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Love in literature essay
Love in literature essay
Love in literature essay
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In All the King’s Men, Jack Burden repeatedly has difficulty relating to the world, and is constantly plagued by cynicism and apathy for the people that surround him. One cause of this is his mother, Mrs. Murrell, who Jack never mentions except for when he returns home to Burden’s Landing. Because of his mother’s relationship with men, Jack neither feels close nor distant towards her, creating a strange limbo state between motherly love and the physical love she offers to her many husbands. Jack is therefore affected by her choices in marriage negatively, and distrusts women and cannot have a healthy love life because of her influence when he was a child. Because of his mother’s ability to attract men, the issue of the identity of a father figure in his formative years, and the Oedipal tendencies that his mother shows towards him, Jack is stunted when it comes to having a healthy relationship and relating to his own family. First, Jack’s mother has the uncanny ability to attract men of all ages and backgrounds, despite her age, and ‘was the kind of woman who had to have men around and had to make them dance to her tune’ (Warren 110) to make herself feel secure and loved. This has led to many marriages, all of which except for the current one to the Young Executive, of which Jack had ‘wondered how permanent they were’ (Warren 115), had ended in divorce. Jack recalls that his young self watched all of these marriages disintegrate, and as a result never expected a continuous lifestyle or a father figure to look up to. The strange thing about Jack and his mother is they both pretend that their relationship isn’t strained by these issues every time he returns home to Burden’s Landing. However, he cannot stand to be near his mother ... ... middle of paper ... ... trust his mother, and often isn’t able to take many of the women that surround him seriously. Through the novel, Jack is unable to fully contemplate or experience a truly healthy relationship, no matter whether it is between his mother and himself or from observing the interactions between Willie and his wife Lucy. His inability to carry on a healthy relationship with Anne, a woman who he sincerely loves, stunts him emotionally and turns him cold to the world and the people that he works with. But the sources of all of these troubles all originate in his early years in Burden’s Landing, where his mother’s needs eclipsed those of her own child, and as a result injure him later in his life. Ultimately, Jack and his mother’s strained relationship drive him away from any chance of a normal family life and continue to create tension through his adult years as well.
...176). History provides a moral and spiritual point of reference for each new epoch. In All the King’s Men, Jack Burden the historian discovers that the past, honestly considered, does not deceive, nor do its vivid object lessons lead men astray. As Jack replays in his memory the actions of the characters (including himself) in the drama of his life, he grows to understand the roles played by those characters in his spiritual development, and to love them for their true nature. By contemplating the past in this manner, Jack builds out of truth and time a foundation that will raise him to stand strong in an uncertain future.
Jack's disgust in colored people and assertion of his hate toward Negroes impact Clare Kendry, his wife, to re-estimate her value of life. When Clare and Irene run into each other at the restaurant, Clare is confident of her `passing' and is even sorry to those who didn't do the same thing. Passing to the white society is "even worth the price" to Clare (160). She believes that wealth is everybody's final desire and by passing she achieves that in a "frightfully easy" way (158). However she doubts her confidence on her passed life since the tea party in her house.
Chelsea, the daughter of Ethel and Norman, is at a very difficult stage in her life. She has divorced already and is back in the dating game, this time her partner is a dentist named Bill who has a 13 year old son, Billy. Billy stays with her parents while her and Bill travel around Europe, and elope in Brussels, consequently causing her boyfriend’s son to become her step son. Step parent/step children families are becoming increasingly commonplace now. Divorce and remarriage rates are higher now than ever in the past, and with that comes a rise in the blended family. The relationship between Billy and his step mother, Chelsea, seems quite amiable. Though she is an adult now, her father’s acceptance is something that Chelsea has always craved. After returning from Europe, much to her delight and dismay, she learns of how well Billy and her father got on while she was away, despite the initial
Janie’s previous husbands—Logan and Joe—and Arvay’s husband, Jim Meserve, “sometimes play more the role of substitute parent than that of a husband” (Roark 207). Clearly, this type of relationship impedes one’s self-actualization (including the recognition of one’s personal desires and aspirations). While a father figure is completely...
Before Mrs. Ames and the mother realize the restrictions of their old lives, their worlds have been full of disillusionment and ignorance. Mrs. Ames, for example, is oppressed by her husband’s silence and the search for love and tenderness from anyone, because she lives each day alone, ignored by her scornful husband. And, as a result of being left companionless, she does not mature, rather she longs for tenderness. In other words, Boyle explains her dysfunctional relationship with her husband, “The mystery and silence of her husband’s mind lay like a chiding finger of her lips. Her eyes were gray for the light had been extinguished in them” (57). That is, Mrs. Ames’ spirit remains oppressed by her husband who treats her as a child, and, in doing so, isolates her from his world.
