Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
I stand here ironing a poem
Sexism in the 1950s
How were women treated in the 1960s essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: I stand here ironing a poem
The short story “I Stand Here Ironing” (1961) by Tillie Olsen is a touching narration of a mother trying to understand and at the same time justifying her daughter’s conduct. Frye interprets the story as a “meditation of a mother reconstructing her daughter’s past in an attempt to express present behavior” (Frye 287). An unnamed person has brought attention and concern to her mother expressing, “‘She’s a youngster who needs help and whom I’m deeply interested in helping’” (Olsen 290). Emily is a nineteen-year-old complex girl who is atypical, both physically and in personality.
Emily’s upbringing is plagued with difficulties. She is the first-born of a young mother and the eldest of five brothers and sisters. As a baby, she is constantly left at the care of others while her mother had to work after her father abandons them. Additionally, she is often sick, triggering a series of events that have emotionally affected her life. She definitely experiences a “stressful growth” (Frye 288).
As a little girl, Emily clearly indicates to be unlike most children her age. For starters, various illnesses tremendously affect Emily’s physique which makes her look different compared to other little girls. Even her mother expresses “All the baby loveliness gone” (Olsen 291), after had gotten chicken pox. Another consequence derived from being constantly sick is that she looks fragile, “Skeleton thin” (Olsen 292).
Unfortunately, she is full aware of not fulfilling the stereotype of a girl her age and she does not like it, Olsen’s narrator clearly states:
She fretted about her appearance, thin and dark and foreign-looking at a time
when every little girl was supposed to look or thought she should look a chubby
blonde replica of Shirl...
... middle of paper ...
... affect her future.
Certainly, Emily is remarkably different in many ways due to a “troubled, lonely childhood” (Frye 288). She has a series of features that makes her unique. In terms of physical appearance, she is thin and dark looking because of health problems. As for personality she is insecure however behaves well and she does not show her emotions. Perhaps her complexity gives the idea or the impression that she needs help and people perceive her as a troubled girl.
Works Cited
Frye, Joanne S. "'I STAND HERE IRONING': MOTHERHOOD AS EXPERIENCE AND
METAPHOR." Studies in Short Fiction 18.3 (1981): 287. Academic Search Complete.
EBSCO. Web. 17 Mar. 2011.
Olsen, Tillie. “I Stand Here Ironing.” Ed. Laurie G. Kirszner and Stephen R. Mendell.
Literature: Reading, Reacting, Writing. Compact Seventh Edition. Boston: Wadsworth,
2011. 290-296. Print.
She didn’t socialize much except for having her manservant Tobe visit to do some chores and go to the store for her. Faulkner depicts Emily and her family as a high social class. Emily did carry her self with dignity and people gave her that respect, based from fear of what Emily could do to them. Emily was a strong willed person especially when she went into the drug store for the arsenic.
She states that she was the only child, out of the five she has total, that was beautiful from the very moment she was born. Emily was smart, “She blew bubbles of sound. She loved motion, loved light, loved color and music and textures. She would lie on the floor in the blue overalls patting the surface so hard in ecstasy her hands and feet would blur.”(Olsen 291). When Emily was eight months old, she needed to stay with a woman downstairs while the narrator looked for a job. Eventually, the narrator had to send Emily to live with her father and his family until she has raised enough money for her fare back. Emily’s father had left because he was scared of becoming poor so her mother was not to happy with this decision. When the narrator finally raised the money for Emily to come home, she had gotten the chicken pox and had to stay home. Once she was healed, she returned immediately. The narrator barely recognizes Emily when comes home. She says she is thin and looks like her father and was now two years old. This means she is old enough to go into nursery school; in order for the narrator to keep her job, she needed to take Emily there. Emily did not like it though, the narrator says “She always had a reason why we should stay home. Momma, you look sick. Momma, I feel sick. Momma, the teachers aren’t there today, they’re sick”.(Olsen
The mother in I Stand Here Ironing speaks of Susan, "quick and articulate and assured, everything in appearance and manner Emily was not." Emily "thin and dark and foreign-looking at a time when every little girl was supposed to look or thought she should look a chubby blonde replica of Shirley Temple." Like Dee, Emily had a physical limitation also. Hers was asthma.
From the time girls are little, they are taught to be pretty. In Fat is Not A Fairy Tale by Jane Yolen, she explains how she has come to understand that all of the glamorous princesses that little girls look up to are all unrealistically thin, with beauty being their most important asset. She tells her point in a sarcastic and bitter way, showing how this anorexic beauty is not something to look up to and want to become someday. She wants to let the reader know that this romanticizing of skinniness is not a reality.
We had long thought of them as a tableau, Miss Emily a slender figure in white in the background, her father a spraddled silhouette in the foreground, his back to her and clutching a horsewhip, the two of them framed by the back-flung front door. So when she got to be thirty and was still single, we were not pleased exactly, but vindicated; even with insanity in the family she wouldn 't have turned down all of her chances if they had really materialized.’ (25) This complete sheltering leaves Emily to play into with in her own deprived reality within her own mind, creating a skewed perception of reality and relationships”(A Plastic Rose,
For years Miss Emily was rarely seen out of her house. She did not linger around town or participate in any communal activities. She was the definition of a home-body. Her father was a huge part of her life. She had never...
