be read as a child-like plea for its father though the absence of speech not yet learned. Instead, its unattractive appearance causes Victor to run, leaving the creature alone with no information about himself or his surroundings. Therefore, Victor’s abandonment is a crucial justification of the monster’s negative experiences with society and nature and actions in desiring community. The monster’s alienation from family is the missing first school of human nature, and the first lesson where he learns he does not belong. The creature leaves into the wilderness to learn about the world and himself on it own, only to understand his interactions are
Anonymous, “Sir Gawain and the Green Knight” in The Norton Anthology of English Literature, eds. Abrams, et al. (New York: Norton, 1993), 200.
The passage (130-202) of Sir Gawain and the Green Knight describes the appearance of a strange knight in King Arthur's court. The anonymous author of the epic describes the rider in great detail, emphasizing the importance of this character. The passage is intended to arouse readers' curiosity, and at the same time, to introduce the mighty danger that the main character, Sir Gawain, will have to face. Furthermore, the strange knight is shown to be a test or trial for King Arthur and his knights. Finally, the passage presents the actual dynamics of Arthur's court as incompatible with the poet's initial praising of nobility, justice and chivalric ideals.
During the Middle Ages, both “Beowulf” and “Sir Gawain and the Green Knight” were epic stories that were chanted aloud to the public. Each story told about epic heroes who went on a long journey to face or conqueror someone or something. “Beowulf” is a poem about a young man, Beowulf, who slays a monster and his mother with his bare hands to protect the people he loves. As the years go by Beowulf becomes king and a dragon begins to stir. In response to this, Beowulf fights the dragon with a sword and one loyal companion. Beowulf’s life comes to end, but so does the dragons. From this epic poem you can see that good does triumph over evil, but sometimes it comes at a cost. Along with “Beowulf”, “Sir Gawain and the Green Knight” was another popular poem. This poem was about a squire, Sir Gawain, who chooses to take on a game proposed by the Green Knight instead of his uncle, King Arthur. He took on the game because he believed King Arthur’s life was more valuable than his own and that King Arthur should not risk his own life. As a result, Sir Gawain became a knight because of his loyalty and bravery. Both Sir Gawain and the Green Knight’s and Beowulf’s characters share the same quality of courage, the desire to protect people and the involvement of supernatural beings.
British literature is an interesting and integral part of all literature in the world. Beginning with an epic as old as Beowulf, British literature has had a rich and ever-changing history. I have found that The Longman Anthology of World Literature is a comprehensive book filled with the world's prominent authoritative literary works from the time when stories were oral traditions to the present, including many pivotal works in the history of British literature. The authors of The Longman Anthology made an interesting choice when editing the order that the stories were placed in this book: though Sir Gawain and the Green Knight and Chaucer's Canterbury Tales were written in the latter half of the 14th century, Sir Gawain was placed before Chaucer's writings in this anthology. In fact, Sir Gawain was possibly written a bit before The Canterbury Tales. I believe the editors of The Longman Anthology chose to do this because Sir Gawain was originally an oral story whereas The Canterbury Tales were always written, and Sir Gawain has a deeper connection with older language and themes of the area than The Canterbury Tales due to the spread of Christianity and Christian ideals.
In the gothic novel Frankenstein, Mary Shelley weaves an intricate web of allusions through her characters’ expedient desires for knowledge. Both the actions of Frankenstein, as well as his monster allude to John Milton’s Paradise Lost. Book eight of Milton’s story relates the tale of Satan’s temptation and Eve’s fateful hunger for knowledge. The infamous Fall of Adam and Eve introduced the knowledge of good and evil into a previously pristine world. With one swift motion sin was birthed, and the perfection of the earth was swept away, leaving pain and malevolence in its wake. The troubles of Victor Frankenstein begin with his quest for knowledge, and end where all end: death. The characters in Frankenstein are a conglomeration of those in Paradise Lost. Frankenstein parallels Adam and Eve in the Garden of Eden, as well as God, while his monster acts an Eve/Satan mixture.
