In both Laura Esquivel’s Like Water for Chocolate and Robinson Jeffers’ Medea hypocrisy and familial oppression engender subversion of societal convention and gender norms in Medea and Tita; who thus strive to attain justice and defeat their oppressors, albeit through different means. It appears as though, in both works, it is the acts of the family and society against the women, which consequently extinguish or smother some sort of romantic love, that are the root cause of their subversive actions. Needless to say, both protagonists strive to uproot their oppressors and either enact vengeance or kindle a romance. Both women go against their pre-designated role in society, and at times ironically dominate over their male counterparts. The way both characters finally attain freedom and defeat their oppressor is by directly defying them, by going against established cultural and gender roles. Incidentally the feminist sentiment that naturally accompanies this is purposeful, and is used by the authors to show how women need to be powerful in order to attain what they want in a male dominated society. The final ways they conquer their oppressors is by freeing themselves symbolically and becoming outsiders that are away from the all too unjust world they knew.
In both works the protagonists act in opposition to the established cultural roles society has dealt them. In ancient Greek society, women were controlled by their father before they were married, and controlled by their spouse once they were married; Medea opposes this convention and ultimately succeeds in overthrowing it. In fact the theme of reversal of gender roles pervades the entire text. This is exemplified when at the end of the play Medea domineeringly states, “Now of...
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...e once both characters were blissfully in love, the same love was denied to them; as such both characters changed by becoming outsiders and breaking free of the gender and social roles they were cast. Moreover both characters directly confront their oppressors and symbolically free themselves. Most importantly Tita and Medea are shown as strong and masculine in comparison to the males in both novels. Both authors purposely depict the protagonists in opposition to societal convention to show just how hypocritical and unjust the society really is. So in a sense Tita and Medea are not really outsiders or outliers who “subvert” societal convention; in actuality they are just strong women who will not stand for injustice and find a way to get what they deserve. Whether they accomplish this through brutal revenge or sensual cooking both characters prevail.
Throughout the whole story, you are torn with emotions between the characters. At first, you feel sorry for Medea. Her husband, who she has saved from death, has left her for another woman. She has been "all/obediant" their entire marriage, transforming herself into the sort of wife required by society. You can't help but sympathize with her.
Medea and Antigone are two stories of women fighting back for what they want, or what they feel is right. These stories take place in ancient Greece, around the time of its rise to power. Medea and Antigone are both strong, sometimes-manipulative characters but have different moral settings that control what they do.
She brilliantly conveys this message by incorporating the theme of self-liberation in both stories, while contrasting the means by which each character achieves freedom. By creating two stories that both compare and contrast, the author presents the choice between two roads to freedom. How will women redefine the behaviors that are expected of them and liberate themselves from oppression? The challenge comes in breaking the cycle of revenge, choosing the freedom of forgiveness over the captivity of resentment, and crossing the border into true
Both Ernest Hemingway’s Hills Like White Elephants and John Steinbeck’s The Chrysanthemums portray oppressed female characters in the early 1900s. In Hemingway’s short, Jig is oppressed by her lover known only as “The American,” whereas, the main character in The Chrysanthemums, Elisa Allen, feels the weight of oppression from society (male dominated) as a whole. Although the driving force of the two women’s subjugation varies slightly, their emotional responses to such are what differentiate the two.
The tragic play Medea is a struggle between reason and violence. Medea is deliberately portrayed as not a ‘normal woman’, but excessive in her passions. Medea is a torment to herself and to others; that is why Euripides shows her blazing her way through life leaving wreckage behind her. Euripides has presented Medea as a figure previously thought of exclusively as a male- hero. Her balance of character is a combination of the outstanding qualities of Achilles and Odysseus.
Euripides shows his views on female power through Medea. As a writer of the marginalized in society, Medea is the prime example of minorities of the age. She is a single mother, with 2 illegitimate children, in a foreign place. Despite all these disadvantages, Medea is the cleverest character in the story. Medea is a warning to the consequences that follow when society underestimates the
In ancient Greece, women lacked many of the fundamental rights held by men. Medea feels that this is unjust. These feelings are shown on page 195 when Medea states “...we must pay a great dowry to a husband who will be the tyrant of our bodies; and there is another fearful hazard: whether we shall get a good man or a bad. For separations bring disgrace on the woman and it is not possible to renounce one’s husband…” After being rejected by the one she loved, she beings to question the morals of those around her. She assumes that Greek women are weak and naive for allowing men to treat them this way; allowing men to cast them away at their heart’s content.
Ironically, Medea’s actions are similar to a man when she takes charge of her marriage, living situation, and family life when she devices a plan to engulf her husband with grief. With this in mind, Medea had accepts her place in a man’s world unti...
Throughout history society has been controlled by men, and because of this women were exposed to some very demanding expectations. A woman was expected to be a wife, a mother, a cook, a maid, and sexually obedient to men. As a form of patriarchal silencing any woman who deviated from these expectations was often a victim of physical, emotional, and social beatings. Creativity and individuality were dirty, sinful and very inappropriate for a respectful woman. By taking away women’s voices, men were able to remove any power that they might have had. In both Alice Walker’s “The Color Purple” and Kate Chopin’s “The Awakening”, we see that there are two types of women who arise from the demands of these expectations. The first is the obedient women, the one who has buckled and succumbed to become an empty emotionless shell. In men’s eyes this type of woman was a sort of “angel” perfect in that she did and acted exactly as what was expected of her. The second type of woman is the “rebel”, the woman who is willing to fight in order to keep her creativity and passion. Patriarchal silencing inspires a bond between those women who are forced into submission and/or those who are too submissive to maintain their individuality, and those women who are able and willing to fight for the ability to be unique.
Medea and Lysistrata Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason, whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society. Despite the contrast in the characters of Euripedes' Medea and Aristophanes' Lysistrata, the two playwrights depicted how gender inequality can start a fire.
Women’s lives are represented by the roles they either choose or have imposed on them. This is evident in the play Medea by Euripides through the characters of Medea and the nurse. During the time period which Medea is set women have very limited social power and no political power at all, although a women’s maternal and domestic power was respected in the privacy of the home, “Our lives depend on how his lordship feels”. The limited power these women were given is different to modern society yet roles are still imposed on women to conform and be a dutiful wife.
This mutual suffering between Medea and the Chorus raises issues such as the treatment of women at the time when this play was written. When Medea married Jason, she married herself to him for life. She was expected to be totally obedient and to accept whatever her husband willed. For her to look upon another man other than her husband would have been totally unacceptable. Whereas Jason marries another woman while he...
In conclusion, the poem “Medusa” challenges subordinate traits of women. Duffy strips both the female protagonist and the male character of their names and titles in the poem thereby making them equal. She also illustrates women as domineering shown by the defeat of the male personae. This is Duffy conveying the fact that women are as valued as men regardless of stereotypical attributes and concepts of society.
... takes matters into her own hands and doesn’t wait for a man to handle things for her. Also, her internal conflict that is visible throughout the entire play signify that she actually thinks for herself, and is strong enough to need to make serious decisions on her own, regardless of her gender. All of this goes back on the traditional Greek society, and helps make Medea into a play that is ahead of its time. With Euripides challenging the notion of misogyny, he creates Medea to show how powerful and dangerous a woman can be in a story, even though it was never heard of in the modern eras.
Medea was a very diverse character who possesses several characteristics which were unlike the average woman during her time. As a result of these characteristics she was treated differently by members of the society. Media was a different woman for several reasons; she possessed super natural powers , she was manipulative, vindictive, and she was driven by revenge. The life that Medea lived and the situations she encountered, (one could say) were partly responsible for these characteristics and her actions.