Hope is the Thing with Letters: The Scarlet Letter by Nathaniel Hawthorne

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Heroines are portrayed as able bodied women, when in the face of danger or adversity, display courage and self-sacrifice. Hester Prynne, the female protagonist of The Scarlet Letter, is forced to wear a scarlet A on her chest because of her affair with Reverend Arthur Dimmesdale. The first impression of Hester is that she is a strong woman, grounded in her decisions to keep the father of her child secret, suffering the consequences. Throughout the novel, Hawthorne develops Hester, broken and drowning in her sin, surviving only by having hope and stifling her emotions. Hester is enveloped in her sin, seeing it in her daughter daily, feeling the strain of society, and living with the penalties of her actions. She could have run away with Pearl, leaving behind the shame and persecution and begin anew. Hester does not though; she remains in town, exiling herself and Pearl to a tiny cottage in the woods, on the outskirts of town. This is one of the many reasons why Hester is appropriately dubbed a tragic heroine. Hester hoped for a better future, one involving a more accepting culture and a life with Dimmesdale and Pearl, so she abandoned her emotions in order to escape the pain of reality.
The opening of The Scarlet Letter depicts a scene of a rose bush, so striking one cannot help but be in awe of it. Contrasting the rose bush are “gigantic pines and oaks that once shadowed it,” (Hawthorne 34). The rosebush symbolizes Hester and the trees signify the society, the powerful, menacing, and forbidding culture. Hester’s mere beauty sets her apart for the brutish women in the town, creating an even larger gap between Hester and the Puritans. She is publicly humiliated and forced to wear her letter, to set her apart, and further alienat...

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...human experience and complicates and humanizes our approach to it” (Seymour Gross 358).

Works Cited

Baym, Nina. "Thwarted Nature." Hawthorne In Salem. N.p., n.d. Web. . 6 May 2014.
Carpenter, Frederic. “Scarlet A Minus.” A Norton Critical Edition: The Scarlet Letter. Eds. Sculley Bradley, Richmond Croom Beatty, E. Hudson Long, and Seymour Gross. New York City: W. W. Norton & Company, 1978. 2nd Ed. 312. Print.
Gross, Seymour. “Solitude, and Love, and Anguish” : The Tragic Design of The Scarlet Letter.” A Norton Critical Edition: The Scarlet Letter. Eds. Sculley Bradley, Richmond Croom Beatty, E. Hudson Long, and Seymour Gross. New York City: W. W. Norton & Company, 1978. 2nd Ed. 312. Print.
Hawthorne, Nathaniel. The Scarlet Letter. New York : Dover Thrift Editions, 1994. Print.

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