Mary Shelley’s Frankenstein tells the story of Victor Frankenstein, a scientist who decides to play God and creates his own human unorthodoxly. Unfortunately, Frankenstein rejects his creation and forces it to live in fear and obliviousness of the world. Throughout the book, the reader is able to witness the character development within the Creature; he grows from a benevolent and benign man to a spiteful and ravenous murderer. In spite of this, I have great compassion and sympathy for the Creature. In order to understand this reasoning, we must take three factors into consideration. Firstly, we have the realize the aspects that drove the Creature into becoming an angry person. Second, we must acknowledge how human nature is. Lastly, we must consider who is to be blamed for the Creature’s actions.
The monster of the novel is often misattributed with the name, “Frankenstein.” However, Victor Frankenstein can ultimately be considered the true monster of this tale. His obsession would lead to the corruption of his soul and the creation of two monsters—one himself, and the other, the creature. In attempting to take on the role of God, nature would become a monster to Victor and destroy his life. These elements of monstrosity in Frankenstein drive the meaning of its story.
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
The monster is seen as the complete opposite of Victor Frankenstein. This is due to the creature being alone, having to face the challenges of life while being at the mercy of the environment surrounding it. The creature’s young life is most influenced by nature. But the nature of the creature first starts before the creature is even created. Shelly’s uses complex and strong diction to provide the reader with a vivid picture of the inhuman way Victor created the monster. Victor saw the body parts needed to create the creature as “raw materials.” This unethical deed “had no effect upon [his] fancy, and the churchyard was to [him] merely the receptacle of bodies deprived of life,” (Shelly 38) Victor states. The nature of the creature is that of the action needed for the creature to be created; a disgusting, dishonorable act. Victor resents his creation from the first moment it is produced. He describes his emotions toward the “demoniacal corpse to which [he] had so miserably given life to” (40). Shelly’s delivery in this description of the creature is utterly shocking and very complex. Her phrasing of a depressing tone creates a melancholy atmosphere that foreshadows coming events in the creature’s life. Also the words “demoniacal corpse” causes an aggressive and miserable representation of this creation to the reader. The only
We are shown that this ‘monster’ is a ‘creature’ and more of a human than we think. It is in the complex structure of the novel that Mary Shelley creates sympathy. We shift from Robert Walton to Victor Frankenstein to the monster and finally back to Walton. With each shift of perspective, the reader gains new information about both the facts of the story and the reliability of the narrator. Each perspective adds pieces of information that only they knows: Walton explains the circumstances of Victor’s last days, Victor explains his creation of the monster, the monster explains his turn to evil.
He is unfamiliar and unwanted with no one to guide him through. The monster came into the world and right away rejected by his creator, this implanted that he is only a disappointment. The monster commits many crimes, for the rejection of people, because there was no reason for people to reject him other than his appearance. He was only accepted, by a man that couldn't even see; this shows how humans are shallow beings. The monster wants revenge, and mostly on Victor, for he isolated him, he will isolate Victor as well. And he is very successful as he murder Victors loved
Although the immediate rejection of the creature serves as the basis for his dehumanization process, the creature’s alienation from society is confirmed when it is constantly referred to by the pronoun “it”, and called “monster” and “wretch” by his creator. These words immediately marks the creature as inhuman. In truth, the creature is rejected by his creator for no other reason that his unnatural features, which causes the creature to become void of any real human emotions from another human being. Because of this, the creature begins to learn on his own, and like Victor finds solace in nature. For the monster, nature is his only place of acceptance. Because of his grotesque outward appearance, he is shunned by towns and villages and must escape to the mountains for protection. Nature serves to humanize him. While the cold temperatures of the Alps serve Victor as solace, the monster finds comfort in the forest during spring. The creature states: “Half surprised by the novelty of these sensations, I allowed myself to be borne away by them; and, forgetting my solitude and deformity, dared to be happy.” In nature, the creature begins to educate himself; one crucial turning point for the monster’s pursuit of new knowledge is when he finds the book “Paradise Lost” while in the forest. The monster compares himself to that of Adam and Eve and
... The creature only wants to be accepted into society as a man, or successful creation, accepts the fact that he is a monster after every attempt to integrate himself into society fails miserably. The creation of Frankenstein, who was supposed to be the first of many in his new species, was never accepted into society and was left to lead his life alone. His many attempts to tie himself into society and begin living his life as Adam were ignored by others. As a result, the creature took on a life as Satan, a monster, determined to physically harm mankind as retribution for the enormous agony and misery it had placed on his own life.