'I stand here ironing,' a unique phrase uttered by a woman in her conquest of life. It may seem like an unwanted phrase to many, but it has deep meaning behind it. This phrase is almost whispered by the narrator of ?I Stand Here Ironing,? Tillie Olsen, and also by many other mothers going through an important stage in their lives. The stage in life that the mother in the story is going through is called child development, and within this complicated stage arise many new worlds of imagination, emotional journeys, and soothing memories. The whole story is based around a mother's view, and joy, of her child growing up in a world filled with barriers and hurdles that she must overcome. The entire point of view is that of the narrator, as a mother concerned with the way her child is being raised and the hardships she must overcome. She also witnesses her daughter?s happiness and the colorful meanings of life that she discovers herself. I believe this story is based around the hardships of growing up as a woman in the Nineteen-hundreds. It has all the symbolism of being a true feminist short story. As Elaine Orr expresses in her criticism, Tillie Olsen and a Feminist Spiritual Vision, about how ?Suddenly Emily is emblematic of all children, of the next generation??(EO 84) that the times were of the early feministic era. When feminists were about conquering oppression and rising above the rest of the doubt that society places upon them. She talks about how ?Emily will not survive. If she does not believe in future presence, in beginnings latent in her own life, all is lost: past, present, and future.?(EO 84) expressing once again how the times were differen...
Emily’s mother is just a teenager when she had Emily. She did not have the money or resources to take care of her, so she had to let Emily live with her grandparents for a couple of years before she could get Emily back. When Emily was two, her mother finally got her custody of her, but Emily is not the little girl she remembered. When the mother first had Emily, she described her as a beautiful baby (302), but it changed when Emily became sickly and got scars from chicken pox. The mother said, “When she finally came, I hardly knew her, walking quick and nervous like her father, looking like her father, thin, and dressed in a shoddy red that yellowed her skin and glared at the pockmarks. All the baby loveliness gone. (302)” Nevertheless, the mother is never there for Emily as she grew up. Emily tried to show her mother in different ways that she needed her, but she never seemed to catch the hint. For example, when Emily was two her mother sent her to a nursery school. The teacher of the nursery school was mistreating the children, and instead of telling her mother directly like the other kids told their parents, she told her in different ways. She always had a reason why we should stay home. Momma, you look sick. Momma, I feel sick. Momma, the teachers aren’t there today, they’re sick. Momma, we can’t go, there was a fire there last night. Momma, it’s a holiday
Having to send Emily in her early days to live with her father was a burdensome nuisance. All of Emily's father's attributes were rubbing off on her, "all of the baby loveliness gone," (p.
The narrator reflects and regrets on her daughter Emily’s past. The narrator feels guilty about leaving Emily at a neighbor’s house, sending her to nursery school and a convalescent facility. In her short story “I Stand Here Ironing”, Olsen describes the convalescent home as she insert “The parents stand below shrieking up to be heard and the children shriek down to be heard, and between them the invisible wall “Not To Be Contaminated by Parental Germs or Physical Affection” (226). When Emily is in the convalescent facility, she is cut off from outside world, including the communication with her mother. Besides the convalescent facility, the iron itself also has a symbolic meaning. In the beginning of the short story, Olsen writes “I stand here ironing, and what you asked me moves tormented back and forth with the iron” (223). The narrator is ironing during a phone conversation with an adult concerned about Emily 's well-being. Toward the end, the author express the Emily’s feeling when she says “Aren’t you ever going to finish the ironing, Mother” (229). The non-stop ironing annoys Emily because her own mother is willing to spend the time on ironing despite it would extend the distance between the two of them. The simple act of ironing not only symbolizes the duty as a mother but also represent the helplessness to change the circumstances. The absences of the narrator and the lack of communication weakens the bond
As time goes on Emily grows up, her mother criticizes and blames herself for the distance between the relationships. It is causing tension in their already rocky relationship. The mother is obviously suffering from guilt on how Emily was raised and the unpleasant memories of the past. Emily was also suffering. We see her shyness towards those who care for her. She was a very depressed teen. She had quietness in her daily duties, and her feelings of not being good enough towards herself. She always felt that she was extremely ugly and not smart compared to her younger sister, Susan. She thought she was perfect. She was the typical “Shirley Temple” image.
As a child, Emily seemed to grew up in the lap of luxury, her father took great
Emily’s isolation is evident because after the men that cared about her deserted her, either by death or simply leaving her, she hid from society and didn’t allow anyone to get close to her. Miss Emily is afraid to confront reality. She seems to live in a sort of fantasy world where death has no meaning. Emily refuses to accept or recognize the death of her father, and the fact that the world around her is changing.
From the beginning of Emily's life she is separated from those she needed most, and the mother's guilt tears at the seams of a dress barely wrinkled. Emily was only eight months old when her father left her and her mother. He found it easier to leave than to face the responsibilities of his family's needs. Their meager lifestyle and "wants" (Olsen 601) were more than he was ready to face. The mother regrettably left the child with the woman downstairs fro her so she could work to support them both. As her mother said, "She was eight months old I had to leave her daytimes" (601). Eventually it came to a point where Emily had to go to her father's family to live a couple times so her mother could try to stabilize her life. When the child returned home the mother had to place her in nursery school while she worked. The mother didn't want to put her in that school; she hated that nursery school. "It was the only place there was. It was the only way we could be toge...
At the beginning of the story Emily is just an ordinary little girl, but as the story continues she begins to feel herself changing. By the end of the story, Emily has gained self-consciousness and thinks of herself not as an ordinary little girl but as “Emily”.