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Creation stories and myths
Arcumentative about hawaii history
Hawaiian history paper
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Recommended: Creation stories and myths
As every other culture, Hawaii has its own myths and stories. Holo Mai Pele tells the creation myth of Hawaii and this myth holds the same stature for Hawaiians as Genesis for Western (Christian) cultures and Ramayana for Hinduism. Holo Mai Pele is an epic saga of the Hawaiian god of volcano Pele, and her sister Hi'iaka. The major themes present in the story are sibling rivalry, love, conflict and creation. Simultaneously, it tells a story of an individual's journey to her self-awareness and reclaiming her status as a deity. The purpose of Holo Mai Pele is to keep the Hawaiian myth alive in order to pass it down to future generations. The poetic aspects of the play make it easier to remember and interesting to perform.
The sisters show the very classical conflicts that arise between siblings. Pele being older than Hi'iaka assumes that she has the right to make decisions for herself and her sister. When Hi'iaka is young and naive, she follows her sister without questioning her authority. Afterwards as Hi'iaka grows older, her attitude towards Pele changes. Pele's temperament and her destruction of the things that Hi'iaka loved is very typical to what the world is witnessing among siblings nowadays. Occasionally, siblings completely avoid each other and forget that they are brothers or sisters. For example, famous Anglo-American actresses Olivia de Havilland and Joan Fontaine had a very furious relationship and the sisters completely stopped talking to each other (Higham). The Ambani Brothers, Anil Ambani and Mukesh Ambani, two of the richest business tycoons in the world have been known for a bitter rivalry and their attempts to become wealthier than the other. Siblings frequently try to get ahead of each other by destroying what...
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...reation in the form of songs and chanting. This makes it possible to perform in front of an audience. The Hula, also known as Hi'iaka’s song and dance, is used in performing plays such as Holo Mai Pele and in displaying other aspects of Hawaiian culture. It has always been used to promote Hawaiian culture. Holo Mai Pele has been performed many times and recordings of the performances are widely available in Hawaiian Libraries as well as on the internet. This way Holo Mai Pele has played an important role in transferring the major aspects of Hawaiian culture to future generations.
Works Cited
Kanahele, Pua Kanakaʻole. "The Pele Family." Holo Mai Pele. Honolulu, Hawaiʻi: Pacific Islanders in Communications, 2001. Xii. Print.
Higham, Charles. Sisters: The Story of Olivia De Haviland and Joan Fontaine. Coward McCann, May 1984, 257 pages. Web. 26 May 2013.
National Parks Service. "A Cultural History of Three Traditional Hawaiian Sites on the West Coast of Hawai'i Island." National Parks Service. http://www.nps.gov/history/history/online_books/kona/history7a.htm.
1.) How did the arrival of American missionaries in Hawaii affect the lives of Native Hawaiians?
Since Sister was affected the most by certain actions of the family, Welty narrated this short story through Sister’s point of view to show how the function of the family declined through these actions. Sister was greatly affected when her sister broke the bonds of sisterhood by stealing her boyfriend and marrying him. Secondly, Sister was affected by the favoritism shown by her family towards her younger sister. Since her sister was favored more than her, this caused her to be jealous of her sister. For example, Sister shows a lot of jealousy by the tone she uses when describing what Stella-Rondo did with the bracelet that their grandfather gave her. Sister’s description was, “She’d always had anything in the world she wanted and then she’d throw it away. Papa-Daddy gave her this gorgeous Add-a-Pearl necklace when sh...
Hawaiians should have rights to their own land and not let foreigners disrupt their daily habits and life. If a foreigner takes allegiance to Hawai’i they not only have the accessibility of a citizen but also the perks that go with citizenship. Foreigners would be able to marry the women of Hawai’i while they have wives back home in their previous motherland. Foreigners that are aiding to Hawai’i can stay as aliens and be just as effective. There is no need for them to gain citizenship and take an oath of allegiance for their help. If a foreigner wants a piece a land all he needs to do is take an oath of allegiance and he is able to have a piece of land. If too many foreigners enter Hawai’i, their culture will take over. The majority will consist of the foreigners and their government will take over. Too many foreigners will cause much more damage to the native Hawaiian population. The number of full Hawaiians will decrease if foreigners continue to enter the island of Hawai’i.