Indeed, even in disrespect, Jack extends a powerful appeal, and I could not resist the chance to groove for Jack as he over and again attempts to make peace with his withering father just to fuel old injuries. At the same time, to concentrate on Jack 's tormented soul, as such a variety of commentators have done, is to copy a damage that Robinson censures inside of the novel—that of ignoring and underestimating the condition of Glory 's spirit. It is she who comes to know Jack better than anybody in the family, and it is her enthusiastic intelligence that spares him for quite a while. Since Robinson portrays the activity from inside of Glory 's point of view, it is maybe most exact to say that Home is the story not of an extravagant child but rather of a sister 's cherishing, struggling attempt to bring the prodigal son back into the
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
Jack is a small weak kid who Is smart and funny. One challenge Jack faces in the book is
This becomes clear in his attitude towards Jack, and how Arthur finds it humorous that Jack is even with Brenda, who Arthur believes is too strong a woman for him. Lewis states “Jack’s position as cuckolded husband is, for Arthur, deserving of disrespect rather than sympathy” , however this could be seen as Arthur comparing Jack to men in the army, rather than people in the community he lives in. This therefore forces Arthur to believe he is in a higher social category than him, and he is cognitively mapping him, by believing he is above Jack in terms of women, masculinity and work, due to working in the
...e on her part. Throughout the story, the Mother is portrayed as the dominant figure, which resembled the amount of say that the father and children had on matters. Together, the Father, James, and David strived to maintain equality by helping with the chickens and taking care of Scott; however, despite the effort that they had put in, the Mother refused to be persuaded that Scott was of any value and therefore she felt that selling him would be most beneficial. The Mother’s persona is unsympathetic as she lacks respect and a heart towards her family members. Since the Mother never showed equality, her character had unraveled into the creation of a negative atmosphere in which her family is now cemented in. For the Father, David and James, it is only now the memories of Scott that will hold their bond together.
After a decade of not seeing his mother and brother, Howard returns to his hometown in Mississippi. It is evident how thrilled he is. As the train approaches town, he begins “to feel curious little movements of the heart, like a lover as he nears his sweetheart” (par. 3). He expects this visit to be a marvelous and welcoming homecoming. His career and travel have kept his schedule extremely full, causing him to previously postpone this trip to visit his family. Although he does not immediately recognize his behavior in the past ten years as neglectful, there are many factors that make him aware of it. For instance, Mrs. McLane, Howard’s mother, has aged tremendously since he last saw her. She has “grown unable to write” (par. 72). Her declining health condition is an indicator of Howard’s inattentiveness to his family; he has not been present to see her become ill. His neglect strikes him harder when he sees “a gray –haired woman” that showed “sorrow, resignation, and a sort of dumb despair in her attitude” (par. 91). Clearly, she is growing old, and Howard feels guilty for not attending her needs for such a long time period: “his throat [aches] with remorse and pity” (par. 439). He has been too occupied with his “excited and pleasurable life” that he has “neglected her” (par. 92). Another indication of Howard’s neglect is the fact that his family no longer owns the farm and house where he grew up. They now reside in a poorly conditioned home:
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
the novel Jack only sought to fill needs that were necessary to survive. This can be seen when
At the end of the story, Jack realizes that blending in with society is not ideal. He regrets the past decade that was full of loss and regret when it could've been full of trust and love. People may be tempted to make unwise decisions to blend in with society. But think about it: the world is like a crowded marketplace. If you don’t stand out, you are invisible. Unique qualities define your identity. Without them, you are not yourself. At least on Qingming, the mother’s poor spirit can rest easy, knowing her son is with her in heart, but that can never make up for the years of hurt and betrayal directed at
First, they had always had communication issues. Abagail was referred to as slightly resentful of being a mother, even more so after Buckley was born. It is alluded to that Jack was unaware of her feelings about her position in life. Beyond prior communication issues, not a single member of the family truly communicated their needs or feelings until the end of the book. Any expression that was made seemed to be minimized or disregarded, especially between the parents. In addition to communication issues, each member struggled to find their new place in the family. Jack and Abagail had to get used to being parents of two children instead of three. Additionally, Jack eventually had to adjust to his new role as a single father and then back to a husband and father. Abagail’s family role eventually became that which I would call the “prodigal mother and wife” in that she simply left for years only to return and find the desire to re-join her family. As far as the children go, Lindsay had to move past her role as middle child and her self-perception as the sister of the dead girl and embrace her role as the older sister. She may have even played a minor role as caretaker and support for her brother and father. In contrast, Buckley remained the little brother and due to his age at the time of the tragedy, had no noticeable familial role adjustments. While each family member grieved very differently, they were eventually able to find their own peace and come back together as a whole, functional