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Gender stereotype in disney
The effects of Disney princesses on girls
Gender roles and stereotypes in disney movies
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When we think of Disney princesses, we think of beauty and song. We also have the vivid vision of true love’s kiss and a castle in the clouds. Disney has received major criticism because some feel as though the model for Disney princesses perpetuates a weak female image. “In these animated worlds, good women are domesticators and resources; bad women are evil, greedy, individual perversions of natural orders; men ultimately hold procreative and productive dominion as civilizing forces in these worlds” (Bell, Haas, and Sells 11). It seems as though the Disney creators have heard the critics and have striven to change it. The most recent Disney movies celebrate a new Disney princess model, one that is much more independent and self-assured than the earlier models. Not all female characters are Disney princesses and some of the supporting female characters are strong. The princess is defined as the main character in various selected animated movies. From Snow White to Frozen, these princesses have influenced young girls all over the world and helped shaped the way these girls dreamed. The issue comes in the content of these dreams; some say that these princesses perpetuate gender roles that do not encourage strong female traits. In her article entitled What’s Wrong With Cinderella, Peggy Orenstein struggles with the dilemma of whether or not to discourage her daughter from playing princess, “I worry about what playing Little Mermaid is teaching her”.
Traditionally the princess’s roles have projected the importance of domesticity. The idea that a woman’s main skill should be to be able to cook, clean and care for a household. In addition to domesticity a woman should strive to attain the ultimate goal of marriage. The idea that a ...
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...tion. From Mouse to Mermaid: The Politics of Film, Gender, and Culture. Bloomington: Indiana UP, 1995. 1-17. Print.
Cokely, Carrie L. ""Someday My Prince Will Come": Disney, the Heterosexual Imaginary and Animated Film." Thinking Straight: The Promise, the Power and Paradox of Heterosexuality. By Chrys Ingraham. New York: Routledge, 2005. 167-80. Print.
Gubar, Susan. "Snow White and Her Wicked Stepmother." The Classic Fairy Tales: Texts, Criticism. By Sandra M. Gilbert. New York: Norton, 1999. 291-97. Print.
Orenstein, Peggy. "What's Wrong With Cinderella?" Editorial. The New York Times 24 Dec. 2006: n. pag. NYTimes.com. The New York Times. Web.
Tatar, Maria. The Classic Fairy Tales: Texts, Criticism. New York: Norton, 1999. Print.
Zipes, Jack. "Breaking the Disney Spell." The Classic Fairy Tales: Texts, Criticism. New York: Norton, 1999. 332-52. Print.
Media is a powerful agent in entertaining children. It also influences and teaches the youth of society the suitable and appropriate gender roles that they inevitably try to make sense of. The power of media is very influential especially in the minds of the youth. Disney movies target the youth and plant certain ideas and concepts about social culture into the vulnerable minds of children. Media uses gender to its advantage, just like Disney productions. Humorous caricatures reveal some harsh realities about the portrayal of Disney Princesses in many movies made by the Walt Disney Company. Disney mixes innocence with the ultimate form of fantasy to capture an audience. Predominantly, Disney helps highlight the gender roles by showing the audience simply what they want to see. In the attempt to stick to the norm and portray stereotypical female characters, Disney created Princesses. Presented as damsels in distress and inferior beings to men, Disney Princesses give children an inaccurate portrayal of gender roles at a young age. Through Disney’s social success and intriguing films, such as The Little Mermaid, Snow White, Aladdin, Sleeping Beauty, Cinderella, and Beauty and the Beast, Disney Princess movies portray stereotypical representation of gender roles through the denigration of the female image, targeting and ruining the perception of youth today.
This characterization of the woman shows how she overpowers her husband, as opposed to the first wife (Snow White’s mother) who is characterized as being obedient and “sitting and sewing by a window with a black ebony frame” (Grimm 249). This characterization contrasts starkly with the dominant woman who plays the archetype of the evil stepmother. The original mother’s wishes came true as she wished for “a child as white as snow, as red as blood, and as black as the wood of the window frame” (Grimm 249). In this imagery, we are given a color palette that represents a beautiful woman (pale white skin, red rosy cheeks and black ebony hair). Anne Sexton never offers a description of Snow White’s real mother, perhaps showing the reader how it is less important whether the mother is evil or good, but rather how the stepmother and daughter relationship became muddled by the fear the stepmother had to have beauty surpass her own.
