In the nineteenth century, the innovation and invention of new technology took off. More inventions and innovation came out of the nineteenth century up until World War I than any other time period in history. From the concept of time, the improvement of transportation, and even the telephone; the camera has definitely made its mark in history. In 1839, the camera had gradually become the new major medium used in the nineteenth century. It was the invention that changed artwork and gave everyone a new way to represent itself to the world. Gay-Lussac called it “a new art form in a new civilization.” Photography represented Paris in three major ways. The new technology influenced a new way of painting where the artist began capturing their subjects in action versus a still portrait pose. And with the Daguerreotype being available to everyone in the public, it was becoming easy to travel to Paris for events. The regular working class people and artists to go to Paris to see the city and bring imaged back home. And finally, because of how photography represented Paris, the tourism industry began to grow gave the city of Paris the money and inspiration to reconstruct their city into the city we picture it to be, a city full of change, innovation, and excitement.
The camera obscura was “is an optical device that projects an image of its surroundings on a screen. It is used in drawing and for entertainment, and was one of the inventions that led to photography. The device consists of a box or room with a hole in one side. Light from an external scene passes through the hole and strikes a surface inside where it is reproduced, upside-down, but with colour and perspective preserved. The image can be projected onto paper, and can then be...
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...rove itself so it could actually make its mark on the world map. Millions of people still go to Paris today to get the picture that best represent Paris, but photography will forever represent all cities and countries visited by others.
Works Cited
1) Bajac, Quentin, Elizabeth Siegal, and Francesco Zanot.Photography: The Origins 1839-1890. Milan, Italy: Skira Editore, 2010.
2) Benjamin, Walter. Paris-The Capital of the Nineteenth Century. Illuminationen: Suhrkamp Verlag, Frankfurt am Main, www.nowherelabs.dreamhosters/paris capital.pdf (accessed November 28, 2013).
3) Cohen PhD, Kathleen, James Bonacci, and Judy Parsons. San Jose State University, Accessed December 3, 2013. gallery.sjsu.edu/paris/mass_produced_art/frameBIBLIO.htm.
4) Markwood, Jill. "Photograph'ys Influence on Painting." Accessed November 4, 2012. www.agorajournal.org/2010/Markwood.pdf.
Prior to the invention of the daguerreotype, the Camera Obscura was the main optical instrument that was used to project images onto paper. The Camera Obscura was a device in the shape of a box that allowed light, which was being reflected from the images that the user was intending to capture, to enter through an opening at one end of the box to form an image on a surface and an artist would then trace the image to form the most accurate impression of an image at that peri...
Camera Lucida was Roland Barthes’ last written piece, published posthumously in 1980. This book deals with the topic of photography and the death of Barthes’ mother in 1977. The role of photography is questioned; he asks what about photography makes it a valid media? We read about the operator (the photographer), spectrum (the subject) and spectator (the viewer), also about the studium (what we see in the photograph) and the punctum (the unclassifiable, the thing that makes the photograph important to the viewer). According to Barthes the photograph is an adventure for the viewer, but it is ultimately death, the recording of something that will be dead after the picture is taken. This idea is the main focus of Barthes’ writing, the photograph “that-has-been”, in Latin “interfuit: what I see has been here, in this place which extends between infinity and the subject; it has been here, and yet immediately separated; it has been absolutely, irref...
Newhall, Beaumont. The History of Photography: from 1839 to the present. New York: Museum of Modern Art. 1982.
5 Light, Ken. Tremain, Kerry. Witness in our Time: Working Lives of Documentary Photographers. Washington and London: Smithsonian Institution Press, 2000.
In the chapter, “The Mirror with a Memory”, the authors, James Davidson and Mark Lytle, describe numerous things that evolved after the civil war, including the life of Jacob Riis, the immigration of new peoples in America, and the evolution of photography. The authors’ purpose in this chapter is to connect the numerous impacts photography had on the past as well as its bringing in today’s age.
The first type of using light to make a picture was the daguerreotype. Both Louis Jacques Mande Daguerre and Nicephore Niepce, who passed away before the public was introduced to the daguerreotype, founded this type of picture taking. However, before this Louis Daguerre made a "theater without actors." Beaumont Newhall explains that this was an illusion made by extraordinary lighting effects that made the 45 ½ foot by 71 ½ foot pictures appear to change as one looked at them (2).
Photography developed as an art form primarily in the mid to late 19 th century, partially as an alternative to lengthy sittings for a painted portrait. As a result, many of the early photographs were formal, posed still portraits. Some view...
Rosenblum, Naomi. A World History of Photography. New York, NY : Abbeville Publishing Group, 2007.
The phrase Paris capital of modernity refers to the time in the second half of the nineteenth century when Paris was considered one of the most innovative cities in the world. This was largely a result of Haussmann’s renovation of the city between 1851 and 1869. A Prefect of Paris under Napoleon III, he transformed Paris into a city with wide streets, new shops and cafes, and a unified architecture.
1. Hunter, Sam and Jacobs, John. Modern Art, 3rd Edition. The Vendome Press, New York, 1992.
"A photograph is not merely a substitute for a glance. It is a sharpened vision. It is the revelation of new and important facts." ("Heilbrunn Timeline of Art History."). Sid Grossman, a Photo League photographer expressed this sentiment, summarizing the role photography had on America in the 1940’s and 50’s. During this era, photojournalism climaxed, causing photographers to join the bandwagon or react against it. The question of whether photography can be art was settled a long time ago. Most major museums now have photography departments, and the photographs procure pretty hefty prices. The question of whether photojournalism or documentary photography can be art is now the question at hand. Art collectors are constantly looking to be surprised; today they are excited by images first seen in last week’s newspapers as photojournalism revels in the new status as art “du jour” or “reportage art”.
"Modern art." Encyclopedia Britannica. Encyclopedia Britannica Online. Encyclopedia Britannica Inc., 2011. Web. 02 Dec. 2011. .
Schwartz, Donna. “Objective Representation: Photographs as Facts.” Picturing the Past: Media History & Photography. Ed. Bonnie Brennen, Hanno Hardt. Chicago: University of Illinois Press, 1999. 158-181.
Camera History.The first camera like devices can be seen as far back as Ancient Greece and China. This piece of early technology was called the Obscura, the invention of this was an important part in developing cameras and photography. A camera Obscura is a dark closed space that is shaped like a box with a hole on the other side of it. The light that comes through the tiny hole projects an image that meets the wall of the box. The image was then drawn by an artist; however, the image was projected upside down.
During the 19th century, a great number of revolutionary changes altered forever the face of art and those that produced it. Compared to earlier artistic periods, the art produced in the 19th century was a mixture of restlessness, obsession with progress and novelty, and a ceaseless questioning, testing and challenging of all authority. Old certainties about art gave way to new ones and all traditional values, systems and institutions were subjected to relentless critical analysis. At the same time, discovery and invention proceeded at an astonishing rate and made the once-impossible both possible and actual. But most importantly, old ideas rapidly became obsolete which created an entirely new artistic world highlighted by such extraordinary talents as Vincent Van Gogh, Eugene Delacroix, Paul Gauguin, Paul Cezanne, Toulouse-Lautrec, and Claude Monet. American painting and sculpture came around the age of 19th century. Art originated in Paris and other different European cities. However, it became more popular in United States around 19th century.