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Music and its healing power
Music and its healing power
Music and its healing power
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In answering the question ‘how’ is spirituality mediated through choral music, I think it important to consider what spirituality is in the context of its influence on everyday society. Christian theology says that spirituality is “a quality or practice of the inner life of God before it is a human quality or practice” (http://exhumator.com/00-047-00_esoteric-religious-spiritual-christian-spirituality.html). It is because of shared ideas, perspectives, attitudes and themes – all of which can be influenced by the media in general and music as one specific example – that human conflicts can be mitigated and knowledge nurtured, enhancing the sense of self and broadening the power to amaze and engage. Spirituality in music is about stepping outside the ordinary, and the Christian Eucharistic acclamation ‘great is the mystery of faith’ lays weight to the spiritual connection between humankind and the other-worldly, something that has no boundary and affords breadth of expression and meaning. What makes choral music important is the way it is experienced in a spiritual sense, as reconciliation between God and humankind. To understand music in this way is to understand what it says about God. As popular culture appeals to a broad public, so spirituality reflects this sense of understanding and engagement, which helps change outlooks of more established disciplines and breaks down the barriers in response to the needs of society.
The origins of choral music are found in traditional music where group singing was widespread in traditional cultures. Choral music as a symbol with many meanings within the Christian faith is the key that lets the individual set the spiritual universe in motion and then sit back to watch and listen. It...
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... sung at the funeral of the Princess of Wales resounded worldwide in a shared sense of loss. In whatever style, music is the closest we come to expressing the inexpressible and often surpasses the limits that words cannot bridge and draws the participant closer to the spiritual sense of self-awareness as well as realising the intricacy and intimacy of shared experience and harmony with the other.
Works Cited
Sacks, S. (1999). The Connection between Spirituality and Songs. Retrieved from http://www.chiefrabbi.org/ReadArtical.aspx?id=1309
Macdonald, F. (2008). The Psalms and Spirituality: A study of meditative engagement with selected psalms amongst Edinburgh students. http://www.era.lib.ed.ac.uk/handle/1842/2615
Christian Spirituality. (2009). Retrieved from http://exhumator.com/00-047-00_esoteric-religious-spiritual-christian-spirituality.html
And so in answering How does Brueggemann build bridges between form criticism of the Psalms, theology and spirituality?' I shall be addressing spirituality in a Christian transformative understanding and from a secular formative spirituality understanding.
On November 16th, 2013, I attended a concert choir, fall choral concert. This event took place on the Wheaton College Campus, in the Edman Chapel at 7:30 pm. The chapel was well-lit, with long pews for the audience to be seated. The concert began with the audience looking up into a balcony, where the ensemble stood in neat rows. They watched the conductor, who stood on a stage in front of the audience, waiting for their cue.
The human ability to perceive sound is often taken for granted and is erroneously considered, by most, to be secondary in importance to sight. It is true that our primary understanding of the world develops through sight, but sound is responsible for our ability to communicate with one another through both concrete and abstract means, as well as for defining the nuances that shape our surroundings. Without sound, humans would be alienated in their own uncertainty; unable to express the fears and aspirations which are common to our condition. Sound has the unique ability to transcend boundaries, cultures, and ideologies through speech, music, and the noises which we distinguish categorically through memory and experience. It is this transcendental quality of sound which Florian Henckel von Donnersmarck chose as a central theme in the film “The Lives of Others”. The film expresses beautifully the effect that music and language have upon our ability to feel empathy and compassion. The use of sound in the film explores the human potential for change and transformation from our basest instincts toward nobler causes.
African American religious music is the foundation of all contemporary forms of so called “black music.” African American religious music has been a fundamental part of the black experience in this country. This common staple of the African American experience can be traced back to the cruel system of slavery. It then evolved into what we refer to today as gospel music. The goal of this paper is to answer three main questions. What are the origins of African American religious music? How did this musical expression develop into a secular form of music? What is the future of African American religious music? These questions will be answered through factual research of African American traditions, artists, and various other sources.
this time, gospel music was a sacred folk music with origins in field hollers, work songs,
Gospel music began in the cotton fields of the old south. It originates from slaves singing songs of freedom about Jesus and has integrated into today’s music. Gospel music is a standard version of sanctified music that has encouraged Christian beliefs and stimulated the practice of Christian ethical principles, both inside the context of worship services and as music entertainment. Gospel music began with Thomas A. Dorsey, the Father of Gospel Music. Gospel, mean "good news," it was given the name because of the books of the Old Testament with the gospels.1
The blues is a music genre that laments inequality, while expressing sensitive distress for death of loved ones, optimism for an improved life, trade, and cash. The central idea of blues performances is that after listening or performing the blues, one is able to overcome grief and ov...