Putnam, A. (2013). Mean ladies: Transgendered villains in Disney films. In J. Cheu (Ed.), Diversity in
A little girl sits on the floor with her gaze fixed on the television screen in front of her, watching magical images dance before her eyes and catchy songs flow through her ears. Even though she had seen it at least twenty times before, she still loved The Little Mermaid just as much as she did the first time she watched it. As she watched it, she longed to be a beautiful mermaid with a curvy body and wonderful singing voice like Ariel. She longed to be saved by the handsome Prince Eric, and fall in love and live happily ever-after like Ariel did. In today’s society, women strive to achieve equality between the sexes. Despite the tremendous steps that have been taken towards reaching gender equality, mainstream media contradicts these accomplishments with stereotypes of women present in Walt Disney movies. These unrealistic stereotypes may be detrimental to children because they grow up with a distorted view of how men and women interact. Disney animated films assign gender roles to characters, and young children should not be exposed to inequality between genders because its effect on their view of what is right and wrong in society is harmful to their future.
(Cheryl 1) I love how she always refers back to the stepsisters as ugly instead of evil. This (re)telling is absolutely my favorite and I would encourage anyone with a mind to read it. Another (re)telling that really caught my attention, like I know it did many others, was the one written in France in 1697. An author named Charles Perrault proved, yet again, that Cinderella is not who everyone expects her to be. According to this article, “scholars think Perrault may have confused vair (French for “fur”) with the word verre (French for “glass”).”
Smith, Caroline. “The Not So Wonderful Word of Disney.” University of Alabama Arts & Sciences Department. Retrieved 13 Dec. 2013 from < http://www.english.uga.ed u/fyc/barnett/smith2006-07.pdf>.
Anne Sexton’s poem “Cinderella” is filled with literary elements that emphasize her overall purpose and meaning behind this satirical poem. Through the combination of enjambment stanzas, hyperboles, satire, and the overall mocking tone of the poem, Sexton brings to light the impractical nature of the story “Cinderella”. Not only does the author mock every aspect of this fairy tale, Sexton addresses the reader and adds dark, cynical elements throughout. Sexton’s manipulation of the well-known fairy tale “Cinderella” reminds readers that happily ever after’s are meant for storybooks and not real life.
...ndency on the fairy godmother and the prince encourages a meek and inactive behaviour to achieve a rewarding future (Robbins, 104). Overall, Cinderella’s behaviour is “...weak, silent and passive...” (Trousdale & McMillan, 12) which is unacceptable for a modern western woman.
In this essay, I examine what Zipes means by institutionalised, define what makes a fairy tale and evaluate how different versions of Little Red Riding Hood reflect the social ideology of the period.
Each Disney princess has different positive attributes that make her unique, the most recent Disney princesses are especially fitting in today’s society. In Jena Stephens’ analysis of the three most recent princesses, excluding Anna and Elsa, she describes Rapunzel by saying, “Her forward thinking, desire to prove she is just as capable as a man, and realistic dreaming make her a great role model for young girls”. Whether it is to become a princess and marry her true love like Cinderella or open a restaurant like Princess Tiana, all of the Disney princesses have aspirations. Jena Stephens says, “The words that Tiana sings about the necessary hard work it will take for her to reach her dream stand out as a message to young viewersone that does not covey that love is the only thing that will make girls happy”. Not only do Disney princesses have dreams but they make their dreams come true with hard work. As Liz Gumbinner described her trip to Disney World with her daughters, “The princess luncheon led to a great discussion later in our hotel room, in which we told our girls that it is okay to be strong, smart, hardworking and still dream of marrying a prince”. Disney princesses carry themselves in a humble and confident manner. The princesses are beautiful but they are not conceited. Lastly, they are never stuck up but rather loving and independent which makes their character so
From Mouse to Mermaid: The Politics of Film, Gender, and Culture. Indianapolis: Indiana University Press, 1995. 224. The s. 224-35. Print.
England, D. E., Descartes, L., & Collier-meek, M. (2011). Proquest. “Gender role portrayal and the disney princesses”. Sex Roles, 64(7-8), 555-567.
The classic tale of Cinderella is well known for the fight of overcoming great obstacles despite great odds. However, there are always a few ill-hearted people who go out of their way to cease any competition that they might face, as seen with Cinderella’s step-sisters. Samuel Jackson says is his distinguished quote, “The hunger of imagination…lures us to…the phantoms of hope,” to help develop a more defined view of a fairytale. The story of Cinderella fully embodies the ideals of a true fairytale by encompassing magic, hope, and struggle between good and evil throughout the duration of the plot.
Disney and old fairytales threaten gender politics and ideal women roles by giving certain stereotypes for domestic and personality traits. Fairytales that have turned into Disney productions have sculpted domestic roles for women that consist of cooking, cleaning and caring for the children. Disney has also created these princesses with personalities that are shy, passive, and vulnerable. The cause of these stereotypes are making individuals obliterate their own identities and becoming clones from the mold that was prepared for
Perrault, Charles. "Cinderella; or, The Little Glass Slipper." . N.p., 8 Oct 2003. Web. 1 Oct 2013.