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In the 1960s-1970s, the Hawaiian Renaissance and growth of the Hawaiian Sovereignty Movement began. During this time there were small, yet important events that sparked a completely new understanding for the Kanaka Maoli. In the past, being a Hawaiian was not something to be proud of; many did not even have much knowledge of what being a Hawaiian really was. As Hawai‘i became more colonialized and heavily influenced by various cultures, the quality of being a Hawaiian slowly but terrifyingly disintegrated. It seems that right after statehood, there was a sense that a new era would come.
The book, Beyond The Myth: The Story of Joan of Arc, by Polly Schoyer Brooks, is a biography.
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It seems that every sibling doesn’t always have a great relationship with their older or younger siblings. In the movie “Real Women Have Curves”, we have two sisters, Anna and Estella,who seem not to get along in the beginning because of their differences, but at the end they become the best of friends because they have similar dreams and learn to support each other. The advantage of Anna and Estella’s relationship is that they benefit from each other. The whole story is that you don’t always realize how much you have in common with your siblings until you realize that you have similar dreams and can be there for each other.
...e" (Trask xix). This incident beautifully illustrates and signifies tourism's impact in American society. Like most Americans, this woman uses a discourse that has been shaped by tourist advertisements and souvenirs. The woman's statement implies that Trask resembles what the tourist industry projects, as if this image created Hawaiian culture. As Trask asserts, Hawaiian culture existed long before tourism and has been exploited by tourism in the form of advertisements and items such as postcards. Along with the violence, endangered environment, and poverty, this exploitation is what the tourist industry does not want to show. However, this is the Hawai'i Haunani-Kay Trask lives in everyday. "This is Hawai'i, once the most fragile and precious of sacred places, now transformed by the American behemoth into a dying land. Only a whispering spirit remains" (Trask 19).
The sister's fights are usually underlined with their desires to make each other into better people. The sisters are connected by their pursuit a better life causing them to push each other towards their goals. When Emily gets herself
Jealousy between siblings materializes because one of them feels overshadowed by the other. For girls, this results in a lack of confidence. If a girl loses to her sister, younger or older, insecurity builds underneath often causing hostility between them. In Eudora Welty’s “Why I Live at the P.O.,” Sister’s resentfulness towards her sister hinders her ability to become independent.
2. Keefe, Terry: Simone de Beauvoir - A Study of Her Writing, Harrap Limited, 1983.
The bond between the Bennett sisters portrays the simplest form of relationships; each sister relies on her sisters to guide her through her conflicts. According to May, “The primary sibling relationship occurs in a social environment involving networks of human interaction in which pairs of siblings of varying significance typically frame the main action of the plot, providing a background of fraternal and sororal 'white noise' against which the main discourse is set forth” (336). The sisters posses different personalities; their personalities foreshadow the success of their future relationships. Jane, the oldest Bennett, presents herself as polite and shy, wh...
The Maori myth is a Polynesian story about the creation of the universe which according to Rosenberg was different from other creation myths because it begins with nothing and then progresses through a process of “nonbeing to thought to the creation of the universe and human beings” (351). Even though it may be different because it goes from “nonbeing to thought” instead of nothingness to a spoken word or action, it has many similarities to other creation myths in how it explains the origins of the Gods and how each one represents a natural event or aspect of nature and humanity. The myth begins with an “idea” that “was remembered” and then “became conscious” and then “a wish to create”, all of which created a “power to live and to grow, even in emptiness” (352). At this point there was still no being, only thought and desire which gives the idea that what is being addressed are the human attributes of feeling, sensing, desire and thought, this is where this story is different from other creation myths.