Music has been relevant in Christianity since its beginnings. Some of the first music was written in Latin and they were called Hymns. “Hymn is a song of praise” (Van Camp) and were sung only by catholic churches. When Martin Luther led the Protestant Reformation and helped create Protestant Christianity, he began translating hymns into German. All around Europe people were translating hymns into different languages. These translations were brought over by European settlers coming to America and were used frequently in both Catholic and Protestant churches.
Many people usually never think about the way they will die or how they will be remembered. No one will ever exactly know what to expect but creative writers help readers understand the inevitable path everyone will eventually take. In the poem “And Death Shall Have No Dominion” by Dylan Thomas, he explains how death will happen to everyone but the memory of those dead will be remembered. Similar to the powerful poem by Thomas, Michael Robbins’ recent poem “Not Fade Away” reminds the readers about the music artists whom have died and their legacies that carry on through different generations but in the end he is afraid to die. Both poems are inspired by older works of literature and share the common theme of death with their use of imagery despite not having similar characteristics like rhythm and rhyme scheme.
A type of music which was and is part of many today is soul. It is said that the church is its home. The term soul first applied in the late 1950...
...nt ideas were practiced. These differences in faith are shown through the music because in Play of Virtues the message is teaching about good and evil and is very god fearing. In “Sing Joyfully” the music is more about praising and being alive which reflects that period of individualism and a sense of redefining oneself and letting go of the harsh rules they used to follow. The differences in these pieces of music allow us to look back on society and see how far it has grown and changed since then. The transition from the strict and limited views of the Middle Ages to the open and thriving society during the renaissance has led to more transitions into societies that value creativity, expression, and a mixture of cultures. The influences from these previous eras and their cultural contributions helped to create the vast and amazing music we are able to have today.
When words fail, music speaks, that is what they say, and it is the truth. People think to listen jazz and blues when they are sad with a broken heart or when they are in love, lose their job. However, in the begging, when jazz and blues were not jazz and blues yet, when everything was to start the rhythms full of happiness predominated. The first jazz and blues musicians where African slaves or ex-slaves, so there heritage it was strong, and the music used to accompany spiritual, works and social functions. The blues was the first one the base for the jazz, the rock’s roll and the country. It was born in the south, but then was moved to Chicago. Why Chicago? A city that in that time was full of rules with the prohibition with one bring the gangs that started to command the city. Nevertheless, Chicago a city with many possibilities for the African American that was looking for work. So all that young people moved to Chicago, making the city overflow with colors, good music and many rhythms, this movement influence till now not just Chicago, but people for all around the word, all this change all way to listen jazz and think about it.
Music is one of the most fantastical forms of entertainment. Its history stretches all the way from the primitive polyrhythmic drums in Africa to our modern day pop music we listen to on our phones. It has the ability to amaze us, to capture our attention and leave us in awe. It soothes the hearts of billions, and it is so deeply rooted in my life that it has touched my heart as well. Everyday I walk to the beat of the song stuck in my head and hum along to the melody. For me, to listen to music be lifted into the air by the hands of your imagination and float around for a while. You forget about your worries, your troubles and find peace within the sound. Every chapter in my life is attached with a song. Every time I listen to a certain song, thoughts of my past come flooding back
person is in, there is a psalm to match it. For example, Psalm 19 is
Funeral Blues by W. H. Auden is a short poem that illustrates the emotions that he is dealing with after the love of his life passes away. The tone of this piece evokes feelings that will differ depending on the reader; therefore, the meaning of this poem is not in any way one-dimensional, resulting in inevitable ambiguity . In order to evoke emotion from his audience, Auden uses a series of different poetic devices to express the sadness and despair of losing a loved one. This poem isn’t necessarily about finding meaning or coming to some overwhelming realization, but rather about feeling emotions and understanding the pain that the speaker is experiencing. Through the use of poetic devices such as an elegy, hyperboles, imagery, metaphors, and alliterations as well as end-rhyme, Auden has created a powerful poem that accurately depicts the emotions a person will often feel when the love of their live has passed away.